Sunday, April 06, 2008

Chess Fight Club, Part I

A couple of weeks ago, after I’d interviewed the debonair British espionage writer Charles Cumming (Typhoon, The Spanish Game) for The Rap Sheet, he challenged me to a round or two of chess. It seems we’re both big fans of the game. We didn’t actually schedule the match, but also didn’t have to wait long to begin it, thanks to ex-CIA agent-turned-novelist Barry Eisler.

I first met Eisler in Las Vegas back in 2003, when he was at Bouchercon promoting the U.S. paperback release of Rain Fall, his debut novel and the one that introduced his Japanese-American assassin, John Rain. We literally bumped into each other in a corridor at the Riviera Hotel and Casino. Since then, I’ve encountered him at various conventions and conferences, and I shared a few glasses of Scotch with him at ThrillerFest last summer, when he and fellow Penguin authors Cumming and Nick Stone got together to celebrate Stone having won the Thriller Award for his novel Mr. Clarinet.

Eisler e-mailed me recently to say that he was flying through London, following some promotional and editorial work he’d done for his Dutch publisher in Amsterdam. He would be doing an event at Books Etc. in North London’s O2 Centre, touting the UK release of his latest novel, Requiem for an Assassin, and asked that Cumming, Stone, and I meet him for dinner afterward. I quickly rang up Cumming and told him to bring along a chess board, bandages, and a white flag. Former boxer Stone would supply the gum shield. My own training for this engagement consisted of reading Ronan Bennett’s Zugzwang, a fiendish thriller based around a chess game, as well as re-reading Typhoon, hoping to get inside Cumming’s mind a bit.

I left a bit early for the O2 Centre. I enjoy the atmosphere of North London, and was in fact there recently to attend the launch party for Laura Wilson’s novel Stratton’s War. Many authors, including those who write about the spy game and who pen historical mysteries, seem to live in this area of the British capital. It’s also been a favorite setting for espionage novels. Finchley Road, off which the O2 Centre is located, leads to the Jewish area of London, Golders Green, which allegedly contains several Mossad safehouses. As I drove down Finchley, my mind drifted back to a conversation I had a couple of years ago with American writer Robert Littell, who had used Golders Green in his 2006 novel, Legends, and who’d told me about a chess strategy that might come in handy this day.

I was smiling by the time I parked my car at O2 Centre and found Books Etc. Inside, grinning as well, was Cumming, who taunted me by waving his chess set as if it were a trophy. We were soon seated together, and then joined by mystery woman and my fellow Shots contributor Ayo Onatade, another big Eisler fan. Soon after that, my cell phone commenced ringing, with Nick Stone apologizing that he was stuck in Paris due to the recent debacle at Heathrow’s Terminal 5; we’d have to go on without him.

Eisler arrived at the bookshop sporting a dark T-shirt and brown sports jacket. He looked tired, but was soon energized when around 80 readers arrived to listen to him talk and sign copies of his books. Eisler hasn’t done a book tour in the UK, so an appearance like this was a major occurrence for his hardcore British fans. A witty speaker, Eisler not only talked about his writing habits and the Rain series, but was excited to discuss the filming of that series in Japan (as reported by Mike Stotter). On this topic, I decided to throw him something of a curve. In my namesake Ali G’s style, I asked whether he was disappointed by Dustin Hoffman’s portrayal of his assassin, John Rain, and what it felt like when Hollywood mangled one of his books. He looked dumbfounded at first, but then started to laugh as I explained, “You know ... Rain Man with Tom Cruise ... ”

After his talk, a long line of people formed in hopes of Eisler signing their books. While we waited for him, Cumming told me a little about an interesting Internet writing project he’s involved in called “We Tell Stories,” and to which he contributed a tale called “The 21 Steps.” “The story has had 80,000 hits in 12 days,” Cumming explained. “It was commissioned by Penguin as a homage to John Buchan’s [The] Thirty-nine Steps, to be written specifically for Google Maps. Five other writers from the Penguin stable are also involved, including Toby Litt and the pseudonymous Nicci French. Newsweek, The Guardian, and Süddeutsche Zeitung [one of Germany’s largest daily newspapers] have all written about it, and it has been discussed on more than 350 blogs.”

It was at this point that Cumming noticed Bennett’s Zugzwang peeping out of my book bag. This was of course part one of my psy-ops strategy to destabilize and worry Cumming prior to our match. Being well-read in the espionage genre, I know a thing or two about covert techniques. But my plan was not working, as Cumming cheerfully told me that he knows Bennett well and that the author writes a chess column in The Guardian every Monday (in conjunction with British Grand Master Dan King). Bennett apparently won a tournament in Cumming’s chess club, and is probably the strongest player in that club. It was now starting to look as if Cumming might have a chess background to rival my own. “My chess club is called the Jose-Raul Capablanca Memorial Chess Society,” Cumming said. “Set up in 2004 after my return from Madrid. We have five tournaments per year with about 30 participants. Capablanca was a Cuban Grand Master, rated one of the top five players of all time. He did very little preparation, instead relying on pure talent and instinct. The Cuban government made him a diplomat so that he could travel the world playing chess--and winning--in the name of Cuba.”

It seemed to me that Cumming was also playing the psy-ops game, which was hardly surprising, considering his contacts in Britain’s SIS and his public school background. I realized then that I might have a real fight on my hands.

After Barry Eisler finished his signing, he invited Cumming and me to join him, along with a small cadre of his avid reader fans, at the J.D. Wetherspoon bar, nearby in the O2 Centre. And while Eisler chatted there with his new friends, plus Ayo Onatade, Cumming and I ordered a couple of pints of Guinness and set up our chess board. I saw that my opponent had brought tournament clocks, but I told him to put them away, as this would be a non-time challenge. Turning up my smile again on Cumming, I told him that I’d play black this game, which gave him the advantage. And I again mulled the strategic advice Littell had shared with me:
I adore chess. It is a killer game, it’s not checkers, nor like a card game ... Chess players look calm and collected, but in their mind they are out to castrate their opponent. ... My way of playing is exactly that--to kill my opponent as brutally as I can.

And my idea [for a difficult opponent] is to make only eight to 10 moves, then scratch my head, and then look up at him, then scratch my head, then look up again with a worried expression and then say, “Well, done.” [Laughs] And then [I’d] resign, and shake his hand, ... leaving him confused as to what I had seen ahead of the game. He would then either smile and fake that he saw what I had seen ahead, or just look stupid and confused, so diabolical minds think alike.
Speaking of diabolical minds, Cumming put his on display right away when, after looking over the board, he suddenly announced that “I’ll play black,” and twisted the board around. Hey, who am I to argue with one of Britain’s top espionage writers?

I watched his first move, and responded immediately. At this point, Eisler tore his attention away from his admirers and, in our direction, said, “Looks like a grudge match.” He knew how seriously both Cumming and I take chess. What he didn’t know is that this was all part of my Littell-inspired strategy to shake Cumming’s confidence. I was now convinced that my opponent might be the strong player, and I’d need every clever move in the book--and then some--to triumph.

(Part II of this story can be found here.)

Scattershot Sunday

• As part of Penguin UK’sWe Tell Stories” project, British journalists-novelists Nicci Gerrard and Sean French--who write together under the pseudonym “Nicci French”--will put together an original piece of fiction online this week. Blogging in St. Martin’s Minotaur’s Moments in Crime, the pair explain that “It’s a story called ‘Your Place and Mine’ and we will start it tomorrow, Monday 6 April, between 6:30 p.m. and 7:30 p.m. (British time) and continue at the same time every day until we finish it on Friday--if we don’t collapse first. You can find out about it here.”

• Although most of us can’t be at NoirCon in Philadelphia this week, Peter Rozovsky of Detectives Without Borders is among those attending. And he’s blogging from the event. See his reports here. UPDATE: Also blogging about NoirCon is Mike White at Impossible Funky. His daily posts are collected here.

• When asked by The Scotsman, “What one thing would improve your life?,” Sara Paretsky answered, “To see Dick Cheney’s head on a spike over Tower Hill. It would cheer me up, if it didn’t change my world. Or maybe, as a U.S. citizen, it would improve things if women were given full equality and the full protection of the law.” Read the complete interview here.

• The March issue of Mouth Full of Bullets has been released, with some of its contents available on the Web. Look here for new short stories by Earl Staggs (“Battered”), Herschel Cozine (“Shakey’s Debt”), and Sylvia Nickels (“The Perfect Wife”), as well as flash fiction, poetry, reviews, and the final installment of S.F. Johnston’s serial, “Mr. Sparks.”

• In today’s Los Angeles Times, Scott Timberg ponders the difficulty of making films from James Ellroy’s novels.

• I wasn’t much of a Charlton Heston fan, and found his right-wing politics and ardent promotion of gun ownership rather offensive. (And weird, since Heston had started out as a Democrat and supported President Lyndon Johnson’s Gun Control Act of 1968.) But upon hearing today that Heston died last night at age 84, I couldn’t help remembering that he marched with Martin Luther King Jr. in support of civil rights and made two science-fiction films that I’ll never regret seeing: Planet of the Apes (1968) and Soylent Green (1973). National Public Radio’s Gloria Hillard recalled Heston’s long and complicated life, as well as his movie masterpieces, on this morning’s Weekend Edition Sunday. Listen to her report here.

Saturday, April 05, 2008

“I’d Like ta Kiss Ya, But I Just Washed My Hair”

If you missed it this morning on National Public Radio’s Weekend Edition Saturday, Susan Stamberg delivered an exceptional tribute to the late noir actress Bette Davis, who was born 100 years ago today. You can--and should--listen to that report in its entirety here.

Born Ruth Elizabeth Davis in Lowell, Massachusetts, in 1908, Bette Davis “made her film acting debut in 1931’s The Bad Sister,” according to one biographical sketch, penned by screenwriter-novelist Timothy Stelly Sr., “and usually played characters with tough exteriors, but who were vulnerable. Her characters usually were smart-mouthed and many of them smoked cigarettes, behavior which wasn’t considered very lady-like.” Her filmography features such classic pictures as Dangerous (1935), Jezebel (1938), Dark Victory (1939), All About Eve (1950), and of course What Ever Happened to Baby Jane? (1962). (She’d wanted to play the lead in 1939’s Gone With the Wind, but was passed over in favor of Vivien Leigh.) “In 1977, Davis became the first woman to receive the American Film Institute’s Lifetime Achievement Award,” Stelly notes, adding that
Three of her movie quotes are among the American Film Institute’s 100 greatest. They include (No. 7, from All About Eve), “Fasten your seatbelts. It’s going to be a bumpy night,” (No. 60, from Beyond the Forest) “What a dump,” and (No. 45) “Oh, Jerry, don't let’s ask for the moon. We have the stars (from Now, Voyager).

Perhaps her most memorable line was from the movie that catapulted her to stardom. In Of Human Bondage (1934) she co-starred with Leslie Howard and delivered the line, “You cad! You dirty swine! I never cared for you--not once! I was always making up to love ya. Ya bored me stiff. I hated ya. It made me sick when I had to let ya kiss me. I only did it because you begged me--ya hounded me and drove me crazy! And after you kissed me, I always used to wipe my mouth. Wipe my mouth!” Along that same tenor, In The Cabin in the Cotton (1932) she uttered the line, “I’d like ta kiss ya, but I just washed my hair.” Then again as Joyce Arden in It’s Love I’m After (1937), she quipped: “Dearest, I think you’re the lowest thing that ever crawled, but as long as I can reach out and get my hands on you, no other man will ever touch me.”
Oddly, Davis’ career began to wane after All About Eve, and she started turning to television for employment. She did an episode of Alfred Hitchcock Presents in 1959, appeared several times in the series Wagon Train, did turns on The Virginian, Gunsmoke, and Robert Wagner’s It Takes a Thief, and during the sixth season of the 1957-1966 series Perry Mason, substituted for Raymond Burr on the show while he was hospitalized. (Three excerpts from that episode, “The Case of Constant Doyle,” can be seen here, here, and here.) In 1971, Davis starred with Doug McClure in The Judge and Jake Wyler, a somewhat clever NBC-TV movie, written by the team of William Link and Richard Levinson (Columbo, Mannix, etc.), that was to serve as the pilot for a weekly crime drama. In it, Davis portrayed a retired hypochondriac judge who, with the assistance of an ex-con she had once sent up the river, is now operating a private-detective agency. Unfortunately, the network execs weren’t interested. (Two years later, however, Levinson and Link resurrected the basic concept in another series pilot called Partners in Crime, this time with Lee Grant and Lou Antonio. But that one didn’t sell either.) She finished her remarkable career by starring in a couple of Agatha Christie films, doing a short stint on the TV soaper Hotel, and appearing with Lillian Gish in The Whales of August (1987).

Davis died in 1989. On her tombstone is written, “She did it the hard way.” That may be true, but she made it look easy.

READ MORE:Blonde Bette Davis: Marked Woman,” by Raquelle (Out of the Past); “Bette Davis @ 100,” by David Hudson (GreenCine Daily); “Bette With an E: Why I Should Be Best Friends With Bette Davis,” by Kim Morgan (Sunset Gun).

AND WHAT’S MORE ... Blogger-editor Elizabeth Foxwell reminds us that today would also have been the 91st birthday of American author Robert Bloch (Psycho).

The Revolving Chair

Publisher St. Martin’s Minotaur’s Moments in Crime blog is turning out to be much better than another sales gimmick, making use of a fairly rich stable of resident authors as guest bloggers. A few weeks back, Rap Sheet contributor and author Linda L. Richards (Death Was the Other Woman) put in her two cents in, K.O. Dahl (The Fourth Man) had a go at blogging more recently, and husband-wife journalists-novelists Nicci Gerrard and Sean French--writing as Nicci French (Losing You)--have been contributing to Moments in Crime for the last several days. (You can read their entries here.)

Next week will find librarian Barbara Fister, author of the new novel In the Wind and creator of the migrating Carnival of the Criminal Minds, guesting at Moments in Crime.

That ought to be worth a look, eh?

Predilections and Predictions

Omigod, he’s back already. Mike Ripley, that is, British critic, novelist, and columnist extraordinaire. Lately, we’ve had to wait patiently each month for Shots to post his collection of touts and taunts, but here it is, barely into the soggy month of April, and his latest column is up and ready to delight. Naturally, the writer appears in nearly every photograph on the page, and naturally too, he seems to get about to every party and have a story concerning every UK litterateur of significance.

This time ’round, Ripley declaims on London’s recent Penguin crime-fiction party, the death in March of famed author Julian Rathbone, David Hewson’s “classic ‘karaoke’ approach to addressing an audience,” and the continuing creep of crucifixion into crime fiction (this time in Brian McGilloway’s Gallow’s Lane). Much to the consternation of those of us with little or no willpower to resist intriguing new books, Ripley also recommends adding archaeologist-author Tony Pollard’s first Victorian mystery, The Minutes of the Lazarus Club (due out from Michael Joseph in August), and David Downing’s Silesian Station (the follow-up to his 2007 thriller, Zoo Station) to our must-buy lists.

Oh, and the Ripster--as those of us who have never met him so fondly call Mr. Ripley--predicts that Philip Kerr’s new novel, A Quiet Flame (the sequel to 2006’s The One from the Other), will be in the running next year for the UK Crime Writers’ Association’s Gold Dagger, the Ian Fleming Steel Dagger, and the Ellis Peters Historical Dagger Award. “Philip’s new book qualifies brilliantly in all three categories,” Ripley asserts, “and I have no hesitation in tipping him to scoop a unique treble and win all three.” Having just finished reading Kerr’s latest book, his fifth Bernie Gunther novel, set primarily in Buenos Aires, Argentina (to which so many Nazis fled after World War II), I can hardly disagree with Ripley. It’s truly a magnificent, twisted story, and makes me want to revisit all of the previous titles in this series.

To dine on the full smörgåsbord of Ripley’s April column, click here.

Friday, April 04, 2008

The Crime Life List

This is the last day for readers to nominate books for The Rap Sheet’s list of “crime, mystery, and thriller novels that every fan of this genre should be sure to read before he or she dies.” We’ve had a splendid turnout so far, with nominations coming in for James Ellroy’s American Tabloid, Ruth Rendell’s A Judgment in Stone, Joseph Conrad’s The Secret Agent, Geoffrey Household’s Rogue Male, Val McDermid’s A Place of Execution, Dorothy B. Hughes’ In a Lonely Place, and so many, many more. While I don’t expect the finished list to include everything and anything, I do want it not to miss books that are truly remarkable. So if there are any that you think deserve to be included on our rundown, and you aren’t sure whether they’ve been suggested yet, please do put their names in yourself.

All you need to do to is e-mail the title and author of the book you’re nominating, plus two or three sentences explaining why you think it deserves a place on our list, to jpwrites@wordcuts.org. And in the subject line, please type “Book List.”

After all of the suggestions have been made, I shall enlist the help of several contributors to The Rap Sheet and other experts in the crime-fiction field, and narrow down the long-list to those books we can all agree are essential reading. That may take some time, as all of us are busy; but I think it’s more important to get the list right than to complete it expeditiously. We will, of course, publicize the results, probably in the form of several posts put up here over a given period of time.

For now, the important thing is to let your opinions be heard. Which books and authors do you think should be included? We look forward to receiving your e-mail.

Tritt a Hit

This somehow passed me by. The social-networking site Crimespace, which recently celebrated its first birthday, has also announced the winners of its first fiction-writing contest. You’ll remember that the challenge was to compose an Australia-themed criminal tale of up to 2,500 words in length. “How you include [the theme] is up to you,” editor Daniel Hatadi explained. “Your story could be set in Australia, have an Australian character in it, or simply mention Australia somewhere in the story. Hell, even including an Aussie cultural icon such as Vegemite will do.”

In a follow-up post this week, Hatadi revealed the winners:
The third prize of a CrimeSpace T-shirt or store item goes to:

DADDY’S GIRL by Tony Black

Second prize of a $25 Amazon voucher and CrimeSpace T-shirt or store item goes to:

THE MOLLOY BROTHERS GIVE THEIR ALL by Sophie Littlefield

And the winning prize of a $50 Amazon voucher, CrimeSpace T-shirt or store item, and a pack of three signed crime fiction books by Australian authors (FRANTIC by Katherine Howell, CHERRY PIE by Leigh Redhead, BLACK TIDE by Peter Temple) in a CrimeSpace tote bag goes to:

SEEING RED by Jackie Tritt
You’ll find a full explanation of the results, a list of honorable mentions, and mini-profiles of this year’s judges here.

Now You Can Subscribe to The Rap Sheet

You might notice, near the top of the right-hand column on this page, a new box inviting you to “Subscribe to The Rap Sheet.” Periodically over the last year, readers have requested a simple, non-techie way to be updated whenever there’s new material in this blog (which there is most days of the week). But until recently, I haven’t been satisfied with a means of getting that information out.

However, my colleague Linda L. Richards recently installed a FeedBurner subscription box on the January Magazine front page. After signing on to that service for myself, and receiving periodic updates, I am quite pleased with the results. Therefore, I’ve decided to employ the same system for The Rap Sheet. It seems easier to use, delivers less-cluttered e-mail communications, and appears to offer more of what I am interested in (and less of what I am not) than other free Web subscription software.

So, if you feel that you’re missing out on what this page offers, and would like to receive regular updates, feel free to subscribe. And let me know what you think about this service.

Thursday, April 03, 2008

The Power of 10

I toy every now and then with the idea of rearranging The Rap Sheet’s right-hand column of crime-fiction links. Rather than simply listing them all together alphabetically, I’ve considered breaking out a shorter list of blogs/sites that I visit daily, versus those that I keep track of on a less regular basis. If I were to do such a thing, one of the sites I would definitely place in the top category would be The Thrilling Detective Web Site, Kevin Burton Smith’s amazingly extensive resource for all of us with a deep curiosity about fictional sleuths. It’s one of those sites worth prospecting on a quiet afternoon. But I warn you: An intended dalliance with The Thrilling Detective may instead lead to a continuing and passionate involvement. The thing is just that seductive.

This week, Smith and his cohorts in criminous compilation are celebrating their project’s 10th anniversary, which seems amazing, given the flea’s-life longevities of most Web sites. Of course, it takes no more than a little probing within the back pages of Thrilling Detective to realize that only such a long-term commitment could have produced this extensive a resource. It is rare that I go looking for information there, and don’t find it. Which is why you’ll discover many links to Smith’s site throughout The Rap Sheet. If he ever decides to shut down The Thrilling Detective, a good chunk of my links are going to go dead. So, Kevin, don’t even think about it, buddy.

In a half-humble, half-hard-boiled recollection of his site’s first decade in business, posted on Monday, Smith writes:
Today marks the tenth anniversary of the Thrilling Detective Web Site. Or at least the “official” anniversary. The site existed unofficially for a few months prior to April 1, 1998, as a sort of rudimentary private resource for a selected diehard P.I. fans and Rara-Avians who kept urging me to go public. I wasn’t convinced there’d be much interest, but I gave in, and on so on April 1 I unleashed the beast. It was April Fools’ Day, of course, but that seemed appropriate, since the site had started as a joke, more or less, a harmless way to practice html with something that wouldn't bore me to tears. But I figured it would sure bore the hell out of everyone else. I was wrong.

Suffice it to say that the last ten years have been a lot of things, but they’ve rarely been boring. But ten years, man. That’s gotta be worth something, right?

So please forgive the horn-tooting. Ten years on the “information superhighway.” That’s what? Thirty or forty years in human years? Long enough, anyway, to have outlasted (or out-updated) almost almost every other crime-fiction-related site and newsgroup on the Internet. I’ve outlasted Blue Murder, Judas, 3rd Degree, White Fedora, Shred of Evidence, HandHeldCrime, Futures, Hardluck Stories and Plots with Guns (well, version 1.0). As far as I can tell, only DorothyL and Rara-Avis have been around longer, and they’re discussion groups.

(And certainly long enough to say “HAH!” to a few of the naysayers who have gone ballistic every time I opened my mouth anywhere anytime. I’m pleased to say that more people will probably visit my Web site in one day than will ever read their sorry-ass “reviews” and self-published crapfests.)

The site has been a labour of love, mostly, and occasionally a thorn in my side. Because of the site, I’ve appeared on radio and television (and DVD, of all things), and been cited as a source in newspaper articles on crime fiction. I’ve met plenty of authors, some of whom I’m honoured to now call friends. It’s led to a writing career of sorts, speaking engagements and even a certain minor-league celebrity. But just as the site giveth, it also taketh away. I haven’t actually had a real vacation--or even much free time--in close to ten years.
Yeah, I know how that goes. But The Thrilling Detective’s endurance proves that other small-scale, tight-budgeted, Web-born editorial products (The Rap Sheet, for instance) can have long, productive lives. That’s certainly worth something, right? As are the contents Smith is rolling out as part of his site’s 10th anniversary update. There’s already new fiction by Robert Petyos (“The Truth About Lang Tri”), Paul Guyot (“Ace in the Hole”), Jim Winter (“Lady Luck”), and Stephen D. Rogers (“A Friendly Game”); several new comics; a couple of excerpts from recently published novels; and the usual slew of fresh and expanded back-matter, including pages about detectives Frank Cannon, Izzy Spellman, P.G. Wodehouse’s Mr. McGee, and Brock Devlin. Smith promises additions to come, including a page about the late Arthur Lyons that I (in a moment of ambitious foolhardiness) offered to write.

All of this just makes an already essential resource the site that much richer. And more useful. Imagine what The Thrilling Detective will be like in 10 more years. (OK, Kevin, you can stop hyperventilating now--I’m only supposing here.)

Happy anniversary, everybody!

Sweepings: The Lazy Thursday Edition

• Today is Diamond Dagger Award-winning author Reginald Hill’s 72nd birthday, as Elizabeth Foxwell reminds us. Hill’s latest book, A Cure for All Diseases--which I believe is his 21st Dalziel and Pascoe novel--came out in the UK in March.

Life, one of the few new shows from last fall’s American TV schedule that I found worth watching, will be back next fall on NBC. Unfortunately, reports TV Squad, it’s moving from its plum Wednesday at 10 p.m. spot to Fridays at the same hour. Contributor Richard Keller worries that “the move from Wednesdays to Fridays could mean the death of this show. Since it is a show that you need to sit and think about, there’s a chance that it won’t gain the increased fan base that it needs. Sure, it will probably still retain many of the fans it garnered from its pre-strike run, but how many of them will stay on when there is other original programming on during Friday nights that doesn’t involve as much synaptic activity?” Let’s hope that the new viewers discover the value of Life on Fridays.

NoirCon opens today in Philadelphia. If, like me, you can’t make it to the City of Brotherly Love, at least you can tune in for the on-site podcasts promised by interviewers Shannon Clute and Richard Edwards. They’re supposed to make those podcasts available through their Noircast.net site, as well as “the official NoirCon blog page.”

• Publisher Hard Case Crime doesn’t want cover art by non-American illustrators? That’s not very open-minded, is it?

Duncan Lawrie Dagger Award winner Ann Cleeves--whose second Shetland Quartet novel, White Nights, is just out in Britain--shares her reading list with Marshal Zeringue.

• John Kenyon reports in Things I’d Rather Be Doing on a conversation that members of the Rara-Avis crime fiction e-mail list had recently with author Michael Connelly, during which the creator of Los Angeles detective Harry Bosch confessed that “he was ready to give up on Bosch at least once (twice if you count the early arc that finished before his first stand-alone, The Poet. Phenomenal sales for that and subsequent books gave him the clout to pretty much write what he wanted, he said). That came in City of Bones, where Bosch walks out the door having quit the police force. [Said Connelly:] ‘It was around this time that I made some dramatic shifts in my personal life as well and lo and behold, it was Harry who was one of the only things constant in my life. So I clung to him, re-energized the creativity associated with him and continued to write about him. ... Any day I get to write about Harry Bosch remains a good day for me.’” And a good day for readers, too.

• Lonnie Cruse interviews author Elizabeth Zelvin, whose book Death Will Get You Sober was recently released. You can read their full exchange here.

• And will actor Jeremy Irons portray Sherlock Holmes in a future film adaptation of Laurie R. King’s 1994 novel, The Beekeeper’s Apprentice? That’s what King suggests in her blog, Mutterings.

The Kids Are Alright

Many of you know of my fondness for the work of David Morrell, especially the legacy that his 1972 novel, First Blood, has provided the thriller genre. I was discouraged recently to find that the major British cinema chain had dropped the fourth Rambo film, simply titled Rambo, from its offerings. But fear not, my friends, for a substitute movie finds itself taking up the slack. This flick is far from what one would expect, but surprisingly it has Sylvester Stallone’s blessing prior to its UK release, according to The Daily Telegraph:
Son of Rambow (the misspelling is deliberate) takes place in the Eighties, and revolves around two very different boys at the same school who form an unlikely friendship. Will (Bill Milner) is shy, sheltered and from a devout Plymouth Brethren home where he is forbidden to watch television. Lee (Will Poulter) is a trouble-maker who terrorises other pupils and makes strange little movies at home. This odd couple conspire to create an action film, a kids’ homage to Sylvester Stallone’s Rambo, to enter for the BBC’s Screen Test programme.

It sounds an implausible story for a successful film. But when Jennings and Goldsmith took Son of Rambow to the Sundance festival 15 months ago, audiences were wildly enthusiastic, and Paramount paid $7 million (£3.5 million) for the distribution rights. Since then, the film has been bogged down in negotiations about copyright and usage of clips from Stallone’s film, which stalled its release. Funny, charming and moving in equal measure, the film now has a chance of becoming the year’s British feelgood hit.

“But there was a silver lining,” [writer-director Garth] Jennings insists. “In that vacuum, Nick and I were able to take the film to festivals--in Seattle, Toronto, New York and London. It was nice to get genuine audience reactions, without bothering about box-office results.” Stallone saw it and let Paramount know he approved. “He realised it was affectionate, and not a joke at his expense,” Jennings says.
Click here for a trailer of Son of Rambow, which opens this week in Britain and is due out in May in the States. I can’t help but wonder what David Morrell thinks about this venture.

Wednesday, April 02, 2008

The Other Centenarian

Much will be made this spring of what would have been spy novelist Ian Fleming’s 100th birthday, on May 28. (He died in 1964.) But today marks the 100th anniversary of another memorable player in the crime-fiction sphere, Buddy Ebsen. Yes, he portrayed Jed Clampett in television’s The Beverly Hillbillies and almost became famous as the Tin Man in the 1939 classic film The Wizard of Oz (but the powdered aluminum irritated his skin, and he had to be replaced by actor Jack Haley). What really matters to us, though, is that for seven years he played elderly, milk-gulping private eye Barnaby Jones in an eponymous CBS-TV series. (The last show produced by the once-ubiquitous Quinn Martin, as it turns out.)

I was never a Barnaby Jones fan. I found the series too formulaic, not innovative enough. But it certainly had many other followers, one of them apparently being “Rick,” a Kentucky banking industry employee who gives a pretty good précis of the series at his blog, On My Mind:
Barnaby Jones was a retired private investigator who left the business to his son Hal. When Hal was murdered while working on a case--he was shot to death while calling his dad--Barnaby came out of retirement and along with Hal’s widow, played by Lee Meriwether, solved Hal’s last case and caught his murder. They worked well together and they decided to keep the Jones detective agency open. Like Columbo, many crooks mistook his home-style country ways and his age as making him seem a bit slow. They really masked a keen detective mind. Their mistake gave Barnaby the upper hand in solving the crime. Later Mark Shera, formerly on the show S.W.A.T., [joined the series] as his young cousin Jedediah Romano (“J.R.”) Jones. He did Barnaby’s legwork on investigations while also study[ing] for the bar to become a lawyer. He was a welcome addition to the cast, but it always seemed funny that J.R. would chase the crook through half the city. The only way he caught the crook was when Barnaby would show up, gun in hand, at the end of the trail. He usually said “Hold it right there!” With Barnaby in front of him with a gun and J.R. coming up from behind, the villain knew he was cornered and gave up. When the show Cannon was on the air the two shows would often cross over.
Sadly, Ebsen died in 2003, after a brief but noteworthy return to television for the 1984-1985 season of Matt Houston, during which he played actor Lee Horsley’s retired CIA operative uncle, Roy Houston. According to Wikipedia, “During the mid 1990s, Meriwether and Shera expressed interest in a Barnaby Jones reunion TV movie, but could not talk Ebsen into joining the project. However, in 1993, Ebsen reprised the role of Barnaby Jones in the big-screen remake of his most famous TV series, The Beverly Hillbillies. It would be his final theatrical appearance.”

Despite his absence from the festivities, we’ll drink a toast today--appropriately, with milk--to Buddy Ebsen for his TV crime-drama contributions. By the way, if you’re feeling as nostalgic as we are right now, pay a visit to the Absolute Barnaby Jones site, or click below to watch the pulse-quickening intro sequence to Barnaby Jones.


READ MORE:Hand Me Down My Walking Cane: Old Dicks,” by Kevin Burton Smith (The Thrilling Detective Web Site).

Back to the “Cemetery”

Last month, I was thrilled to read in Karen Meek’s Euro Crime blog that Spanish novelist Carlos Ruiz Zafón has a new adult book due out in April called El Juego del Angel, the second in a foursome of interlinking works, this one also featuring his fictional “Cemetery of Forgotten Books.” I loved Zafón’s previous and magical mystery, The Shadow of the Wind, and have been looking forward to reading more of his fiction. Unfortunately, as Meek noted at the time, there were no plans for an English translation, and my Spanish isn’t nearly as good as it used to be.

Today, though, brings good news on this front. Euro Crime follows up with this item from Publisher’s Lunch:
Internationally bestselling author Carlos Ruiz Zafón’s El Juego del Angel (The Angel’s Game), a prequel to The Shadow of the Wind set in 1920s Barcelona, combining a love story, a mystery, a fantasy and an exploration of literature, moving to Stephen Rubin at Doubleday, with Bill Thomas editing, for publication in summer 2009.
Excellent news, indeed.

Talk of the Town

Not surprisingly, TV Squad’s list of “Fifteen Great New York TV Shows” is weighted heavily with crime dramas. Those include Dennis Weaver’s McCloud, Telly SavalasKojak, and the long-running Sharon Gless/Tyne Daly series Cagney & Lacey. But what, no Naked City?

Stacking the Blochs

Charles Ardai, my absolute favorite editor, says of his latest Hard Case Crime release that “no one has published a classic ‘double’ edition like this in many, many years.” Begging your pardon, Charles, but my own very first novel, The Mozart Code, was published by another hard case, Mary Z. Wolf of Hard Shell Word Factory, who has a line of double paperbacks confusing to many readers because of their upside-down format.

That being said, this is certainly a classic--and classy--coupling: two terrific books by Robert Bloch which have been endangered species since their original publication in the 1950s. And both have those terrific Hard Case covers which scream “Pulp!” in a loud, sexy voice. (My favorite is Arthur Suydam’s art for Shooting Star [1958], but then I’ve always had this thing for women in panties and garter belts. The book with which it’s paired is Spiderweb [1954].)

Bloch, of course, is the genius who wrote Psycho (1959), which Alfred Hitchcock liked so much that he hired Bloch to write many episodes of Alfred Hitchcock Presents. Stephen King, Peter Straub, and Harlan Ellison still speak highly of Bloch, who died in 1994. Thanks to Hard Case for helping to keep his memory alive.

Cream of the Cropped

Via Bill Crider’s trusty blog comes word about the nominees for this year’s Derringer Awards. The Derringers have been given out ever since 1997 by the Short Mystery Fiction Society “to honor excellence in the creative art form of short mystery and crime stories.” This year’s contenders are:

Best Story 0 to 1,000 words:
“Saved,” by Keri Clark (Mysterical-E, Fall 2007)
“Dreaming of a Spite Christmas,” by B.V. Lawson (Mouth Full of Bullets, Winter 2007)
“A Woman Scorned,” by Jillian Berg (Mouth Full of Bullets, Autumn 2007)
“Your New Fan,” by Keri Clark (Mouth Full of Bullets, Winter 2007)
“My Hero,” by Patricia Abbott (D.Z. Allen’s Muzzle Flash, 2007)

Best Story 1,001 to 4,000 words:
“Brimstone P.I.,” by Beverle Graves Myers (Alfred Hitchcock Mystery Magazine, May 2007)
“We All Come from Splattertown,” by Hugh Lessig (ThugLit, July 2007)
“Joyride,” by Rick Noetzel (Shred of Evidence, December 2007)
“Handful of Stars,” by Jack Hardway (Mouth Full of Bullets, Autumn 2007)
“In the Shadows of Wrigley Field,” by John Weagly (The Back Alley, November 2007)
“The Promise,” by Camille LaGuire (Futures Mystery Anthology Magazine, March-April 2007)

Best Story 4,001 to 8,000 words:
“A Trader’s Lot, by Twist Phalen (from Wall Street Noir, edited by Peter Spiegelman; Akashic Books)
“Devil’s Lake,” by John Schroeder (Futures Mystery Anthology Magazine, January/February 2007)
“A Private Hanging,” by Herschel Cozine (Mysterical-E, Summer 2007)
• “Mr. McGregor’s Garden,” by Kate Flora (from Still Waters, edited by Kate Flora, Ruth McCarty, and Susan Oleksiw; Level Best Books)
“Growing Up Is for Losers,” by Rosemary Harris (from Still Waters)
“The Gospel According to Gordon Black,” by Richard Helms (The Thrilling Detective Web Site, Fall 2007)

Best Story 8,001 to 17,500 words:
“The Bookworm’s Demise,” by Beverle Graves Myers (Alfred Hitchcock Mystery Magazine, December 2007)
“Paper Walls/Glass Houses,” by Eric Shane (The Back Alley, June 2007)
“The Enlightenment of Magnus McKay,” by John Burdett (from Wall Street Noir)
“Wasting Assets,” by Mike Wiecek (Alfred Hitchcock Mystery Magazine, September 2007)
“Forget Me Not,” by Clifford Royal Johns (Mysterical-E, Fall 2007)

According to Gerald So, “The finalists are put before Short Mystery Fiction Society members voting April 1-30 to determine the winner in each category.” Winners are to be announced in mid-May.

A Bonding Experience

We warned you it was due, and now it’s arrived: Bruce Grossman’s 100th “Bullets, Broads, Blackmail & Bombs” in Bookgasm, focusing on old and classic paperback novels. “To celebrate,” Grossman announces, “we’re covering three books from one certain author who also would be celebrating his 100th birthday. Regular BBB&B readers know I’ve taken many a potshot at Ian Fleming’s creation of James Bond, but actually, I’m a big fan of the books and films. So let’s don our tuxedos, get us some shaken-but-not-stirred martinis, and delve back into the world of 007.”

Subjected to Grossman’s assessment in this milestone column are From Russia With Love (1957), On Her Majesty’s Secret Service (1963), Octopussy and the Living Daylights (1966), and a 1965 collection of essays called For Bond Lovers Only, which opens with “Fleming explaining ... the history of coming up with Bond and the decisions he made throughout the series.”

You’ll find the column here.

Tuesday, April 01, 2008

My Lee Child Tradition, Part IV

(Editor’s note: Last year, Rap Sheet contributor Ali Karim wrote a trio of posts [see here, here, and here] about his longstanding interest in British thriller writer Lee Child and his annual encounters with the author. We hadn’t banked on a fourth installment of that series, yet with the recent publication in Britain of Child’s 12th Jack Reacher novel, Nothing to Lose, Karim took the chance to dine with and quiz the author once more about his latest projects.)

This last week has been a time of celebration for Lee Child fans in the UK, as for the first time he scored a double No. 1 ranking on the Nielsen Book Charts with both the hardcover Nothing to Lose and the paperback edition of his 2007 Reacher novel, Bad Luck and Trouble (one of January Magazine’s favorite books of 2007). I think this is a first for a crime-fiction writer. I have been unable to find any other author in the genre who has accomplished the same feat.

Child’s annual novels starring American former military policeman Jack Reacher are comfort reads for me, thrillers that offer intriguing subtext, rather than only the bone-crunching action that is offered by so many rival works. Nothing to Lose is potentially this author’s most controversial novel, because it shares with us Reacher’s views on both George W. Bush’s Iraq occupation and the so-called war on terror. It also offers a glimpse into how religion at the extremes is the provocation of real danger. I must warn you, though, that if you’re in the United States, you’ll have to wait until the end of May for the American release of this novel.

To synopsize the plot of Nothing to Lose: Reacher is drifting through Colorado when he stumbles upon two small towns named Despair and Hope, both of which will ultimately live up to their names. He soon finds himself run out of Despair by the local constabulary for vagrancy. As any veteran reader of this series could predict, Reacher decides to return to the town, sensing that something is not quite right there. After befriending a shapely cop from Hope named Vaughan, he starts an investigation, only to turn up a dead body found on the side of a road separating the two towns. After that corpse vanishes, Reacher realizes there are larger and darker forces at work around him. All of this leads to a bare-knuckles barroom brawl pitting the 6-foot-5 Reacher against Despair’s sheriff and deputies, a sequence that it is as vivid as it is violent. And amid all of this, Reacher discovers that Despair is very much a company town, dominated by one powerful employer, a giant metal-recycling plant from which trucks roll in and out at all hours. He’s also intrigued by a mysterious plane that flies over Despair at night, questions surrounding a covert army base, and Thurman, an evangelical mayor. Thurman is actually kept offstage until the middle of this book, just when Reacher and Vaughan are getting intimate. But action fans need not fear, as plenty of bad guys get their jaws broken in these pages. What’s most interesting about Nothing to Lose may be Reacher’s musings on the madness that lurks at the heart of the road separating his two fictional Colorado towns. Although this book follows Child’s debut novel, Killing Floor (1997), in terms of plotting, the peep we get into Reacher’s understanding of the Iraq war and his distaste of fanatical religion make for compelling reading. This is what I love about the Jack Reacher novels--the thought-provoking information that peppers the narrative and makes one question apparent reality.

After reading Nothing to Lose, I cleared dates in my diary to take advantage of Lee Child’s publicity tour through Britain, noting that he was returning to the Waterstone’s Deansgate store in Manchester where I first met him back in 2001. I called Patsy Irwin of Transworld Publishing to arrange another interview with Child, and she asked me to join them both for dinner after the Deansgate event.

I arrived at Waterstone’s Deansgate on the appointed night and watched as its events room filled up quickly with Child fans. This engagement was sold out more than a month ago, and many people had to be turned away. I would guess that the room’s capacity exceeded 200 people, and it was a real squeeze. A far cry from when I was one of only 30 people who showed up seven years ago at Deansgate to see Child promoting Echo Burning, his fifth novel.

Child’s events very rarely involve a reading anymore, as it appears that everyone in attendance has read whatever the new book is already. Instead, the author talked this night about the writing life, shared some thought-provoking insights into the world of Hollywood (as the push is on to find a suitable big-screen vehicle for Reacher), and of course answered questions from the audience. As a veteran of Child’s appearances, both in Britain and the States, I am always surprised at his patience and gentlemanly manner when confronted with many of the same questions he’s had to answer before, at venues in different cities around the world. But he’s come to understand the value of being appreciative toward an audience. As he wrote in response to a post on David J. Montgomery’s blog, “I don’t think there is anything I have ever done that hasn’t produced at least a couple of readers. Years later one fan told me she tried my books because I greeted someone politely at a conference, and she thought, he’s a gentleman, I should try his books.”

Following the Waterstone’s engagement, Irwin, Child, and I set off for Manchester’s Gaucho Grill, a swanky restaurant that serves the best and biggest Argentinean steaks in town--perfect for the creator of confirmed carnivore Jack Reacher. To celebrate two of his novels having reached the bestseller lists simultaneously, Child ordered the restaurant’s finest French Champagne. Steak and Champagne on a cold and rainy Manchester night--what a treat, as Child later wrote in his Nothing to Lose tour blog (scroll down to the Day 3 entry).

And while we supped and waited for the chef to grill our steaks, I did a little grilling of Child myself, tape recorder in hand.

Ali Karim: First of all, congratulations on a being a double No. 1 with Nothing to Lose and Bad Luck and Trouble. How does it feel?

Lee Child: Not to bad at all, as they said it takes 12 years to become an overnight success and it’s a fairly rare event, I believe, to have a double No. 1 in the same week. It is especially terrific for the crime and thriller genre, so I am very pleased.

AK: In Nothing to Lose, you offer readers a neo-Western set-up. So, are you a fan of the movies of Sergio Leone and Akira Kurosawa?

LC: Not really, I’m pretty oblivious to Westerns as a genre. I think the point is that Westerns are rooted to periods of history way back, like the medieval chivalric sagas which I am very familiar with due to my readings in English Literature (King Arthur, Robin Hood, etc.). But you can trace it back even further, as the theme is the basic human story--the idea of the nameless loner with no past and no future who just exists in the present. It is a basic human paradigm which has always been popular.

AK: And you have a great barroom brawl in this new book. Do you find the action scenes fun to write, in contrast to the more serious issues addressed in your subtext?

LC: It’s actually all the same to me when I’m writing it, as it is important for the book that one scene is as important and as well-written as the next. But when you have important issues to explore, you don’t want the hero to be a pious, sanctimonious protagonist, so the violence in the barroom brawl helps flesh him out. This is not some “good-two-shoes,” this is a guy [Jack Reacher], who will do whatever it takes, in whatever arena.

AK: You tackle contemporary themes such as the war on terror and Iraq, but it is subtly peppered within the action of your story. How important are these issues to you?

LC: They were very important that year when I wrote Nothing to Lose. With a book, you tend to write whatever is on your mind, and the Iraq war was very much on my mind, so I’m not surprised it found itself on the page.

AK: Being a fan of Richard Dawkins’ controversial book, The God Delusion, I noticed that you also touch upon the dangers of religious extremism. I have to ask: As you a religious person yourself?

LC: [Laughing] Not in the slightest. But you knew that yourself. I’m with Christopher Hitchens and Richard Dawkins. … In fact, I’m probably less religious than they are.

AK: So tell us a little about the Killer Year anthology you edited.

LC: Sure, it came out in January of this year. [It involved the work of] 13 writers who banded themselves [together in 2007] as “Killer Year.” They really did all the work, as it was their initiative, but they were looking for a “name” editor to sell it to a publisher, so I was impressed by them and their initiative and said, “Sure,” when they asked me to be the editor. I was rather dreading doing the work, but as it happened, I had no work to do at all; every story that came to me was of an amazing standard. So all I had to do, effectively, was read them, put them in alphabetical order, and … write an introduction. And Laura Lippman was great coming on to write the afterword.

AK: After being drafted in at the last minute for Karin Slaughter’s Like a Charm anthology [published in 2004], you told me that was the last time you’d do it. But I see you participated in the International Thriller Writers’ 2007 project, The Chopin Manuscript. What made you change you mind?

LC: It just goes to show you should never say never, I suppose. It was exactly the same situation, but this time it was Jim Fusilli [asking]. He’s a multi-talented guy; I don’t know if you know Jim, but he’s the rock ’n’ journalist for The Wall Street Journal as well as a fine novelist in his own right [the author of both Hard, Hard City and Tribeca Blues]. So when someone of Jim’s caliber asks you to do something and it fits, you just have to say yes. It was fun to join in the chorus.

AK: I see you’re supporting an autism charity this year. How did this come about, and is autism something that has resonance for you?

LC: Yes, as it happens I think that writing as a profession tends to be over-represented in terms of having some kind of disability in the family. If you have a disabled child, as a for-instance, writing as a career is something that you can manage, as opposed to other types of careers. I am familiar (in second-hand) with what a terrible burden and problem having a disability can be. Autism is one of those scary things that we’re all somewhere on the “gray scale.” Autism is not like you either have got it, or not got it; some of us are at the happy end, while others are at the not-so-happy end of the scale. If there is some way of alleviating it or finding cures, we should all help.

AK: Can you tell us a little about the novel Even, by Andrew Grant? I gather that Grant is your brother.

LC: Yes he’s my baby brother, who’s about 15 years younger than me, and he wrote a novel, Even, and just got a publishing deal, so it will be out about a year from now. It’s very exciting--it’s a good book. It will be fun to have someone else on the scene.

AK: And is it a thriller, or general fiction?

LC: It’s a thriller. It may be a cliché, but the best possible way of describing it would be, “If Ian Fleming were to be writing in 2008 instead of 1953, this is what James Bond might have looked like.”

AK: You are voracious reader. What have been some of your recent discoveries?

LC: Well, I read that you got somewhat excited about Child 44, so I have to say that I did too. I am not sure of anything that has been up to that standard in terms of debut work; of course there’ve been many great books from my established favorites. Going back to Child 44, it really impressed me due to the context in which it is set--the peak of Stalinism in Russia. Which in reality is another way of saying that it is set in some horrible underworld. It is really set in a forest full of ogres, which is the basis of any terrifying novel. The fact that it’s set in the Soviet Union at one of the worst times in its history, is purely historical context. At its heart, emotionally, it is an enchanted-forest tale full of demons ...

AK: As a veteran of book touring, can you tell us some of the amusing things that have happened while you’ve been on your travels?

LC: Well, today we were in Nottingham for a lunchtime signing for around an hour and a half, and almost everyone in the line was called Chris. [Laughing] Not sure why that was so, maybe some regional variation. It was rather spooky. [Laughing]

AK: With bookstores and the publishing industry facing challenges, do you think we have a reading crisis ahead of us? And what can be done to improve literacy?

LC: I don’t want to sound like Pollyanna, but I have a vague feeling that reading is going to come back big-time. The thing that took people away from reading is pretty much saturated now--games, the Internet, DVDs, etc. Reading is like a virus that sleeps gently in the soil, undisturbed, and it will come back in a big way, probably with the younger generation using these new reading devices like the Kindle.

AK: Do you own a Kindle?

LC: I haven’t got a Kindle at this point. And it’s possible I’ll never get one, as, personally, a paperback book is a perfect delivery system. [But the] Kindle is something that might inspire the next generation, or they may just come back to the trusty paperback.

AK: Do you still alternate your time between New York, London, and France?

LC: I’m in New York nearly all the time now, while France is more for holiday/vacation time, and London is really only when I’m here with [my publisher] Transworld. This year I am way, way down on flights--it’s March, and I’ve probably not done more than 20 flights. British Airways has downgraded me from Gold to Silver, as a matter of fact.

AK: I know you’re a smoker. How do you cope with not smoking on all these flights?

LC: I use Nicorette Inhalers, the 15-milligram strength. One of those with a glass of wine is not quite the same as a cigarette, but combined with the canned-air, it does provide a nice sensation. I recommend it.

AK: With 12 books under your belt now, what do have you in store for Reacher No. 13?

LC: Reacher 13 might get me in Salman Rushdie kind of trouble. The sting at the end of the new book is that there is a photograph that is being hunted by a lot of different people. Nobody is sure why this photograph means anything to anybody. The photograph is of Osama bin Laden with an American, so we assume it is the American who wants to hush it up for obvious reasons, but later it emerges it’s Al-Qaeda that wants to hush it up, because in the photograph is something very embarrassing about Osama himself. I haven’t actually worked out what the embarrassing thing is, and if I have enough courage to spell it out.

* * *
The following day, during Lee Child’s appearance at Milton Keynes, I videotaped some of his more interesting comments and have made those available on the Web. Here Child introduces Nothing to Lose and talks about why his new book may court controversy. Here he offers some insights into the Iraq war. Here he talks about the use of profanity in his books. Here he muses on what it feels like to be the creator of Jack Reacher. And finally, here you will find a slideshow of our celebratory meal in Manchester and his presentations in both that city and Milton Keynes.

Congratulations, Kevin!

I’d like to write more about this tomorrow or the next day, when I’m a bit less consumed by non-Rap Sheet assignments. But for right now, let me just note that the 10th anniversary edition of Kevin Burton Smith’s Thrilling Detective Web Site has just been posted.

TV Under the Covers

Author-screenwriter Lee Goldberg has posted the nominees for the International Association of Media Tie-in Writers’ second annual Scribe Awards. The list includes four contenders in the Best General Fiction Original category, all of them crime novels:

CSI New York: Deluge, by Stuart M. Kaminsky (Pocket)
Mr. Monk and the Two Assistants, by Lee Goldberg (NAL)
Murder She Wrote: Panning for Murder, by Jessica Fletcher and Donald Bain (NAL)
Criminal Minds: Jump Cut, by Max Allan Collins (Signet)

Contenders in all of the categories can be found here.

Turnabout’s Fair Play

On Monday, Northern California novelist Steve Hockensmith talked with Texas Bill Crider (Of All Sad Words) for Marshal Zeringue’s Author Interviews blog. That’s followed up today by the two men switching roles. This time, Crider quizzes Hockensmith, who shows a marked wit as he talks about the cover of his third Gustav and Otto Amlingmeyer mystery (The Black Dove), how he balances short-story writing with novel composition, and how he’d like to have seen Darren McGavin and Jack Warden as his two redheaded protagonists. Too bad they’re both deceased.

But my favorite moment in this interview comes when Crider asks Hockensmith why, when “the Western is dead,” he ever chose to concoct a western mystery series. Hockensmith answers:
Why Westerns? In a word, stupidity. You see, in the beginning I had no idea I was writing Westerns. To me, the Big Red/Old Red stories were--and are--mysteries first and foremost. They just happened to be set in the Old West. I love Westerns, but I never set out to do them myself. It was an accident.

If I’d been smarter and really thought the premise through, I never would’ve tried writing books about these guys. I mean, really--fair-play puzzle mysteries starring cowboys who worship Sherlock Holmes? Chuh? It’s so retro and off-the-wall and uncommercial it’s ridiculous.

Thank God I didn’t think it through, though, because by some miracle it’s all worked out dandy. I wrote the first book about Big Red and Old Red because I’d done a couple short stories with them and I knew they were fun. I wanted to try to sell a mystery series, so I plugged them in and gave it a crack. Simple as that. Sometimes it pays to be dense.
The full exchange can be appreciated here.

Quote of the Week: “What I Lack in Masochism I Like to Make Up for With Laziness”

Michael Langnas, editor-in-chief of the much-celebrated crime-fiction magazine Murdaland, is interviewed in the New York City arts/hip-hop Webzine Frank 151. (Yeah, I admit, I’d never heard of that publication either, till now. Guess I’m not a New York hipster. More’s the shame ...) During this discussion, Langnas talks about Mickey Spillane’s recent 90th birthday, Raymond Chandler’s “wise-guy voice,” how to avoid monotony and predictability in crime fiction, and the difficulties of adhering to a twice-a-year publishing schedule. Click here to read the entirety of Langnas’ comments.

Diamonds in the Rough

Commenting on Cuban crime fictionist José Latour’s new novel, January Magazine critic David Thayer writes: “Mystery fans may complain, but Hidden in Havana has greater ambitions than the average whodunit.” That isn’t to suggest that this genre lacks ambition or excellence--not at all. But Latour does want his book about a search for secreted gems and the awakening of a young woman to the deceptions around her to serve as a doorway into the lives of his characters, as much as it works as a mystery tale.

Thayer introduces the players here succinctly:
A blind expatriate named Carlos Consuegra dispatches two people, Marina Leucci and Sean Abercorn, to Havana. Marina is Argentine, while Sean is American, a Vietnam vet with a Special Ops background. Their mission is to meet a brother and sister who’ve lived their entire lives in the same apartment in the Cuban capital. Posing as a married couple, they win the confidence of Elena Miranda and her brother, Pablo. Elena is a teacher, her brother a low-life. To further complicate this family’s strange dynamic, Elena and Pablo are the children of a legendary Cuban general who’s serving time for murder in their country’s special prison for fallen heroes.
From there the book’s plot becomes a tangle of seduction, murder, and ultimately realization, at least on lovely Elena Miranda’s part. “José Latour bends a few rules,” Thayer explains, “while managing to unroll a yarn that’s grounded in a realistic portrayal of Havana as it is today, coupled with an undertone of romantic escapism as he traces Elena’s improbable triumph as a woman of the world.”

You’ll find the full review here.

Now Appearing in the Center Ring ...

Author, blogger, culture critic, and all-around generous guy Bill Crider is the host of the latest Carnival of the Criminal Minds. “There are no sideshows in this carnival, just main attractions, that is, links to other crime fiction blogs so you can check ’em out,” promises Crider, as he runs through what looks like his personal list of daily blog-browsing highlights (including The Rap Sheet, I am proud to say). You’ll find all of Crider’s “main attractions” here.

Next stop for the carnival: the blog written by Barbara Fister, who got this movable feast of criminous plenty rolling in the first place.

By the way, it doesn’t appear as part of his carnival post, but Crider also directs us today to a list of the “Top 100 April Fools Day Hoaxes of All Time.” The left-handed Whopper? The eruption of Mount Edgecumbe? Nixon for president? I could spend all day investigating these selections, but then who would the fool be?

Stoking the Horror Genre

The winners of the annual Bram Stoker Awards were announced yesterday, March 30, during the Horror Writers Association banquet at the World Horror Convention in Salt Lake City, Utah. It was nice to see author Joe Hill following in his famous father’s footsteps.Here’s a complete list of the victors:

Superior Achievement in a Novel: The Missing, by Sarah Langan (Harper)

Superior Achievement in a First Novel: Heart-Shaped Box, by Joe Hill (Morrow)

Superior Achievement in Long Fiction: Afterward, There Will Be a Hallway, by Gary Braunbeck (Five Strokes to Midnight)

Superior Achievement in Short Fiction: The Gentle Brush of Wings, by David Niall Wilson (Defining Moments)

Superior Achievement in a Collection: (tie) Proverbs for Monsters, by Michael A. Arnzen (Dark Regions Press), and 5 Stories, by Peter Straub (Borderlands)

Superior Achievement in an Anthology: Five Strokes to Midnight, edited by Gary Braunbeck and Hank Schwaeble (Haunted Pelican Press)

Superior Achievement in Non-fiction: The Cryptopedia: A Dictionary of the Weird, Strange & Downright Bizarre, by Jonathan Maberry and David F. Kramer (Citadel Press / Kensington)

Superior Achievement in Poetry: (tie) Being Full of Light, Insubstantial, by Linda Addison (Space and Time), and Vectors: A Week in the Death of a Planet, by Charlee Jacob and Marge Simon (Dark Regions Press)

Lifetime Achievement Award: John Carpenter and Robert Weinberg

Richard Laymon President’s Award: Mark Worthen, Stephen Dorato, and Christopher Fulbright

A full rundown of nominees in all categories can be found here. Click here to see Sarah Langan accept her Stoker Award from F. Paul Wilson and Simon Clark. And look here and here for more footage.

It Must Be Spring. Things Are Blooming

It’s April Fools’ Day, but this is no joke: New issues have been posted of both Mysterical-E and Crime Squad.

In the former you’ll find new stories by Tom Rynard (“A Courtesan’s Death”), Frank Zafiro (“Shae”), Kris Asthton (“The Best-Laid Plans”), and Bryon Quertermous (“Utopia”); plus columnist Jim Doherty’s take on “The Pulp Roots of Raymond Chandler’s Early Novels” and Gerald So’s column, this time talking about the relative merits of television and books. The whole shebang is found here.

Meanwhile, over at editor Chris Simmons’ Crime Squad, there’s a new short interview with Nicola Upson, author of An Expert in Murder, and a review of Robert Barnard’s Last Post, which looks as if it’s supposed to be accompanied by an interview that hasn’t been posted yet. We’re waiting, guys ...