Eliza’s Mettle Is No Longer in Doubt

This is rather sad news, but was certainly expected at some point: PBS-TV’s Masterpiece umbrella series has announced that the upcoming Season 7 of Miss Scarlet will bring an end to that well-written Victorian-era mystery drama. Filming of the six episodes to comprise this final run has already begun in Belgrade, Serbia.

Miss Scarlet, you will recall, debuted in Great Britain in March 2020 as Miss Scarlet and the Duke (and made its way to Masterpiece early the following year). It starred Kate Phillips as Eliza Scarlet, London’s resourceful first female private detective, with Stuart Martin cast as her childhood friend and reluctant Scotland Yard ally, Inspector William “the Duke” Wellington. But Martin left the show after Season 4, Tom Durant-Pritchard joined the ensemble as Inspector Alexander Blake, and the drama’s title was necessarily shortened.

So what might we expect to see in Miss Scarlet’s concluding installments? According to a news release, “Eliza Scarlet has found love, but with it comes a new set of challenges, both on a professional and personal level. As she faces mounting pressures both at work and at home, she is reunited with familiar friendly faces, as well as a powerful new crime boss who has arrived in town—and it’s not who you might expect. Meanwhile, Blake’s promotion brings its own complications, as he finds himself answering to a surprising new boss with whom he shares a complicated history. Season 7 raises the stakes, deepens the drama, and brings Eliza and Blake’s journey to a thrilling and satisfying close.”

“What a journey this has been,” Kate Phillips is quoted as saying. “Miss Scarlet has been one of the greatest joys of my career, and I will forever be grateful to Rachael New for creating such a witty, sharp, and delightful character in Eliza. It’s been a privilege to work on a show crafted with so much love and dedication and as we prepare to say goodbye, I’m so proud of what we’ve achieved and the memories we’ve made. Thank you to everyone who has supported us—I can’t wait to share the farewell Miss Scarlet deserves.”

Despite a bit of unevenness in its early years, Miss Scarlet will be remembered as a delightful blend of whodunit, humor, and thoughtful character study. I, for one, will miss it greatly.

Of Spade, Scarlet, and Spies

• Back in July, San Francisco Bay-area author Mark Coggins published a short story in Eclectica magazine titled “Mockingbird,” which revitalized Dashiell Hammett’s best-recognized shamus, Sam Spade, and sent him chasing once more after the elusive bejeweled Maltese falcon. Now, Coggins is back with “The Russian Egg,” appearing in the October/November edition of Eclectica. Picking up where “Mockingbird” left off, it finds the “hard and shifty” Spade being employed by Rhea Gutman, supposedly the daughter of the late and corpulent criminal Casper Gutman, one of the principal antagonists in Hammett’s The Maltese Falcon (1930). She wants him to find a different missing treasure: a Fabergé egg, once the property of Russian Dowager Empress Maria, which, like the falcon, may also have been smuggled into California, and may have drawn the covetous notice of real-life former U.S. senator James D. Phelan. Coggins’ two yarns—best read back to back—have Spade being threatened and shot at by guns; taking what turns out to be a deadly ferry ride; dining on broiled sturgeon steak with mushroom sauce at the now-famous Tadich Grill; and rolling far too many cigarettes to ensure his continued health. They provide a welcome opportunity to renew our acquaintance with a private eye who made a scant four appearances in Hammett’s fiction—in Falcon and three subsequent short stories.

• By the way, note that the “pale and petite” Rhea Gutman makes an early appearance, too, in Max Allan Collins’ Return of the Maltese Falcon, due out from Hard Case Crime in January 2026. I already have a copy of that 224-page novel, but haven’t yet read it, preferring to wait until one day (soon) when I can truly savor the experience. Meanwhile, I’m thinking it might be fun to re-read Joe Gores’ Spade & Archer, his 2009 prequel to The Maltese Falcon.

• One more Spade-related item: In his blog, Davy Crockett’s Almanack of Mystery, Adventure, and the Wild West, Evan Lewis features a program guide by one Elizabeth McLeod that recounts how Hammett’s “blond Satan” of a gumshoe became an old-time radio star.

• Season 6 of the Victorian-era sleuth series Miss Scarlet—formerly Miss Scarlet and the Duke—starring Kate Phillips and Tom Durant-Pritchard, will make its broadcast debut as part of PBS-TV’s Masterpiece Mystery! lineup on Sunday, January 11, 2026 (though PBS Passport members can begin streaming its half-dozen episodes on December 7). The Masterpiece Web site offers a few “first-look images” to tantalize the show’s longtime fans.

• From now through April 6, 2026, Oxford, England’s Bodleian Libraries are hosting “Tradecraft,” an exhibition based on the late author John le Carré’s private archive that “offers unique insights into the working methods of the writer who shaped the modern spy novel. ‘Tradecraft’ is a word le Carré used to describe the techniques of espionage, but it might also be applied to his own skilled craft as a writer and social commentator.” Among the materials spanning le Carré’s life are “research, drafts, and corrections for his novels, non-fiction, and adaptations, as well as personal correspondence. Highlights include annotated manuscripts of Tinker Tailor Soldier Spy, The Constant Gardener, and The Little Drummer Girl; previously unseen family photographs; original sketches and watercolour paintings; and letters to fans and friends.”

• For Spybrary, Shane Whaley interviews professor Federico Varese and Dr. Jessica Douthwaite, who co-curated “Tradecraft.” A write-up on the Web site explains that “They explore how the exhibit reveals le Carré’s working methods, personal life, and research habits. From manuscript drafts and scribbles on hotel stationery to his mother’s abandoned suitcase, the conversation explores how le Carré meticulously researched his books, how he conceives characters like George Smiley, and what the curators hope visitors take away.”

• Author talks worth checking out: Sarah DiVello fires questions at Walter Mosley about his latest book, Gray Dawn; Jeffrey James Higgins chats with Reed Farrel Coleman (Sleepless City); Chicago Review of Books’ Lori Rader-Day quizzes Jake Hinkson on the subject of his brand-new novel of “dirtbag decisions,” You Will Never See Me; and with Crimespree Magazine’s Elise Cooper, Julia Kelly discusses her Evelyne Redfern series (A Dark and Deadly Journey, etc.).

• Finally, congratulations are in order for two blogs prominent on my radar. “Puzzle Doctor” Steve Barge celebrates 15 years of helming In Search of the Classic Mystery Novel, while Peter Hanson counts the same number of years writing Every ’70s Movie.

Bullet Points: Packed Potpourri Edition

• Audible, the online audiobook/podcast service, has chosen its “10 best mysteries and thrillers of 2024” (all of them Audible releases):

— Listen for the Lie, by Amy Tintera
— First Lie Wins, by Ashley Elston
— We Play Games, by Sarah A. Denzil (Audible Original)
— The Teacher, by Freida McFadden
— The Sequel, by Jean Hanff Korelitz
— All the Colors of the Dark, by Chris Whitaker
— We Solve Murders, by Richard Osman
— The Safe Man, by Michael Connelly (Audible Original)
— After You’ve Gone, by Margot Hunt (Audible Original)

(Hat tip the Deadly Pleasures Mystery Magazine.)

• CrimeReads seems to have launched what has become its annual rollout of top crime- and mystery-fiction picks, unaccompanied by fanfare, starting with Molly Odintz’s rundown of what she says are the 10 “Best Gothic Novels of 2024.”

• Mick Herron, author of the Slough House spy novels (from which Apple+ TV’s Slow Horses is being adapted) has been tapped as programming chair for the 2025 Theakston Old Peculier Crime Writing Festival, set to take place in Harrogate, England, from July 17 to 20.

• The third season of Dalgliesh, the fine British TV crime drama based on novels by P.D. James and starring Bertie Carvel, is scheduled to start airing on both sides of the Atlantic in early December. Click here to watch a trailer. The Killing Times explains that the three books being adapted this time are Death in Holy Orders, Cover Her Face, and Devices and Desires. “Each story will be a two-parter, mirroring previous series’ approach. In the first, [Detective Chief Inspector Adam] Dalgliesh travels to a remote seminary overlooking a windswept lake, where a body has been found gruesomely murdered, while the second will see him look into a murder in the Essex home of a staggeringly wealthy family with connections to the British government.” This third go-round for Dalgliesh will begin in the States on Acorn TV come Sunday, December 2, and in the UK on December 5.

• Meanwhile, UK broadcaster ITV has ordered up a second series of After the Flood, with Sophie Rundle set to reprise her lead role as small-town English copper Joanna Marshall. Six new episodes will find “newly promoted detective Jo Marshall on the trail of a baffling murder investigation,” reports The Killing Times. “As tensions simmer in Waterside amid the rising threat of moorland fires and the subsequent risk of further flooding, a body is discovered in bizarre circumstances. Jo’s race to stop the killer will put her in opposition to dark, influential forces within the town, and ultimately take her on a much more personal investigation. One that will require her to operate in secret if she is to have any hope of rooting out the corruption that has blighted the town’s police force—and her own family—for decades. Philip Glenister is also back as Jack Radcliffe and Lorraine Ashbourne is confirmed to return as Jo’s mother, Molly.”

• Harry O fans, rejoice! Steve Aldous and Gary Gillies’ book, The Harry O Viewing Companion: History and Episodes of the Classic Detective Series (McFarland), is due out in early February of next year. I knew this work was in progress, but only just learned of its imminent publication. Here’s a contents description from Amazon:

In the golden era of 1970s TV detective shows, Harry O stood out. David Janssen, already renowned for his role in The Fugitive, played Harry Orwell, a San Diego cop who retired after being shot in the back. The chemistry between Janssen and Anthony Zerbe, who delivered an Emmy-Award winning performance as Lt. K.C. Trench, captivated viewers and contributed to the show's popularity. While Harry O was largely character-driven, it also featured compelling plots that retained the show's audience throughout its two seasons.

In this viewing companion to Harry O, all episodes are covered, along with information about cast, crew, locations, and story analysis. The book contains examinations of archival material, including series creator Howard Rodman's papers. It also features new interviews conducted by the authors, providing insight into the creation of the series [plus an introduction by Les Lannom, who played private-eye wannabe Lester Hodges]. From the filming of the pilot episodes in 1972 to the show's cancellation in '76, the book offers a comprehensive history of each step in the show's development.

This book’s British co-author, Aldous, is an occasional Rap Sheet contributor, who previously penned The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films, and Television Series (McFarland, 2015). Gillies is a Scottish musician and record producer, as well as the co-creator of a theatrical production called Alien War. I’m dearly hoping to rope at least one of them into an interview for this blog, sometime closer to when their new book hits print.

• If you would care to revisit a Harry O tribute I wrote for CrimeReads a few years back, you will find that right here.

• Slate columnist Laura Miller disparages the clichés that riddle Amazon Prime’s new thriller TV series Cross, starring Aldis Hodge, yet she applauds that show’s racial awareness. “Apart from a few higher-ups in the police brass, all the significant characters in [Alex] Cross’ life are Black,” she writes, “and their social world—from family karaoke nights to house parties—feels warm, rich, and authentic.”

• Need more cozy crime in your life? Deadline brings word that streamer Acorn TV and Paramount‘s Channel 5 “are co-producing an adaptation of Reverend Richard Coles‘ bestselling book Murder Before Evensong. … Murder Before Evensong was published in 2022 and introduces Canon Daniel Clement, a rector of Champton who becomes embroiled in a murder case when a cousin to the church’s patron is found stabbed in the neck with a pair of secateurs.”

• Mark this down on your calendar: The Series 5 debut of Miss Scarlet (formerly Miss Scarlet and the Duke) to PBS-TV’s Masterpiece lineup will come on Sunday, January 12, 2025—though it will be accessible earlier (on December 8) to PBS Passport subscribers. With the departure of Stuart Martin, who played struggling London sleuth Eliza Scarlet’s childhood friend and sometimes rival in this show’s initial four seasons, Detective Inspector William “Duke” Wellington, we find Miss Scarlet (played by Kate Phillips) now returned to her own, finally thriving detective agency, but with a new Scotland Yard antagonist and potential love interest, Alexander Blake (Tom Durant Pritchard). Synopses of the new episodes, as well as a Season 5 trailer, can be found on the Masterpiece Web site.

• And on December 11, the Scottish crime drama Shetland will kick off its ninth-season run on streamer BritBox. That BBC One-originating series, which stars Ashley Jensen as Detective Inspector Ruth Calder and Alison O'Donnell as Detective Sergeant Alison “Tosh” McIntosh, has already been showing in the UK for the last two weeks. Mystery Fanfare says the latest half-dozen episodes will focus on “a double missing person’s case that ‘blurs the lines between the personal and the professional, as Calder and Tosh are drawn into a labyrinthine investigation’ … When Tosh’s friend, Annie Bett (Sarah MacGillivray), goes missing, Ruth Calder—now living in Shetland—has no time to recover from a life-threatening ordeal of her own, and instead teams with Tosh to search for Annie and her young son, Noah (Jacob Ferguson).” I don’t know whether I am ready for more of Shetland. The show started to change, to grow darker, after its sophomore season, when episodes were no longer being adapted from Ann Cleeves’ Jimmy Perez novels, and were instead scripted exclusively for the small-screen. Star Douglas Henshall giving up his role as Perez after the seventh season left a hole in the cast that hasn’t adequately been filled by Jensen, who plays yet another troubled/damaged TV police detective. I may have to move on.

• I don’t know much about this yet, only what I have read in Ayo Onatade’s Shotsmag Confidential blog:

CrimeFest, one of the UK’s leading crime fiction conventions, will feature an exclusive John le Carré event featuring the author’s two sons.

Considered one of the greatest novelists of the postwar era, the ‘Ghost of Honour’ panel sees le Carré’s son, Nick Harkaway, discuss his latest novel, Karla’s Choice. In the book, Nick brought back one of his father’s most famous literary creations—George Smiley.

The panel also welcomes Le Carre’s older son, the film producer Simon Cornwell, who is the CEO and co-founder of the independent studio, The Ink Factory. He is currently executive producing the much-anticipated second season of The Night Manager for Amazon and the BBC, starring Tom Hiddleston and Olivia Colman.

CrimeFest 2025 will take place in Bristol, England, May 15-18.

• Editor George Easter this week e-mailed the Fall 2024 edition of Deadly Pleasures Mystery Magazine to online subscribers. Its contents include a cover feature about UK novelist Jo Callaghan (Leave No Trace), plus extensive lists of other recent and recommended crime/thriller novels from across the pond; Mike Ripley’s latest “Ripster Revivals” column, weighing “the joys and disappointments of rediscovering books I should have read many years ago,” among them Morris West’s The Big Story (1957) and Gavin Lyall’s The Conduct of Major Maxim (1982); and a wide variety of new-book reviews by contributors Kevin Burton Smith, Meredith Anthony, Ted Hertel, Robin Agnew, Hank Wagner, and others. I’m always impressed by how much content Easter manages to squeeze into every issue of DP! Subscription information is available here.

• For fans of William Lindsay Gresham, best known for his 1946 novel, Nightmare Alley, Mystery*File editor Steve Lewis offers this interesting interview with the author’s stepson, Bob Pierce (no relation to yours truly). “In our interview,” Lewis writes, “Bob recalls growing up with Gresham, and some memories of spending time with Gresham’s sons, David and Douglas, in 1952-1953 before they moved away with [Gresham’s first wife, Joy] Davidman.”

• Finally, this might make a good present for the young readers (4-8 years old) on your Christmas list: a condensed 32-page version of The Mysterious Affair at Styles, Agatha Christie’s 1920 Hercule Poirot whodunit. The well-illustrated work is being touted as “the first in a series of interactive picture book mysteries for children.”

Screen Scene

• Just two months after news broke that the Victorian TV crime series Miss Scarlet and the Duke would be losing actor Stuart Martin, who personated London police detective William “Duke” Wellington during that show’s initial four seasons, we learn from In Reference to Murder that “Tom Durant Pritchard (The Crown) has joined the cast of the Masterpiece drama”—to be retitled Miss Scarlet—“playing Alexander Blake, a handsome former soldier and respected detective inspector who joins the force at Scotland Yard after Wellington’s departure. He’s not particularly shocked by a woman working as a private eye, so Eliza [Scarlet, played by Kate Phillips] takes this to mean she’ll be given more cases. But their relationship gets off to a rocky start since Blake has decided not to allow private detectives to aid in his investigations. As Blake and Miss Scarlet cross paths at various crime scenes across London, they can’t help but develop mutual respect for one another, and perhaps even an attraction.” The Killing Times reports that the production of fresh Miss Scarlet episodes “is currently underway in Belgrade, Serbia, and [the show] is set to return to Alibi [and Masterpiece] in 2025.”

• Meanwhile, a trailer has been released for Season 9 of Grantchester. The first of a half-dozen new episodes will be broadcast in the states under PBS-TV’s Masterpiece umbrella come Sunday, June 16. Times are changing in more ways than one as this tale continues. The year is now 1961, Reverend Will Davenport (Tom Brittany) is departing his post in the Cambridgeshire village of Grantchester—much to the consternation of his friend and colleague, Detective Inspector Geordie Keating (Robson Green)—and a new vicar is stepping in to replace him: Reverend Alphy Kotteram, portrayed by Rishi Nair (Hollyoaks). Nair will be the third Anglican vicar protagonist in this series from UK network ITV, following James Norton as the Reverend Sidney Chambers (Seasons 1-4) and Brittany (4-9).

• This comes as a bit of a surprise: CBS-TV has cancelled the crime drama CSI: Vegas. A revival of the original, 2000–2015 series CSI: Crime Scene Investigation, CSI: Vegas debuted in 2021, and in its first year found William Petersen and Jorja Fox reprising their roles from the popular previous series. Marg Helgenberger, who’d played forensics officer Catherine Willows in the first CSI, signed on to the cast of CSI: Vegas during its second season, joining Paula Newsome, Mandeep Dhillon, Matt Lauria, Ariana Guerra, Jay Lee and Lex Medlin.

• And timed nicely to what would have been this month’s 100th birthday for American composer-conductor Henry Mancini (had he not died back in 1994), Philadelphia journalist Shaun Brady pens a glowing tribute to one of Mancini’s best-remembered works, the “iconic” theme to the TV series Peter Gunn (1958-1961). “Peter Gunn instantly made Mancini a household name,” Brady recalls. “The soundtrack was awarded Album of the Year at the inaugural Grammy Awards, and the theme proved to be the first of many indelible Mancini melodies to come.” If you’d like to hear more versions of Mancini’s eminently whistle-able piece, see The Bunburyist’s collection here.

The Duke Decamps

When, in this year’s Season 4 of the period crime drama Miss Scarlet and the Duke, Victorian police detective William “Duke” Wellington (played by Stuart Martin) was seconded to the New York Police Department for a stint, it was obvious that some change was in the works. But I didn’t expect this news. From a press release:

Masterpiece on PBS has announced that Kate Phillips (Wolf Hall, The Crown) will return as Miss Eliza Scarlet for a fifth season of investigations, and the series will be retitled, Miss Scarlet. Stuart Martin, who played William “The Duke” Wellington in the previous four seasons will not return for Season 5.

Martin notes, “It has been such an incredible joy to bring Duke to life through [series creator] Rachael New’s beautiful, brilliant writing, and to get to play him for the past four years. But it felt like the time was right for Scarlet to explore new stories and challenges for now, as the show continues to grow and evolve. I will miss working with my amazing partner in crime Kate and the rest of our brilliant family and team, but I’m excited to continue following Eliza and her escapades as a huge fan and newly enrolled Scarleteer!”

Miss Scarlet will welcome back many cast members from previous seasons, including Evan McCabe as Detective [Oliver] Fitzroy, Cathy Belton as Ivy [Woods], Felix Scott as Patrick Nash, Paul Bazely as Clarence [Honeychurch], Simon Ludders as Mr. Potts, and Tim Chipping as Detective Phelps.

In a new Masterpiece Studio podcast episode, Stuart Martin, along with writers Rachael New and Ben Edwards, talks through these changes, and what lies ahead for this British-American production.

Bullet Points: Agatha in Bronze Edition

• There are a couple of interesting items contained in author Max Allan Collins’ latest blog post. First off, he says he’s “setting out to do a podcast series based on the Nathan Heller novels. Each multi-episode podcast would take on a single book. I will write these adaptations myself.” Expect to see the announcement of a crowd-funding campaign to get the initial podcast in that series going. Second, despite what Collins has previously termed a “disappointing lack of any support from Greenlight Iowa” to produce a film based on his A Christmas Carol-inspired short story, “Blue Christmas,” the author did succeed in raising $6,375 through an Indiegogo effort (perhaps $13,000+ short of what he says will ultimately be needed), and is in the process of “serious pre-production now.” He reports that actor Gary Sandy, with whom he has worked before, is his top pick to assume the lead role of Jake Marley, and “we are having auditions this week for the rest of the Blue Christmas cast … [T]he shoot is toward the end of October.” Oh, and that same blog post features a quite enjoyable video interview Titan Books’ Andrew Sumner did with Collins about the new Mike Hammer yarn, Dig Two Graves, the 14th Hammer novel he’s penned using material left behind by Spillane, after he died in 2006.

• In time for holiday gift buying: When The Art of Ron Lesser Volume 1: Deadly Dames and Sexy Sirens was first published several months ago, it existed only in hardcover. But now that book on which I worked with Robert Deis and Bill Cunningham boasts a paperback edition, as well. It’s equally beautiful, but $17 less expensive!

• First, some good TV news (from In Reference to Murder): “Masterpiece on PBS has announced the premiere date and released first look images for the upcoming season of Miss Scarlet and the Duke, which returns on January 7, 2024, for its fourth season. In the new season, Eliza (Kate Phillips) has taken over the business of detective agency Nash & Sons, and things are not going entirely smoothly, although help comes from some familiar sources. Outside of work, her relationship with William Wellington, a gruff Scottish detective inspector of Scotland Yard (the ‘Duke,’ played by Stuart Martin) builds towards a looming decision that will shape both their lives.” I’ve much enjoyed this historical mystery series.

• Now the bad news: “The premiere of HBO’s anticipated True Detective: Night Country has been pushed back and is now listed as January of 2024 (the exact day is unknown). In Night Country, when the long winter night falls in Ennis, Alaska, the eight men who operate the Tsalal Arctic Research Station vanish without a trace. To solve the case, detectives Liz Danvers (Jodie Foster) and Evangeline Navarro (Kali Reis) must confront their pasts and the dark truths lying underneath the Arctic ice. John Hawkes, Christopher Eccleston, Fiona Shaw, Finn Bennett, Anna Lambe, Aka Niviâna, Isabella Star Lablanc, and Joel D. Montgrand also star.”

• For what it’s worth, Amazon appears to have updated its list of the “best mysteries and thrillers of 2023 so far.” It’s already crowning S.A. Cosby’s All the Sinners Bleed (Flatiron) as this year’s top choice, but also applauds Dennis Lehane’s Small Mercies (Harper), Jesse Q. Sutanto’s Vera Wong's Unsolicited Advice for Murderers (Berkley), Thomas Perry’s Murder Book (‎Mysterious Press), Jacqueline Winspear’s The White Lady (Harper), Charlie Donlea’s Those Empty Eyes (Kensington), T.J. Newman’s Drowning (‎Avid Reader Press), and 13 other works—only a few of which I’ve yet read.

• With the Bloody Scotland crime-writing festival set to begin just two days from now in the central Scottish town of Stirling, take a moment to check out the Nordic Noir blog’s choices of the best events on the festival’s program. Meanwhile, Live and Deadly highlights the ways Bloody Scotland supports writers new to this genre.

• As might have been predicted, opinions are divided on the artistic results here: “A life-sized bronze statue of Agatha Christie has been unveiled in the Oxfordshire town of Wallingford, near where the detective novelist resided for more than 40 years,” The Guardian reports. “The statue depicts the writer holding a book and seated on a bench overlooking the Kinecroft, an area of open grassland. Sculptor Ben Twiston-Davies—who also designed the Agatha Christie memorial in London—said in a YouTube video about the statue that it shows her ‘looking out as if she’s seen a clue for one of her stories.’”

• Southern California author-screenwriter Lee Goldberg is always an entertaining guest speaker, as I was reminded during the recent Bouchercon in San Diego. He demonstrates his humor again in two recent interviews on the subject of his brand-new thriller novel, Malibu Burning (Thomas & Mercer): this one with Murder by the Book’s Sara DiVello, and this other one with Story Blender’s Steven James.

• Another writer who has been receiving widespread attention is UK mystery-maker/TV show host Richard Osman, whose fourth and latest entry in his Thursday Murder Club series, The Last Devil to Die, should be out this week from Viking. The Guardian’s Charlotte Edwardes profiles him here, while The New York Times’ Sarah Weinman composed this story about him for Esquire magazine.

• If you didn’t snag a copy of William Link’s The Columbo Collection 13 years ago, when it debuted, you now have another chance. Publisher Crippen & Landru has announced that the book, which contains 12 original stories featuring television detective Lieutenant Columbo—all written by his co-creator—is back in stock after a long absence. And still available at the 2010 paperback price of $18.

• Finally, a sad note: Eighty-year-old writing teacher/coach, former U.S. Navy cryptographer, and fictionist Les Edgerton died in Fort Wayne, Indiana, on August 31 after “a short battle with COVID 19,” according to his funeral home obituary. With more than 20 books to his credit, including the novels Adrenaline Junkie and The Genuine, Imitation, Plastic Kidnapping, as well as the 2007 writer's resource Hooked: Write Fiction That Grabs Readers at Page One and Never Lets Them Go, Edgerton had been nominated for a wide variety of prizes, from the O. Henry Award to the Edgar Award for Best Short Story. Not long before his passing, he had won the Killer Nashville convention’s Claymore Award with the opening 50 pages of an unpublished manuscript, Francois Roberge—The Fixer.

Some Pre-Thanksgiving Treats

• The Masterpiece Mystery! historical whodunit series Miss Scarlet and the Duke, starring Kate Phillips and Stuart Martin, is slated to return to PBS-TV with its third season, beginning on Sunday, January 8, of next year. However, the network will make that entire six-episode season available to PBS Passport and PBS Masterpiece Prime Video Channel subscribers as of tomorrow, Thursday, November 24. A frustratingly brief Season 3 preview can be found here.

• Speaking of TV reappearances, the Victorian-era detective drama Vienna Blood, based on books by Frank Tallis, is expected back on BBC Two in Britain come Wednesday, December 4. According to The Killing Times, this third season of the delightful Matthew Beard/Jürgen Maurer mystery will be based on Tallis’ fifth Max Liebermann novel, Deadly Communion (aka Vienna Twilight). The PBS Web page devoted to Vienna Blood supplies no information yet on when its third season will debut in America. But the sooner the better, I say.

• And I just learned this morning that there is going to be an eighth novel in Tallis’ Liebermann series, titled Mortal Secrets. Amazon says it’s due out in the UK from Little, Brown on May 9, 2024. The author announced on his Twitter page this last June 15 that he’d finally submitted his manuscript to the publisher. I loved 2018’s Mephisto Waltz, which found Vienna psychiatrist Liebermann and Detective Inspector Oskar Rheinhardt investigating a most peculiar murder in an abandoned piano factory, in 1904. I look forward enthusiastically to getting my hands on this forthcoming sequel. UPDATE: More information about this forthcoming book can be found here.

• We have been aware for the last five months that Douglas Henshall was giving up his starring role as Detective Inspector Jimmy Perez in the BBC One crime drama Shetland, but we didn’t know who would replace him. Until today, that is. The Killing Times reports that 53-year-old Scottish actress Ashley Jensen—“whose illustrious and critically acclaimed career includes cosy crime drama Agatha Raisin—will star as DI Ruth Calder, a native Shetlander who returns to the isles after 20 years working for the Met in London. Ruth takes on the lead detective role left vacant by DI Jimmy Perez …, working closely with DS Alison ‘Tosh’ McIntosh (Alison O’Donnell) and will make her debut when the series returns to BBC One and BBC iPlayer next year.”

• And I neglected to flag this previously. Also from The Killing Times:

Sir Ian Rankin will partner [with the streaming service] Viaplay UK for a major reimagining of his iconic detective, Inspector John Rebus, drawn from the instantly recognisable universe of Rankin’s books.

Set in contemporary Edinburgh, the six-part series places Rebus at the heart of a compelling new story.

In the drama, Rebus is in his 30s, recently divorced and demoted to Detective Sergeant. He has a new colleague, Detective Constable Siobhan Clarke, and is struggling to deal with the changes in his personal and professional life. At the same time, Rebus’s daughter, Sammy, and ex-wife, Rhona, are enjoying an affluent existence with Rhona’s new partner—while Rebus’s brother Michael is finding out that in a society where the gaps between the `haves and have-nots’ keep widening, taking shortcuts to provide for your family is no longer a temptation, but a necessity.”

Casting specifics have not yet been released, but filming on this series is expected to begin this coming spring.

• Wow! I didn’t even know this was in the works. In Reference to Murder brings news that “Steven Spielberg has found his Frank Bullitt, according to Deadline. Bradley Cooper has closed a deal to play the no-nonsense San Francisco cop in the new original Bullitt story centered on the classic character famously played by Steven McQueen in the 1968 thriller. Cooper will also produce the movie along with Spielberg and his producing partner, Kristie Macosko Krieger (marking their second collaboration after Maestro), with Josh Singer on board to pen the script. Steve McQueen’s son, Chad, and granddaughter, Molly McQueen, will exec produce the new movie. Sources are adamant this is not a remake of the original film but a new idea centered on the character.” In case don’t know this, Bullitt was created by author Robert L. Fish for his 1962 novel, Mute Witness. While the film adaptation was based in San Francisco (complete with a renowned car-chase scene), the book takes place in New York City. There’s no word at this time on where Cooper’s flick will be set.

• Really? Singer Taylor Swift played a corpse on CSI?

• Two deadlines to bear in mind: This coming Sunday, November 27, is the cutoff date for votes to be entered in stage one of the annual Goodreads Choice Awards competition. You’ll find the list of 20 contenders for “Best Mystery & Thriller” honors here. And next Wednesday, November 30 (at noon GMT), will be your last chance to choose favorites among shortlisted contenders for the 2022 Crime Fiction Lover Awards. Go here to fill out your ballot.

• And with tomorrow being Thanksgiving Day here in the United States, it’s time to check on Janet Rudolph’s updated list of Thanksgiving-related mysteries. Should you require a reading escape sometime on Thursday, Rudolph suggests Cindy Bell’s Fatal Festivities, Sammi Carter’s Goody Goody Gunshots, Evelyn David’s Murder Takes the Cake, and so many more works from years past.

Sunday Series Samplers

With little more than a couple of weeks to go now before these two PBS-TV offerings debut on Sunday, October 16, new video trailers have been issued to promote both the Masterpiece mini-series Magpie Murders and Season 2 of Masterpiece Mystery!’s Miss Scarlet and the Duke. Magpie, of course, is based on Anthony Horowitz’s 2017 whodunit of that same title, shot from a screenplay by the author himself. It stars Lesley Manville and Tim McMullan. Miss Scarlet is a spirited, late-19th-century London mystery that had its first-season premiere in 2020, and features Kate Phillips and Stuart Martin.

Their respective previews can be enjoyed below.





READ MORE: “What’s in Store for Miss Scarlet and The Duke,
Season 2” (Masterpiece).

Bullet Points: Dog Days Edition

It feels like forever ago that I last compiled a “Bullet Points” post of crime-fiction news items. In fact, the last time was in early June. My preference is to write these every couple of weeks, but editorial responsibilities unrelated to The Rap Sheet stood in my way for almost two months. With any luck, I can now return to my usual timetable.

• Count me among those delighted by news of a Death in Paradise spin-off series starring Kris Marshall, who played Detective Inspector Humphrey Goodman for roughly three and a half seasons (after replacing Ben Miller as DI Richard Poole). As The Killing Times reports, this new BBC-TV show—to be titled Beyond Paradise—“will tell the story of what happened to Goodman … after he returned to the UK. Seeking a quieter life away from the stress of the city, Humphrey has taken a job as Detective Inspector in fiancée Martha’s hometown. However, they soon find that country life is anything but peaceful and Humphrey can’t help but be distracted by the town’s surprisingly high crime rate with a new, and very different, case challenging him each week.” Mystery Fanfare adds that Beyond Paradise will begin airing on BBC and, in the States, on BritBox in 2023, and that “many of the characters from Death in Paradise will make cameo appearances.” I hope producers can convince the lovely Joséphine Jobert to reprise her role as Detective Sergeant Florence Cassell. She and Marshall made a splendid team on the fictional Caribbean island of Saint Marie.

• While we’re on the subject of Death in Paradise, the TV site WhatToWatch says the 12th season of that popular series is “very likely to start in January 2023,” again with Ralf Little playing DI Neville Parker. In advance of that, a second Christmas special is due!

• When last we checked on ITV-TV’s McDonald & Dodds, in mid-June, word was that its third season would debut in Britain on June 19. However, there was no clue then as to a U.S. showing. Now, finally, Mystery Fanfare brings news that this lighthearted whodunit, starring Tala Gouveia and Jason Watkins as mismatched police partners in modern Bath, England, will have its BritBox premiere here in the States on Tuesday, August 16. Three 90-minute episodes are due, with the streaming service dropping one per week.

• Still reeling from the sad news that star Douglas Henshall has quit Shetland, we learn that his last, six-episode season with the BBC-TV series will begin airing in the UK on Wednesday, August 10.

• A confession: I haven’t yet watched the opening season of Slow Horses, the AppleTV+ spy series based on Mick Herron’s Slough House novels and starring Gary Olman, Jack Lowden, and Kristin Scott Thomas. But I am hoping to get around to it soon. I’d like to least take in those half-dozen episodes before the program’s sophomore season—based on Herron’s Dead Lions (2013)—premieres, probably in November. (You can already enjoy the trailer by clicking here.) But it’s becoming difficult to keep up: The Killing Times reports that production of Seasons 3 and 4—being shot back-to-back—is already underway, though there are no particulars regarding which other Slough House novels are being adapted for the small screen.

• Despite the numerous accolades Herron has received for his novels about a band of misfit former MI5 agents (including his recently capturing the 2022 Theakston Old Peculier Crime Novel of the Year award for Slough House), the author is apparently stepping away from those characters in order to next pen another standalone yarn. Soho Press, though, intends to keep fans happy by releasing, in November, a paperback collection of Slough House novellas. The List, The Drop, The Last Dead Letter, and The Catch—all of which have previously been published—are to be featured, together with a new, Christmas-themed tale that gives the book its title, Standing by the Wall.

• The folks behind PBS-TV’s Masterpiece have posted a trailer (see below) for Magpie Murders, the six-part mini-series scripted by Anthony Horowitz and based on his 2017 whodunit of the same name. This show stars Lesley Manville and Tim McMullan, and is scheduled to commence its Masterpiece run on Sunday, October 16.



• Speaking of Masterpiece, it has now not only confirmed that the historical mystery drama Miss Scarlet and the Duke will kick off its six-episode Season 2 run on Sunday, October 16 (see the video trailer here), but that Season 3 of that show will follow closely on its heels, beginning on Sunday, January 8, 2023. This British-Irish production is set in 1880s London, and stars Kate Phillips as Eliza Scarlet, a spirited young female private investigator who often finds herself in professional (and personal) rivalry with Detective Inspector William Wellington, aka “The Duke,” played by Stuart Martin.

• This show sneaked right up on me. The U.S. streaming service Acorn TV will introduce a new Australian series on Monday, August 8. Titled Darby and Joan, it’s a road-trip dramedy starring Breaker Morant’s Bryan Brown as retired Australian homicide detective Jack Darby, and Greta Saachi (Presumed Innocent) playing widowed English nurse Joan Kirkhope. As Mystery Tribune says, “They couldn’t be more different: the low key, ruggedly charming Aussie and the tightly-wound, yet warm, witty and determined Englishwoman, but when they collide in the Australian outback, and become drawn into a series of unexpected mysteries, this unlikely investigative duo soon realize the most intriguing puzzle they face is each other.” Darby and Joan is slated to continue through August 29.

• Last but hardly least important on the boob-tube beat, Crime Fiction Lover lets it be known that “Val McDermid’s cold case police detective Karen Pirie is coming to the small screen in September 2022 in a new three-part ITV crime drama. Adapted from the first novel in the six-book series, The Distant Echo, the programme will star Lauren Lyle of Outlander fame as the lead detective.” McDermid herself is one of this show’s co-producers. You’ll find a short trailer at the link.

• Five authors are shortlisted for the 2022 Lindisfarne Prize for Crime Fiction, a competition “open to all writers who are from, or whose work celebrates the North East of England, and who have not previously had their submission published in any form.” They are:

— Clare Sewell, Can't Hide
— Duncan Robb, Sharp Focus
— Katherine Graham, Salted Earth
— Jacqueline Auld, The Children of Gaia
— Ramona Slusarczyk, The Taste of Iron

Founded in 2019 by British author L.J. Ross, this commendation is sponsored by her publishing imprint, Dark Skies Publishing, along with the Newcastle Noir Crime Writing Festival and Newcastle Libraries. According to the prize’s Web site, “The winning entry”—to be announced on August 31—“will be awarded a prize of £2,500 to support the completion of their work and funding towards a year’s membership of both the Society of Authors (SoA) and the Alliance of Independent Authors (ALLi),” with other shortlisted candidates receiving lesser sums of prize money. To find previous winners, click here.

• As summer winds down, it’s time to re-check The Rap Sheet’s compilation of crime, mystery, and thriller works set to go on sale—on both sides of the Atlantic—between now and Labor Day. The number of picks has grown greatly since I initially posted that list on June 1.

• Also peruse Crime by the Book’s list of 16 novels that it says are must-reads for these closing days of the sunny season.

• Although the actual date was more than a week ago, I want to wish In Reference to Murder a happy 15th blogiversary! Writer B.V. Lawson does an outstanding job with her site … and somehow manages to keep up a consistent schedule, unlike some bloggers we know.

• Can it really have been 50 years ago? The blaxploitation crime film Super Fly, starring Ron O’Neil and directed by Gordon Parks Jr., was released on August 4, 1972. While many African Americans were displeased with that picture’s glorification of “black males as pimps, dope pushers, gangsters, and super males,” few could complain about Curtis Mayfield’s eminently danceable theme music. As George Kelley opined last week, “Mayfield’s soundtrack … became a landmark in exposing the threat of drugs to the Black Community.”

• My e-mail brings this note from frequent Rap Sheet contributor Fraser Massey, based in London: “While reading The Observer today (my favourite of Britain’s Sunday papers), I came across a fascinating piece where they asked a range of top crime novelists to list both their favourite crime novels of all time, but also their favourite recent thrillers. It makes for an impressive reading list.” That piece is walled off to non-subscribers, but fortunately The Observer’s sister newspaper, The Guardian, carries it here for free.

• Another missive comes from Ohioan Lou Armagno, author of the blog The Postman’s Holiday, who reminds me that this coming August 26 will mark the 138th birthday of Earl Derr Biggers, the creator of Chinese-American detective Charlie Chan. Don’t bother buying Biggers a present; he died way back in 1933. But fan Armagno would appreciate the gift of some assistance in tracking down three “rare treasures” associated with Biggers and the vintage Chan films, among them a waxwork representation of the fictional Honolulu police officer that was used in 1940’s Charlie Chan at the Wax Museum, one of 22 Chan movies starring Sidney Toler. Click here to read more about Armagno’s search for those long-gone artifacts.

• I’m not sure many people noticed, but in July Bouchercon rolled out a new look for the Anthony Award—“a design which will be used each year from now on,” says author Art Taylor, “as opposed to having each new Bouchercon design a specific award for their host year.” The official introduction of the prize came in this video.

• In a blog post devoted chiefly to the movies he takes in while writing fiction, author Max Allan Collins drops news that the book he’s currently working on—his 18th, and possibly last, Nate Heller novel—will be titled Too Many Bullets. It involves Chicago-based private dick Heller in the 1968 assassination of Robert F. Kennedy, he explains, but will also “cover both Jimmy Hoffa and Sirhan Sirhan.” Expect Bullets to come from Hard Case Crime, which is already readying Collins’ 17th Heller yarn, The Big Bundle, for release in early December. [FOLLOW-UP: In a subsequent blog post, Collins updated this account, explaining that “I have already decided to turn Too Many Bullets into two Heller novels. Too Many Bullets will be the RFK assassination novel. The as-yet-untitled Heller after that will go back and deal with the Jimmy Hoffa story. This came about because—as is always the case—the research has led me places I did not expect to go.”]

• Now joining Amazon in selecting the “best books of the years (so far)” is CrimeReads, which last month posted a list of 10 crime, mystery, and thrillers yarns (heavy on the noir) that it declares stood out from all others reaching print in the first six months of 2022. It’s not a bad list, though I was considerably less fond of Brendan Slocumb’s The Violin Conspiracy than others seem to have been. Interestingly, I’ve read more of CrimeReads’ second string of “Notable Selections” than I have its top 10.

• A few other CrimeReads pieces I have enjoyed lately: Lisa Levy’s interview with “the people behind some of today’s best small publishers specializing in crime fiction,” among them Hard Case Crime’s Charles Ardai, Paul Oliver of Syndicate Books, and Dreamland Books’ Sara Gran; Keith Roysdon’s look back at producer Quinn Martin’s remarkable string of popular TV crime dramas; this piece about New York City’s notorious heat wave of 1896, which provides the setting for Hot Time (Arcade Crimewise), W.H. Flint’s terrific debut historical mystery; Curtis Evans’ outstanding but sad story about Milton M. Propper, a once-applauded American writer of police procedurals (The Strange Disappearance of Mary Young, The Ticker-Tape Murder, etc.), who ended up destitute and suicidal in Philadelphia; a listicle of choice locked-room mysteries by Tom Mead, UK-based author of the new locked-room whodunit Death and the Conjuror (Mysterious Press); and an extract from the new non-fiction book Dangerous Rhythms: Jazz and the Underworld (Morrow), recalling how, “in the early days of jazz, the music and the mob were inextricable” down in New Orleans.

• One final CrimeReads-related subject: Dwyer Murphy, my editor at that excellent Web site, has seen his new sort-of-detective-novel, An Honest Living (Viking), greeted warmly by critics. Christopher Bollen offers this plot précis in The New York Times:

Murphy’s lonely, misanthropic [and unnamed] narrator, fitted with the soul of a poet and the ethics of a dice thrower, is hired by a wealthy young woman to investigate the illicit behavior of her estranged husband. The narrator quickly catches the husband in the act; however, it turns out that the woman who hired him was only masquerading as the man’s wife. Following the rules of the noir genre, the would-be detective is ruled by the stars of pride and lust, determined to discover who duped him even as he finds himself inexplicably drawn to an enigmatic femme fatale, the real wife.

Murphy has also been the subject of several interviews, one of the best being his exchange with Speaking of Mysteries host Nancie Clare, which you can listen to here.

• Worth tuning in for, too, is this conversation between National Public Radio’s Elissa Nadworny and Megan Miranda about the latter’s brand-new woodlands thriller, The Last to Vanish (Scribner). Among the things focused on is that North Carolina author’s multiple fears. “‘I have an overactive imagination, so I am afraid of many things,’ [Miranda] says. She’s especially afraid of being alone in the woods at night. Feeling vulnerable and on edge, not knowing what else is out there. ‘The idea that you hear footsteps behind you and you can’t see it and they stop when you stop,’ she says, ‘that to me is this terrifying idea.’ That feeling when the hair on the back of your neck stands up, you feel the tension in your shoulders, and you have a sharp focus on just getting to safety—that’s the feeling Miranda is trying to capture in her books.” The Last to Vanish is Miranda’s sixth adult novel.

• This year’s winners of the Scribe Awards, given out by the International Association of Media Tie-in Writers, were announced late last month during San Diego Comic-Con. As far as I can discern, there was only one category that included works definable as crime or mystery fiction: Original Novel, General. The vast majority of nominees were either fantasy or science fiction. Taking home the Original Novel, General prize was Pandemic: Patient Zero, by Amanda Bridgeman (Aconyte), which as you might guess is about a fast-spreading killer virus. Also nominated in that category were Murder She Wrote: Debonair in Death, by Terrie Farley Moran (Berkley), and Shootout at Sugar Creek, by Max Allan Collins (Kensington). A complete rundown of the 2022 nominees is located here.

• Darn lucky Londoners! Capital Crime, trumpeted as the city’s “only crime and thriller festival,” is set to return on Thursday, September 29, and continue through Saturday, October 1, bringing more than 164 panelists, plus readers, others authors, and book-publishing execs to Battersea Park on the River Thames’ south bank. Shotsmag Confidential offers a handy round-up of main festival events, which will kick off with a Thursday evening discussion of James Bond and London’s role in that fictional spy’s life, featuring Anthony Horowitz, Charlie Higson and Kim Sherwood, author of Double or Nothing (HarperCollins), the first in a triology of novels focusing on Double O Section agents other than Bond, due out in September. The full program and ticket info can be accessed here.

• The Gumshoe Site notes the death, on July 22, of Stuart Woods, author of the Stone Barrington series. “The former advertising man’s first book, Blue Water, Green Skipper (Norton, 1977), was not a novel, but a non-fiction book about the 1976 adventure in the Observer Single-handed Trans-Atlantic Race,” recalls blogger Jiro Kimura. “His third book was a novel, entitled Chiefs (Norton, 1981), about three generations of lawmen and the murder of a teenager in a small town in Georgia, which won the 1982 Edgar Award in the first novel category, and was made into the TV miniseries starring Charlton Heston and Danny Glover, among others. He wrote about five books a year singularly or collaboratively with several series characters. New York Dead (Harper & Row, 1991) is the first novel featuring Stone Barrington, an ex-cop and attorney in New York City. His 62nd Barrington book, Black Dog, will be released in August, the 63rd book in the Barrington series, Distant Thunder (both from Putnam) in October, [and] the 64th Barrington book (untitled yet) next year.” Kimura adds that Woods “died in his sleep on July 22 at his home in Litchfield County, Connecticut.” He was 84.

• Woods is not the only loss the crime-fiction community has had to endure during the last month. Gone now, as well, are actor James Caan (The Godfather, Misery, Poodle Springs), actress Rhonda Fleming (Spellbound, Out of the Past, McMillan & Wife), author Susie Steiner (Missing, Presumed), James Bond theme composer Monty Norman, and Douglas Dannay, author and the eldest son of Frederic Dannay, who co-created the Ellery Queen mystery series. Farewell, too, to Leave It to Beaver’s Tony Dow, Star Trek’s Nichelle Nichols, and F Troop’s Larry Storch, all three of whom made an impact on me as a boy.

• Having grown up in the glow of 1970s films, I’m very much a fan of Peter Hanson’s blog, Every ’70s Movie, which recently clocked in its six-millionth pageview. Congratulations! (Just for perspective, The Rap Sheet has almost reached its eight-millionth pageview.)

• And still more bodies are turning up in Lake Mead, a mammoth reservoir created in the 1930s by construction of the Hoover Dam, located on the border between Nevada and Arizona. As I wrote back in May, global warming is causing the lake’s water level to recede to historic lows, exposing sunken boats, a World War II landing craft, and other articles previously hidden from sight. Bones among them! CNN reported late last month that a third set of human remains was found in the reservoir. The earlier discovery of a long-ago murder victim raised serious questions as to whether these skeletons might be related to nearby Las Vegas’ mobster past.

Noted in Passing

• Jodie Foster, whose last regular TV series role was as Addie Loggins in ABC’s short-lived movie spin-off, Paper Moon (1974-1975), has been signed to star in the third version of True Detective, subtitled Night Country. As In Reference to Murder reports,

The story centers on Detectives Liz Danvers (Foster) and Evangeline Navarro who are looking to solve the case of six men who operate the Tsalal Arctic Research Station and vanish without a trace when the long winter night falls in Ennis, Alaska. The detective duo will have to confront the darkness they carry in themselves and dig into the haunted truths that lie buried under the eternal ice.

True Detective, which was created and written by Nic Pizzolatto, ran for three seasons between 2014 and 2019. The third and most recent season, set in the Ozarks, aired on HBO in 2019 and starred Mahershala Ali and Stephen Dorff.

• Today is Memorial Day here in the United States. Mystery Fanfare’s Janet Rudolph is celebrating it with updated lists of Memorial Day mysteries and crime fiction that incorporates barbecuing, an activity in which Americans often engage on this holiday.

• I’ve already mentioned that Season 8 of Endeavour will premiere as part of PBS-TV’s Masterpiece series on Sunday, June 19. But I failed to point out, too, that the seventh season of Grantchester, starring Robson Green and Tom Brittney, will return to Masterpiece with half a dozen new episodes, beginning on Sunday, July 10. (Watch a trailer here.) Also worth remembering is that the Victorian-era whodunit Miss Scarlet and the Duke, featuring Kate Phillips and Stuart Martin, is set to kick off its Season 2, six-episode run in the States on Sunday, October 16. (The trailer can be enjoyed here.) Incidentally, while American boob-tubers will have to wait until the fall for Miss Scarlet, it is scheduled to debut in Britain on June 14.

• And two months ago, I noted that Madison Books, the Seattle neighborhood shop at which I help out a couple of days each week, had been nominated for this year’s Publishers Weekly Bookstore of the Year award. Well, the winner was announced last week … and it was one of the other five finalists—The Raven Book Store in Lawrence, Kansas, to be specific. Madison Books manager James Crossley tries to put the best face on this turn of events in his latest newsletter.

Bullet Points: 2021—At Last Edition

• Down & Out: The Magazine, founded as a quarterly print/e-book periodical and helmed by the ever-resilient Rick Ollerman, debuted in the summer of 2017 and has since produced just five additional issues, their frequency having become quite unpredictable. The fifth edition came out in November 2019, and the sixth went on sale last month. This new one, by the way, is the first not to carry a “Placed in Evidence” column from yours truly. My schedule made it impossible for me to produce a creditable non-fiction essay by the deadline of January 31, 2020. Had I known that this issue wouldn’t be appearing until 11 months later, I might have asked for an extension on that due date. Oh, well. It sounds as if the latest number has enough to commend it, including “correspondence between two legends of crime fiction, Walter Satterthwait and Bill Crider, both of whom recently passed away”; a short story by the prolific Stephen Marlowe (1928-2008), plus an introduction to Marlowe’s work by Jeff Vorzimmer, the editor of last year’s The Best of Manhunt collection; and fresh short stories from James O. Born, Josh Pachter, and Rap Sheet regular Steven Nester.

• Is it merely my imagination, or has there really been less and less attention paid annually to Britain’s Staunch Book Prize ever since that commendation—which honors “a thriller novel in which no woman is beaten, stalked, sexually exploited, raped or murdered”—was created back in 2018? I do not remember seeing any significant coverage of the 2020 shortlist when it was announced in early November. And I wasn’t aware until today (courtesy of Shotmag Confidential) that a winner had been declared on November 25: Heaven, My Home, by Attica Locke (Serpent’s Tail). Locke, incidentally, is the first American to walk off with this award, which comes with £1000 in prize money. For the record, here are this year’s other five Staunch finalists:

— The Chemical Reaction, by Fiona Erskine (Point Blank)
— Glorious Boy, by Aimee Liu (Red Hen Press)
— Death in Her Hands, by Ottessa Moshfegh (Vintage)
— The Burning Island, by Jock Serong (Text)
— The Coldest Warrior, by Paul Vidich (No Exit Press)

• As everyone knows by now, writer and Columbo co-creator William Link died earlier this week. The Columbophile, though, doesn’t want us to forget about these other Columboworld stars we lost in 2020—Robert Conrad, Honor Blackman, and yes, Dawn Wells among them.

• Immediately before Christmas, CrimeReads published a fairly wonderful piece by Paul Vidich (The Coldest Warrior, The Mercenary) about his fellow author John le Carré, who died on December 12 at 89 years of age. In it, Vidich observes:

Le Carré’s distinction and originality is that he used the conventions of the spy novel for the purposes of social criticism. The British intelligence bureaucracy and the men (and they are largely men) represent the social attitudes and vanities of a certain class of Englishmen. They marry, cheat, divorce, spy and play their games of political and sexual betrayal. Le Carré used espionage as Conrad used the sea and Kipling India, as an exotic world in which to explore the inconvenient truths that exist in a democracy that finds it hard to balance openness with the need to keep secrets.

Intelligence agents in this world often act as legally sanctioned criminals. Lies are told in the service of truth, friends suborned in the name of national security, and extrajudicial murder qualifies as justice. We are fascinated by these contradictions and are entertained by the inherent hypocrisy.

• Steele Curry offers up his own le Carré tribute.

• The Killing Times spent this week applauding what it declares are the top 20 TV crime dramas shown in 2020. Among its picks: The Outsider, The Undoing, Deadwater Fell, Perry Mason, Deadwind, Dare Me, Baghdad Central, and I May Destroy You. Obviously, those good folks at The Killing Times spent way more time staring at small screens over the last 12 months than I did! They count down their endorsements in four posts: Part I, Part II, Part III, and Part IV.

• That site’s focus isn’t only rearward, though. In this long feature, Killing Times editors preview some of the new crime, mystery, and thriller programming bound for TV screens in 2021—all of it accessible to British audiences, some of it available to American watchers as well. Who knows what will draw the biggest ratings, but I am looking forward to seeing The Serpent (starring Tahar Rahim and the magnetic Jenna Coleman), Series 2 of Baptiste, The North Water (based on Ian McGuire’s 2016 historical adventure), Series 2 of McDonald & Dodds, Lupin, Amsterdam Vice, and of course Season 6 of Endeavour. The post also includes the first trailer I’ve seen for Clarice, a sequel to The Silence of the Lambs, starring Rebecca Breeds as FBI agent Clarice Starling. It’s not very revealing, but still welcome.

• There’s more than a modicum of overlap between the aforementioned recommendations and Dead Good Books’ tally of “20 Crime Shows You Shouldn’t Miss in 2021.”

• One of the programs I most look forward to seeing this season is Miss Scarlet and the Duke, a period mystery premiering under PBS-TV’s Masterpiece banner on Sunday, January 17. Already broadcast last spring in the UK, this six-part production is “set in 1882 Victorian London, with a fearless, quick-witted, and sassy female aspiring detective facing all manner of obstacles, from Victorian conventions to the efforts of her rakish and wily longtime friend/competition/potential love interest!” Kate Phillips, who portrayed Princess Mary (Queen Elizabeth II’s aunt) in The Crown, stars as Eliza Scarlet, the daughter of a London private detective who takes over her father’s agency after he dies in order to avoid penury. Stuart Martin, familiar as Silas Sharrow on Jamestown, plays Scotland Yard Detective Inspector William Wellington, aka The Duke, Eliza’s childhood companion and reluctant colleague. The PBS Masterpiece site offers more information about this drama. Below is a video trailer.



• CrimeReads editor-in-chief Dwyer Murphy touts “The Best Crime Shows of the Decade.” If I didn’t sit through all of them, I at least knew about these programs, which range from The Night Of and True Detective to Bosch and Justified. Just one exception: the American psychological thriller You. That Lifetime-turned-Netflix series, entering its third season in 2021, passed me by completely.

• It’s good to see that “The estate of Arthur Conan Doyle and Netflix have agreed to dismiss a lawsuit brought by the author’s estate, which alleged that the film Enola Holmes infringed copyright by depicting a warmer and more emotional version of Sherlock Holmes.” The Guardian adds, “The lawsuit, brought against Netflix, the film’s producers Legendary Pictures, the Enola Holmes author Nancy Springer and others associated with the adaptation, argued that Conan Doyle created ‘significant new character traits for Holmes and Watson’ in the 10 stories still under copyright in the U.S., which were written between 1923 and 1927.” Lets hope this settlement clears the way to shoot a sequel to Enola Holmes, as I quite enjoyed that lighthearted picture starring Millie Bobby Brown, released this last September.

• Significant dates to remember, from In Reference to Murder:

Somehow, these deadlines slipped past me until now, but there are a couple of contests seeking submissions for first novelists due soon if you just happen to have an unpublished manuscript in your desk drawer.

The St. Martin’s Press Tony Hillerman Prize is accepting submissions for a debut mystery novel set in the American Southwest, with a prize of $10,000 advance against royalties and publication. The deadline for that one is January 2, 2021.

Also, the Minotaur Books/Mystery Writers of America Best First Crime Novel Competition is taking submissions from the author of any unpublished novel who is not under contract with a publisher for publication of a novel (except that authors of self-published works may enter, as long as the manuscript submitted is not the self-published work). That one also has a prize of [a] $10,000 advance, with a deadline of 11:59 p.m. EST on January 1, 2021. Fortunately, you have more time to enter the CWA’s Debut Dagger competition, with a deadline of February 26th.

• The Private Eye Writers of America is currrently accepting submissions to its 2021 Shamus Awards competition. There will be four categories of honorees: Best Hardcover P.I. Novel, Best First P.I. Novel, Best Original Paperback P.I. Novel, and Best P.I. Short Story. As Guns, Gams & Gumshoes explains, “Submissions must be postmarked by March 31, 2021. No extensions can be given.”

• I’m still cobbling together The Rap Sheet’s lengthy rundown of crime-fiction works set for original release in the first quarter of this brand-new year. But already, Ayo Onatade has posted her list of British titles she’s most looking forward to reading in 2021, among them Will Dean’s The Last Thing to Burn, Laura Shepherd-Robinson’s Daughters of Night, and K.J. Maitland’s The Drowned City. George Easter of Deadly Pleasures Mystery Magazine has assembled his own inventory of anticipated novels, running from Mick Herron’s Slough House to Jonathan Ames’ A Man Named Doll.

• “Best of 2020” lists continue to draw attention. MysteryPeople’s Scott Montgomery identifies his 10 favorite crime releases here, including one book I missed completely: James Queally’s Line of Sight, which Montgomery calls “my favorite private eye novel of the year.” The Web site Crime Fiction Lover has posted two additional sets of endorsements here and here. Librarian-turned-blogger Lesa Holstine has fond memories of S.J. Bennett’s The Windsor Knot, Bree Baker’s Closely Harbored Secrets, Harlan Coben’s The Boy from the Woods, and other yarns. Choices from the anonymous blogger at For Winter Nights take in Jane Casey’s The Cutting Place, Stuart Turton’s The Devil and the Dark Water, Antonia Hodgson’s The Silver Collar, and We Begin at the End, by Chris Whitaker. CrimeReads and Book Marks present “The Best-Reviewed Crime and Mystery Fiction of 2020” (spoiler: Tana French’s The Searcher scored top honors, according to their accounting). Finally, a non-book compilation: Art of the Title’s top-10 movie and TV openings from 2020, featuring the title sequences from both Defending Jacob (adapted from William Landay’s 2012 novel of the same name) and The Good Lord Bird (based on James McBride’s 2013 book).

• Tardy though I am, I wish to direct your attention to this piece in The Stiletto Gumshoe, which recounts how famous American paperback illustrator Robert McGinnis employed, among his many models, one Shere Hite. That’s right, the very same Ms. Hite who composed such sexology classics as Sexual Honesty, by Women, for Women (1974) and The Hite Report on Female Sexuality (1976). Hite died this last September 9 at age 77.

• Rest in peace, as well, Guy N. Smith. A hard-working English concocter of pulpy horror fiction, Smith passed away on December 24 after testing positive for COVID-19. He was 81 years old. Smith may be best remembered for having penned a strangely popular series of novels about giant killer crabs, but he also wrote non-fiction, soft-core porn, and children’s stories. The blog Too Much Horror Fiction has posted a gallery of his creepy book covers. FOLLOW-UP: In his Dispatches from the Last Outlaw blog, Thomas McNulty recalls his meeting with author Smith in the fall of 2019.

• What a fun end-of-the-year project! Houston author and blogger Scott D. Parker devoted part of December to screening all half-dozen of the 1930s and ’40s Thin Man movies starring William Powell and Myrna Loy, and inspired by Dashiell Hammett’s 1934 novel, The Thin Man. You will find his spirited assessments here. “I enjoyed these films so much,” Parker remarks in conclusion, “that I’m going to seek out and find the other films Powell and Loy starred in together.”

• Kudos to Publishers Weekly! After considering the abundant challenges and disruptions that faced the book-publishing industry in COVID-clobbered 2020, that American trade magazine announced that its Person of the Year (actually, People of the Year) “are not the powerhouse agents or the megabestselling authors or the Big Five CEOs. They are the booksellers, debut and midlist authors, editors, librarians, printers, publicists, sales representatives, and warehouse workers, to mention just a few—the workers, who have been the most important people in the business all along.” Without those individual booksellers and the products they continued to place in our hands, despite the rigors of the pandemic and their risks of exposure to the disease, 2020 would have been an even more lonely and agitating time than it was. They may not have been considered “essential workers,” but for many of us, they were essential, indeed.

• And of course there’s a Free Little Library in Antarctica.