• With production on the 25th James Bond film having been pushed back, and the picture’s release now
delayed until April 2020, that leaves extra time for rumors to fill in where facts are so far absent. Talk that Agent 007 (again played by Daniel Craig)
will be killed off in the next movie is probably bogus. But word that the still-untitled film might be shot, at least partly, in Jamaica appears to be true. The Spy Command
reports
that “The government of Jamaica on March 29 confirmed it’s in ‘advanced’ talks about having Bond 25 shooting on the island nation.” This wouldn’t be the first time 007 has invaded the lush land of reggae and jerk spices. Spy Command managing editor Bill Koenig writes, “Both
Dr. No (1962) and
Live and Let Die (1973) were filmed in Jamaica (it doubled for the fictional San Monique in the latter movie). Ian Fleming also wrote the first drafts for his 007 stories while in Jamaica during the winter.”
• Sadder Bond-related news: The Spy Command
brings word that English actress/model
Tania Mallet, “who had a small but key role in
Goldfinger, has died at 77.” It goes on to tell that “In 1964’s
Goldfinger, Mallet played Tilly Masterson, sister to Jill Masterson (Shirley Eaton), who had been killed by being ‘painted gold,’ causing skin suffocation. Tilly seeks to avenge her sister’s death and is tailing Auric Goldfinger (Gert Frobe) in Switzerland. She takes a rifle shot at
Goldfinger but almost hits Bond (Sean Connery).” Following that big-screen debut, Mallett (a cousin of actress Helen Mirren) resumed modeling, though she did
appear as herself in several TV shows, and took an uncredited role in “The Midas Touch,” a 1978 episode of
The New Avengers.
• Britain’s Piccadilly Publishing, which usually specializes in Westerns and men’s adventure yarns, will be making at least some of the numerous tales about newhound-turned-private eye
Larry Kent available in e-book format—with their original “good girl” artwork. (See
Curves Can Kill on the right.) Kent, if you don’t remember, began life on a 1950s Australian radio drama series (created by Ron Ingleby), then became a phenomenon in print—initially in a succession of novelettes, but ultimately in hundreds of novels, all of them with high body counts. More info is on
the Piccadilly Web site.
• Criminal Element continues to roll out its posts revisiting books that, over the last 65 years, have won the Edgar Award for Best Novel. Although the quality of entries is inconsistent, and some participating critics have insisted on judging works according to modern viewpoints rather than historical ones, in general, the series has offered an interesting look back at wonderful—if sometimes forgotten—criminal yarns. The latest installment, contributed by novelist Philip Margolin (
The Perfect Alibi)
re-examines The Quiller Memorandum (aka
The Berlin Memorandum), the first book in Adam Hall’s 20-volume series starring the spy known only as Quiller. Margolin writes:
The Quiller Memorandum is in many was an experimental novel. It is narrated in a stream of consciousness style by Quiller, and the narrative is frequently exhausting as we are forced to read page after page detailing the mechanics of losing a tail and other spycraft. What saves the book is Hall’s description of the Nazi horrors that motivate Quiller to find the Nazis in hiding and bring them to justice. There are some good twists and an interesting relationship between Quiller and Inga, the mysterious femme fatale. I moved back and forth between fascination, boredom, and misbelief while reading the novel, especially the interrogation sequences.
If you’ve fallen behind in reading Criminal Element’s Edgar Awards series, you can catch up with all of the posts
here.
• Philip Kerr’s Metropolis, his 14th and final Bernie Gunther novel, won’t go on sale for another week. But its welcome is already in full swing. Crime Fiction Lover has posted
a handy guide to the series, all of the books—whether set in Europe, South America, or Cuba—starring Gunther, a mordantly humorous, half-Jewish, Nazi-hating Berlin homicide detective turned (sometimes reluctant) private eye. Meanwhile, the Rap Sheet’s UK correspondent, Ali Karim,
has posted this video of the book’s official launch at London’s Daunt Books, well attended by publishing types and critics pleased to celebrate author Kerr, who
died a year ago, at age 62. On hand, too, were Kerr’s editor, Jane Wood, and his wife, journalist-novelist
Jane Thynne, who delivered a warm, revealing tribute to her late husband.
• While I remain skeptical of the whole enterprise, I’m not surprised by this news:
HBO-TV has greenlighted a new “Perry Mason origin series, starring Matthew Rhys as the titular icon.” Deadline Hollywood
notes that “prolific TV director, writer, and producer Tim Van Patten (
Boardwalk Empire, The Sopranos, Game of Thrones) has been tapped to direct and executive produce” the show.
• I wish this Rockford Files diorama was widely available.
• Sopranos fans, looking forward to the September 25, 2020, release of David Chase’s prequel film,
The Many Saints of Newark, will be interested in a tidbit contained in B.V. Lawson’s
latest “Media for Murder” column, explaining that the movie “has cast its final major lead role. Michela De Rossi, the Italian-born actress who made her debut in
Boys Cry, has been set to join Alessandro Nivola, Vera Farmiga, Ray Liotta, Jon Bernthal, Corey Stoll, Billy Magnussen, John Magaro, Michael Gandolfini, and the just-cast Leslie Odom Jr. in the ensemble drama for New Line.” A bit more information about De Rossi can be found
in Entertainment CheatSheet.
• I’ve been a fan of James McClure’s novels ever since college. Beginning with 1971’s
The Steam Pig, this author—
who died in 2006—composed eight police procedurals set in
apartheid-era South Africa, all starring a racially mixed pair of sleuths, Afrikaan Lieutenant Tromp Kramer of the Murder and Robbery Squad and his Zulu assistant, Sergeant Mickey Zondi. If you haven’t yet discovered these works, definitely check out
Neil Nyren’s briefing on his fiction.
• It was nice to see the 1986-1988 TV series Crime
Story receive a little love recently from
New York magazine’s Vulture site. Comparing that 1960s-set Michael Mann drama with another, better-known Mann project,
Miami Vice, Nathan Smith opines:
Where Miami Vice brought the police procedural into the future—flashy clothes, big tunes, heaps of style—Crime Story went back in time,
and even if it’s the lesser-known of the two series, it revolutionized the genre on a molecular level, whereas Miami Vice achieved the same only on the surface. Two decades before The Sopranos and The Wire, Crime Story was one of the very first serialized prime-time dramas to ditch the procedural format and tell a season-long story. …
Crime Story unlocked the gates for shows like Wiseguy, Twin Peaks, and The X-Files, the wayward step-children of the police procedural. Its gritty realism would be carried on by the likes of Homicide: Life on the Street and NYPD Blue. But its most important contribution, the three words “to be continued … ” at the end of every single episode, influenced nearly every subsequent drama on prime time. Though Crime Story wasn’t the first series to flash those words across the screen—every show from Dallas to The Brady Bunch had done a multi-episode arc—the idea of a story that continued seemingly without end or resolution in sight, was new.
• For your amusement, from Flavorwire: “
Classic
Songs Reimagined as Vintage Pulp Book Covers.”
• During the mid-1960s, the American TV network NBC broadcast a 26-episode animated series called
The Famous Adventures of Mr. Magoo. It starred the popular elderly, short, and extremely near-sighted character
Quincy Magoo (voiced by Jim Backus of
Gilligan’s Island fame), who in this show played an actor appearing in abbreviated stage productions of classic works of fiction. “The series was originally shown in prime time …,” explains Wikipedia, “therefore certain more mature elements were present. These included death threats (
William Tell,
Robin Hood,
Don Quixote,
The Three Musketeers,
Sherlock Holmes),
children in danger (
Treasure Island,
Gunga Din,
William Tell), insanity (
Don Quixote,
Moby Dick), heroic self-sacrifice (
Gunga Din), religious themes (
Noah’s Ark), and realistic (although mostly bloodless) violence including swordplay, shooting, clubbing, drowning, and character deaths (most episodes).” I remember watching reruns of the episodes based on
Frankenstein,
Cyrano de Bergerac,
A Midsummer Night’s Dream, and
The Count of Monte Cristo. But I’d forgotten until this last weekend that there was a Sherlock Holmes episode, featuring Magoo as the faithful Doctor John H. Watson. (Thank you to the
Man from U.N.C.L.E.—Spies & Detectives Facebook page for reminding me.) The case undertaken in that episode,
writes Scott Monty in his blog I Hear of Sherlock Everywhere, “is a clever little mystery that includes touches of a number of Sherlock Holmes stories, including
The Sign of Four, ‘The Speckled Band,’ ‘The Musgrave Ritual,’ and ‘The Six Napoleons’ to name a few.” Providing the voice of Holmes was actor
Paul Frees, who also voiced antagonist Boris Badenov on
The Rocky and Bullwinkle Show. The episode is only 23 minutes long, and at least for the nonce, can be enjoyed
here.
• This year’s Mystery Fest Key West won’t take place until late June, but its publicity minions are already heralding its scheduled components. This year’s headliner will be psychological suspense master Jeffery Deaver, with special host Heather Graham. And a Whodunit Mystery Writing Competition has been organized in association with the convention. From a news release: “Sponsored by Absolutely Amazing eBooks, candidates wishing to compete are invited to submit the first three pages (maximum 750 words) of a finished, but unpublished manuscript to
whodunitaward@mysteryfestkeywest.com no later than April 15, 2019. There is no fee to enter; finalists will be notified by May 1, and will have until May 10 to submit full manuscripts.” You will find more news about the 2019 Mystery Fest
here.
• There’s been a lot written of late about Jack the Ripper—not bad for a guy (presumably) whose claim to infamy dates back more than 130 years. Media reports in March suggested that
DNA analysis had finally identified the Ripper as being “
Aaron Kosminski, a 23-year-old barber of Polish descent who lived in London at the time [1888],” but was subsequently committed to an insane asylum. Proof, it was said, could be found in seminal fluid left behind on a shawl belonging to Catherine Eddowes, the killer’s fourth recorded victim. However, doubts were soon raised as to
whether Eddowes had ever owned such a scarf, and whether DNA found upon it could be trusted, given that it would’ve been “handled by countless people over the years.” In the midst of these debates, British social historian Hallie Rubenhold’s latest work of non-fiction,
The Five: The Untold Lives of the Women Killed by Jack the Ripper, was published in the UK (with a U.S. edition
due for release next week).
The Guardian greeted the book as “a landmark study [that] calls time on the misogyny that fed the Jack the Ripper myth.” Reviewer Frances Wilson writes:
Few women have had the moment of their deaths returned to more often, and with as much relish, as Mary Ann “Polly” Nichols, Annie
Chapman, Elizabeth Stride, Catherine Eddowes and Mary Jane Kelly. In each case their throats were cut, and four of them had their entrails removed. Kelly, the only one of “the canonical five”, as Jack the Ripper’s known victims are called, to die in her bed, was completely mutilated. Forests have been felled in the interests of unmasking the murderer, but until now no one has bothered to discover the identity of his victims. The Five is thus an angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth.
It is astonishing how little we know about these five, apart from their names. Hallie Rubenhold fleshes out their stories from the scraps that are available: coroner’s inquests (three of which are missing); “a body of edited, embellished, misheard and re-interpreted newspaper reports”; parish
registers; court registers; birth, marriage and death records; rate books and the archives of the London workhouses. For accounts of poverty in London she turns to Francis Place, Henry Mayhew and Charles Booth; she gets facts and figures from Mrs Beaton. With the documentary veracity of a set of Hogarth
prints, Rubenhold follows the victims’ doomed footsteps from birth to death. Except that there is no attempt to imagine each woman’s last moments, or
describe the state of her body, or further the search for their killer. Instead she asks how it is that these women—all of them somebody’s daughter,
somebody’s sister, somebody’s lover—ended up alone and destitute on the streets of Whitechapel.
• Happy 80th birthday, Batman!
• Speaking of Gotham’s Caped Crusader, it seems his family’s butler, Alfred Pennyworth, is about to get his own 1960s spy show, appropriately titled
Pennyworth. The Double O Section
informs us that “In the 10-episode drama series, Alfred Pennyworth (
The Imitation Game’s Jack Bannon), described by
Deadline as ‘a former British SAS soldier in his 20s,’ forms a private security company ‘and goes to work with young billionaire Thomas Wayne (
Fleabag’s Ben Aldridge), who’s not yet Bruce’s father, in 1960s London.’”
Pennyworth is set to premiere this summer on EPIX. By the way, that Double O Section post
includes a very brief trailer for the series.
• In a new piece for CrimeReads, author Stephanie Jo Harris (
The Poet Recusant) contends that Victor Hugo’s 1862 masterpiece,
Les Miserables, both “created a model for police procedurals” and, in the person of Inspector Javert, gave us a “standard for the unyielding, driven law enforcement officer obsessed with justice.”
• I was surprised to learn, while
reading
Bill Selnes’ Mysteries and More from Saskatchewan, that Margot Kinberg “has decided to cease writing her blog,” Confessions of a Mystery Novelist. Selnes notes: “For almost 10 years Margot provided a daily post. By my calculations she wrote over 3,000 posts. She highlighted at least 500 different authors!” I would have included a link here to Confessions of a Mystery Novelist, so that people less than familiar with Kinberg’s work could check out what she had accomplished. However, it seems she’s not just stopped writing her blog, but has removed it entirely from the Web. What a shame, not only because good blogs like Kinberg’s can still provide useful information to readers, even when they’re no longer being updated, but because all of the links other blogs established to hers over the last decade are now broken. I have sifted through the full run of The Rap Sheet, scouting for links to Confessions of a Mystery Novelist, and have changed most of them to connect instead with pages in the Internet archive
Wayback Machine, but a handful remain inoperative. I don’t mean to criticize Kinberg for her actions; I’m sure they made sense to her at the time. However, I really wish that when bloggers stop working on their sites, they would simply leave them dormant, rather than deleting them entirely.
• Maybe, though, I’m just more sensitive to these matters than most people. I cannot imagine deliberately scrubbing The Rap Sheet from the Web. I have put far too many hours of work into writing and editing this blog to see it all disappear. Unless the world experiences electronic catastrophe, I expect The Rap Sheet to outlast me.
• Despite its impersonal salutation (“Dear Journalists”), I was intrigued recently by a letter sent my way by Bloomsbury Publishing, promoting a forthcoming biography called
Beyond the Thirty-Nine Steps: A Life of John Buchan. The author is Buchan’s granddaughter, Ursula Buchan. Bloomsbury offered this brief on her work:
John Buchan’s name is known across the world for The Thirty-Nine Steps. In the past one hundred years the classic thriller has never been out of print and has 
inspired numerous adaptations for film, television, radio and stage, beginning with the celebrated version by Alfred Hitchcock.
Yet there was vastly more to “J.B.” He wrote more than a hundred books—fiction and non-fiction—and a thousand articles for newspapers and magazines. He was a scholar, antiquarian, barrister, colonial administrator, journal editor, literary critic, publisher, war correspondent, director of wartime propaganda, member of parliament and imperial proconsul—given a state funeral when he died, a deeply admired and loved Governor-General of
Canada.
His teenage years in Glasgow’s Gorbals, where his father was the Free Church minister, contributed to his ease with shepherds and ambassadors, fur-trappers and prime ministers. His improbable marriage to a member of the aristocratic Grosvenor family means that this account of his life
contains, at its heart, an enduring love story.
Beyond the Thirty-Nine Steps is due out on June 18.
• An entirely different letter informed me that Crossroad Press, a North Carolina-based digital publishing venture, last month
reissued the 1967 spy novel The Man from Pansy, by Don Rico. Now, you may be shocked to learn this, but I’d never heard of such a book or its star,
Pentagon agent Buzz Cardigan. Crossroad helpfully characterized it as a “Swingin’ ’60s spy spoof—think James Bond with LOTS of snark—a time capsule for genre fans and fun for any reader.” What makes the three-book series distinctive, too, is that Cardigan (as in the sweater?) is “a dedicated straight spy [who] must take on the role of a gay man to root out enemies of the U.S. who lurk in the shadows of the
sexual revolution.” In addition to
The Man from Pansy, Crossroad has made its sequels,
The Daisy Dilemma (1967) and
The Passion Flower Puzzle (1968), available to Kindle users. If any Rap Sheet followers have read these novels, and can offer their opinions I hope they’ll do so.
• Here’s another series that tried to capitalize on the 1960s interest in spy fiction, this one starring Dan Walker, “a businessman and former Naval Intelligence Officer who takes periodic assignments from the CIA where he saves the world and gets laid.”
• Chris Sullivan, who writes the blog Morse, Lewis and Endeavour, has created two YouTube playlists showcasing the music featured in all three TV series based on or inspired by
Colin Dexter’s Inspector Morse stories. If you
click here, you can listen to either the opera music or the other classical music heard in all of those shows.
• More than a few fine author interviews have sprouted up on the Web recently. Among them are conversations with
Joe R. Lansdale (
The Elephant of Surprise),
Betty Webb (
Desert Redemption),
Max Allan Collins (
Girl Most Likely),
Jacqueline Winspear (
The American Agent),
Harlan Coben
(
Run Away),
Jane Stanton Hitchcock (
Bluff),
Tim O’Mara (
Down to the River),
Edith Maxwell (
Charity’s Burden),
Glen Erik Hamilton (
Mercy River), and
Megan Collins (
The Winter Sister).
• Along with so many others, The Rap Sheet’s
Google+ page disappeared earlier today, never to be seen again.
• And though I’m not a big reader of spooky yarns, the new anthology
Ghost Stories:
Classic Tales of Horror and Suspense, edited by Lisa Morton and Leslie S. Klinger (Pegasus), certainly has me intrigued. That’s because it includes lesser-known stories by such authors as Charles Dickens, Edith Wharton, and Mark Twain right alongside “overlooked works” by horror-fiction favorites such as Edgar Allan Poe and M.R. James. Co-editors Morton and Klinger introduce their collection with
this essay.
It’s not hard to imagine how Garner would take this news.
