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Well, it cost me more than a little bit of time and frustration this morning, surfing the Web. But I finally located the two musical segments. So now you can compare them yourself. Here, first, is the restored opening segment of Welles’ film, dominated by Mancini’s hummable theme:
And here’s the Private Eye main title sequence, which I found packaged on YouTube with a bunch of other 1987 TV show openings:
Am I just imagining things, or did Jackson have Mancini’s theme in mind when he sat down to compose the music for Private Eye?
READ MORE: “Overlooked Films: Touch of Evil (1958),” by Evan Lewis (Davy Crockett’s Almanack of Mystery, Adventure, and the Wild West).
1 comment:
The "Private Eye" theme is very much in keeping with the pop/jazz stuff Joe Jackson was doing at the time. Still, it wouldn't surprise me if Mancini was indeed an influence, not just on "Private Eye" but several of Jackson's jazzier efforts.
Gotta say, I like Joe Jackson, but that Mancini score kicks ass. And what a grrrrrrreat! trailer for "Touch of Evil"! Makes we want to watch the whole film again....
-Steve
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