Showing posts with label Ann Cleeves. Show all posts
Showing posts with label Ann Cleeves. Show all posts

Sunday, June 18, 2023

Bullet Points: Father’s Day Edition

• Mystery Fanfare reminds us that tonight will bring the U.S. broadcast, on PBS-TV, of the first episode (of three) in the very last season of Endeavour. That British detective drama series, launched in 2012, is a prequel to the long-running Inspector Morse, both based on Colin Dexter’s novels about the same Oxford investigator. Shaun Evans stars as Detective Sergeant Endeavour Morse, with Roger Allam playing his immediate superior, Detective Chief Inspector Fred Thursday (a character not included in Dexter’s tales). There are many loose ends to tie up in Season 9, which already aired in the UK back in March and April. The Killing Times provides the following overview:
Set in 1972, [this concluding season] kicks off with “Prelude,” in which murders in an orchestra track back to childhood bullying; but two other deaths are unexplained, leading to a reinvestigation of Blenheim Vale. In “Uniform,” it all becomes a bit self-referential as a TV detective filming in Oxford is tied to two murders; and in the finale, “Exeunt,” there’s some resolution to the Blenheim Vale case, and at least an attempt (if not entirely successful) to explain the subsequent fate of the Thursday family.
Endeavour begins at 9 p.m. ET/PT as part of PBS Masterpiece.

• In other TV news, In Reference to Murder reports that Season 2 of Netflix’s The Lincoln Lawyer, “based on the series of bestselling novels by Michael Connelly, will return with a two-part launch this summer. Part 1 premieres on July 6 while Part 2 drops Aug. 3. Created for TV by David E. Kelley, The Lincoln Lawyer tells the story of Mickey Haller (Manuel Garcia Rulfo), who runs his legal practice from the back of his Lincoln Town Car. Season 1 was based on the second book, The Brass Verdict, while the second season draws from the fourth book in the series called The Fifth Witness.”

• We wish a slightly belated happy 20th anniversary to Television Chronicles, an invaluable Web resource that launched in 2003.

• To have and have another? Eddie Muller's Noir Bar: Cocktails Inspired by the World of Film Noir has brought its author, the colorful host of Turner Classic Movies’ Noir Alley, a good deal of favorable press attention since it was dropped onto the market in late May by Running Press. Entertainment Weekly explains that the 224-page work “pairs 50 different noir films with 50 unique craft cocktails, some of which Muller invented himself, hearkening back to his earliest career as a bartender in noir-worthy haunts.” Reviewer C.J. Bunce of the blog Borg notes, “This book is certainly not for everyone, but its full-color photographs and Muller’s eye for detail might draw in even teetotaling fans of the Golden Age of cinema. Basically each section is arranged with screencaps from a film, an image of a vintage movie poster or lobby card, and then a recipe for a drink to be paired with the movie, accompanied by commentary where Muller tries to tie his ingredients to a character’s mood or style.” Finally, Terence Towles Canote remarks, “while Eddie Muller's Noir Bar: Cocktails Inspired by the World of Film Noir is somewhat unique, in some ways it is surprising that a book of its sort had not been published years ago. It is no secret that drinking figures heavily in film noir. Bars, nightclubs, and seedy backrooms are tropes of the film style. And while many film noir protagonists took their liquor straight up, cocktails do appear frequently in film noir. There is a good reason many film noir fans are also cocktail connoisseurs.”

• This certainly seems to be the year for celebrating connections between crime fiction and spirited libations. In September, publisher Skyhorse will debut Agatha Whiskey: 50 Cocktails to Celebrate the Bestselling Novelist of All Time, by Colleen Mullaney.

• Editors at the mammoth Internet retailer Amazon are out with a list of what they proclaim are the 20 best mystery, thriller, and suspense novels of the year—so far:

1. All the Sinners Bleed, by S.A. Cosby
2. Small Mercies, by Dennis Lehane
3. Symphony of Secrets, by Brendan Slocumb
4. Sisters of the Lost Nation, by Nick Medina
5. Vera Wong’s Unsolicited Advice for Murderers, by Jesse Q. Sutanto
6. Murder Your Employer: The McMasters Guide to Homicide,
by Rupert Holmes
7. Better the Blood, by Michael Bennett
8. The White Lady, by Jacqueline Winspear
9. The Maid’s Diary, by Loreth Anne White
10. A Disappearance in Fiji, by Nilima Rao
11. Bad Summer People, by Emma Rosenblum
12. Murder Book, by Thomas Perry
13. No Life for a Lady, by Hannah Dolby
14. Central Park West, by James Comey
15. Those Empty Eyes, by Charlie Donlea
16. A House With Good Bones, by T. Kingfisher
17. The Bandit Queens, by Parini Shroff
18. All the Dangerous Things, by Stacy Willingham
19. Age of Vice, by Deepti Kapoor
20. Drowning, by T.J. Newman

I’ve read only a few of these works, and there are several I simply won’t find time to tackle. Needless to say, not everyone will agree with Amazon’s choices. Deadly Pleasures Mystery Magazine editor George Easter suggests that Michael Robotham’s Lying Beside You and Juan Gomez-Jurado’s Red Queen would be among his own top 20. Confining myself to U.S. publications only, I’d wish to add The Nightingale Affair, by Tim Mason, and perhaps Paris Requiem, by Chris Lloyd to the mix. If allowed to incorporate releases from across the pond, I’d nominate Simon Scarrow’s Dead of Night and Simon Mason’s The Broken Afternoon, as well. But the year is still young, with plenty of promising new works yet to appear.

• Not to be seen slacking, Library Journal has selected what it says are the 15 best thriller books published thus far in 2023. Choices include Thomas Mullen’s Blind Spots, Ivy Pochada’s new Sing Her Down, Lee Goldberg’s Malibu Rising (which won’t actually reach stores until September), Don Winslow’s City of Dreams, and of course Cosby’s All the Sinners Bleed and Newman’s Drowning.

• There are just three more months to go, if Mike Ripley follows through on the threat to retire his “Getting Away with Murder” column from Shots come August. His June installment finds Ripley reflecting on his “34 years as a reviewer of crime fiction”; applauding fresh hardcover editions of two Agatha Christie works; recalling his discovery of a Stanley Ellin short-story collection he’d not known existed; and plugging recent releases by Craig Russell, Catherine Aird, Hansjörg Schneider, and others. Click here to read it all.

• Timed to this weekend’s Shetland Noir crime-fiction festival in northern Scotland, author Ann Cleeves’ publisher is making available—free of charge—a brand-new short story featuring her beloved Shetland police protagonists, Jimmy Perez and Alison “Tosh” McIntosh. To procure your own copy of “Missing in the Snow,” simply sign up here to receive the Pan Macmillian newsletter.

• Washington resident Jim Thomsen, a writer, infrequent Rap Sheet contributor, and book editor for Blackstone Publishing, announced on Twitter not long ago that he’s been chosen to edit a short-story anthology pegged to next year’s Left Coast Crime convention, which will be held in Seattle from April 11 to 14.” Stay tuned for a call for submissions!” Thomsen suggested in that same posting.

• Editor Cynthia Swanson has captured the 2023 Colorado Book Award for Best Anthology with her short-story collection, Denver Noir (Akashic). UPDATE: I neglected to mention that two other mystery-fiction works numbered among this year’s Colorado Book Award recipients. Aunt Dimity & the Enchanted Cottage, by Nancy Atherton (Viking), won for Best Mystery, while Leanne Kale Sparks’ The Wrong Woman (Crooked Lane) picked up Best Thriller honors.

• Amid all the chatter about ChatGPT, Nicholas Fuller, at The Grandest Game in the World blog, decided to ask that artificial intelligence chatbot to create new stories by classic mystery novelists—with dubious results. You’ll find ChatGPT’s version of Agatha Christie stories here, and its take on John Dickson Carr tales here.

• R.I.P., Carol Higgins Clark. As The Washington Post explains, Higgins Clark, “a writer of popular suspense novels who infused the corpses-and-clues genre with doses of dark humor, while also teaming up with her mother, famed mystery author Mary Higgins Clark, on Christmas-themed whodunits, died June 12 at a hospital in Los Angeles. She was 66.” The cause of death is said to have been appendix cancer. Deadline recalls that Carol Higgins Clark’s “career highlight was an 18-novel series starring private investigator Regan Reilly, several of them made into television movies. She appeared in each one.” The 15th and presumably final Reilly novel was Gypped (2012). A 16th series installment, Knocked, was announced for 2019 publication, but never reached print.

Friday, October 15, 2021

“Call” Set to Be Received

British television network ITV has scheduled its four-part adaptation of The Long Call, Ann Cleeves’ first Detective Inspector Venn novel (published in 2019). It will premiere on Monday, October 25, and run till the 28th. Here’s The Killing Times’ thumbnail of the plot:
Matthew was brought up in the Barum Brethren before leaving to go to University. At 19 he knew he couldn’t continue amongst the [religious] community and to his mother’s shock and dismay, he declared publicly he no longer believed. Now he’s back, not just to grieve for his father, but to lead a shocking murder investigation back where it all began for him.
The Long Call, we’re told, is set “in a small community in North Devon [where Venn lives] with his husband, Jonathan.” There’s no word yet on when this program might become available to U.S. audiences.

* * *

Meanwhile, the same source alerts us that “Filming has begun on the third series of ITV crime drama McDonald & Dodds starring Tala Gouveia and Jason Watkins … The four-part series starts with ‘Belvedere,’ where a young woman is found dead sitting in a deckchair in broad daylight in one of Bath’s most beautiful and populated parks. Why did this woman die with a smile on her face?”

McDonald & Dodds’ return is expected sometime in 2022.

Wednesday, September 29, 2021

Bullet Points: There’s Always More Edition

• Having enjoyed Simon Scarrow’s Blackout, a World War II-era thriller released in Great Britain earlier this year, I was overjoyed to hear him tell Crime Time FM podcast host Paul Burke that the book is only the beginning of a series starring German Criminal Inspector Horst Schenke. Regarding the second installment, he says: “I’m busy doing the last bit of research before I start writing it … I know exactly how it’s going to start and where it’s going. … I have no idea how long the series will last, because even though it may be five or six novels across five years of war, but I do have a view of how it might end, and that would be after the war, because I think that’s an interesting time as well.” You can listen to their whole conversation here.

• France’s capital, on the edge of violence, is the setting for Paris Police 1900, premiering on BBC Four in the UK on Saturday, October 9. Variety supplies this plot summary: “The eight-part series kicks off with a scandal: Félix Faure, president of the French Republic, collapsing and dying after being intimately pleasured by his lover Meg Steinheil. As anti-Semitism rages in Paris—a young newspaper seller is viciously beaten by Anti-Semitic League leader Jules Guérin for merely selling the liberal paper L’Aurore, with an article by Émile Zola—a young woman’s torso is found in a suit-case floating down the Seine. Based out of the Paris Prefecture, its police H.Q., Antoine Jouin, an ambitious but principled young inspector, volunteers to investigate—and begin to put together the pieces behind the woman’s death, stumbling on far more evil than a single psychopath.” Despite its title, this English-subtitled series takes place in 1899, as anarchists, nationalists, and anti-Semites—all enraged by the Dreyfuss Affair—threaten the city’s harmony and future. Look to The Killing Times for a terrific trailer. There’s no word yet on when this program might reach American audiences, but it will reportedly come via Netflix.

• BBC One has announced the return of Shetland at an as-yet-unspecified date in autumn 2021. “Soon, then!” enthuses The Killing Times, which provides a first image from Season 6 of that crime drama based on Ann Cleeves’ Detective Inspector Jimmy Perez novels, along with this modicum of news: “The forthcoming new series centres on the doorstep murder of a prominent local figure, a case which strikes at the heart of the Shetland Isles and its people. As Perez and his team uncover a kaleidoscope of motives for the murder, their investigation soon takes a shockingly sinister turn.”

• And this is unquestionably off-topic … but how did I miss word that a second Downton Abbey film is in rapid development? “The eagerly-anticipated Downton Abbey sequel has been given an official title along with a new release date,” Harper’s Bazaar magazine reported in late August. “Downton Abbey: A New Era will arrive in cinemas globally on March 18, 2022, it was confirmed at the Las Vegas CinemaCon last week (via Deadline). An exclusive clip from the film was also unveiled during the event, which features the aristocratic Crawley family preparing for a trip overseas. Jim Carter’s beloved Mr. Carson announces in the footage: ‘The British are coming.’” Deadline adds that this movie will feature “lots of glitz and glamour and jazz, as well as, evidently, a wedding. … The pic’s original principal cast including Maggie Smith, Hugh Bonneville, Michelle Dockery, Elizabeth McGovern, Laura Charmichael, Carter and more have returned for the second film. New additions include Hugh Dancy, Laura Haddock, Nathalie Baye and Dominic West.” The Internet Movie Database (IMDb) page for this release shows that Tuppence Middleton—introduced in the 2019 Downton Abbey big-screener as Lucy Smith, hush-hush heiress and new romantic interest of ex-chauffeur Tom Branson—will be back in New Era, too. Might it be their nuptials we’re to anticipate?

• I did not read Richard Osman’s first novel, last year’s The Thursday Murder Club, nor have I picked up its new sequel. Yet that apparently leaves me among a minority. As The Guardian states, The Man Who Died Twice—released on September 16 in the UK—“has become one of the fastest-selling novels since [British] records began. … It sold 114,202 copies in its first three days on sale … (including pre-orders), according to Nielsen BookScan—a performance which the sales monitor said made it one of the fastest-selling novels since it began to track sales in the late 1990s. Since that time, explains the paper’s books reporter, Alison Flood, “just four hardback adult novels just four hardback adult novels have sold more in their first week on shelves: Dan Brown’s The Lost Symbol (550,946 sold in its first week) and Inferno (228,961), J.K. Rowling’s The Casual Vacancy (124,603), and the late Harper Lee’s Go Set a Watchman (168,455).”

• I mentioned in last week's “Bullet Points” post that author Max Allan Collins has recently been contributing a very handsomely illustrated literary memoir in column form to the Web site of publisher NeoText, with his latest “A Life in Crime” entry focusing on the roots of Road to Perdition. Now it seems that column’s life is to be extended. “Next week,” Collins notes in his blog, “will be part seven and focus on Fancy Anders on the very week of Fancy Anders Goes to War being published. … Initially, this was to end this run of ‘A Life in Crime’ for now, with appropriate installments to be written and appearing in support of future books. But I decided to keep going with these essays right up to the publication of The Many Lives of Jimmy Leighton [co-authored with Dave Thomas, and due out October 25], so three more installments are (as they delicately say) in the can.”


(Above) Bill and Toby Gottfried attend CrimeFest 2018 in Bristol, England. (Photo copyright © by Ali Karim)

• Retired physician and reading enthusiast William Gottfried, who—together with his wife, Toby—became a welcome fixture on the mystery-fiction convention circuit, passed away last night at age 85. From what I can tell via a Web search, Gottfried was born in Philadelphia, Pennsylvania, in 1936; received his medical degree from that same city’s Jefferson Medical College, and became a pediatrician; then eventually moved to Northern California. At the time of his death, he and Toby were living in the Contra Costa County town of Orinda, east of Berkeley. His longtime friend Janet Rudolph, who met Gottfried at the 1985 Bouchercon in San Francisco and later worked with him on other conventions, writes today in Mystery Fanfare:
Bill was a terrific resource for all things mystery and medical. That was a great combination for me, personally, as it was always good to have a ‘doctor in the house.’ And, in case you didn't know, Bill personally saved the lives of several of our mystery friends. Bill was a world traveler, a collector of masks and ethnic artifacts, a gardener, a bird watcher, a scholar. Religion played an important part in his life, and recently during the pandemic, he continued to expand his personal education in a number of fields. He always wanted to learn more, taking classes online and before that in person during his retirement. He also shared information about these courses to make sure others got the opportunity to attend. Bill loved to share his knowledge and his love of many different subjects. …

We had so many things we shared: collecting, mystery, history, maps, religion, art, reference books. If you knew Bill you knew he bought books, often several copies of the same one, much to Toby’s chagrin. But instead of returning the extra copy or two, he gave them to others who would appreciate them.

Even though we were not related by blood, I thought of him as family. … He was brilliant and loving, warm, and unique. But most of all, he will be remembered for his acts of Chesed (Look it up, Bill would say!).
Unlike Janet, I didn’t know Bill Gottfried well. However, I enjoyed chatting with him at two or three Bouchercons over the years, and we were “Facebook friends” (for what that’s worth). He seemed to be as interested as I am in both historical mysteries and older, largely forgotten crime novelists; and we certainly shared a liberal political perspective. My sympathies go out to his family. The Gottfrieds’ son Louis wrote on Facebook this morning that “Right now we are all in state of shock and processing the passing of this great father, husband and grandfather. As we know about funeral arrangements we will let everyone know. Right now we just wanted you to know so you can grieve in your own way. His memory will be for a blessing.”

• Jiro Kimura adds more information about Bill Gottfried in The Gumshoe Site, writing that “He and his wife, Toby, co-chaired the 2004 Left Coast Crime (LCC) in Monterey [California], the 2009 LCC in Hawaii, and the 2014 LCC with Lucinda Suber and Stan Ulrich in Monterey …” In addition, the couple “received the 2008 Don Sandstrom Award for Lifetime Achievement in Mystery Fandom from Deadly Pleasures Mystery Magazine and the 2015 David Thompson Special Service Award from the Bouchercon committee.”

• Gone now, too, is Samoan-American actor Al Harrington, who died in Honolulu, Hawaii, on September 21 after suffering a “massive stroke.” He had been “a regular cast member on the original Hawaii Five-O series …,” recalls The Spy Command. “Harrington played detective Ben Kokua during the fifth through seventh seasons. Harrington was a local entertainer who was hired by Leonard Freeman, the creator and executive producer of the series. Harrington had played criminals in earlier Five-O seasons.” He later signed up for a recurring role as Mamo Kahike on the 2010 reboot of Hawaii Five-0.

• This sounds like a promising partnership: “Wolfpack Publishing announced the acquisition of Rough Edges Press (REP), an independent publisher started by award-winning author James Reasoner. As Wolfpack’s newest imprint, REP will focus on publishing crime, mystery and thriller novels. The acquisition also includes REP’s existing catalogue of work, including several novels written by current Wolfpack authors such as Robert J. Randisi, Wayne Dundee, Steve Mertz and many others. ... Wolfpack will be announcing new titles to be released under the Rough Edges Press imprint in coming weeks.”

• Les Blatt, New Jersey author of that excellent blog Classic Mysteries, has for months now been complaining about assorted computer issues. So when I noticed that his site hadn’t been updated since mid-July, I e-mailed him an inquiry. He responded thusly: “I'm still struggling with in-your-face Microsoft, and I’m trying to learn a lot of new software at one time. I WILL be back, and sooner rather than later—like most of us, I have WAY too many books awaiting me. So yes, I’ll be back. Soon, I hope! And thanks for checking—which acts as a powerful motive for getting off my backside and back online.”

• The Invisible Event is pretty brutal in its late-to-the-party assessment of Dashiell Hammett’s debut novel, Red Harvest (1929), calling it “a classic because of all the imitators who flocked in to occasionally improve on what Hammett showed them how to do. As a novel in its own right, however, it is unpleasantly unrepentant, glorying in a dismissal of human life in a manner that is tawdry in the worst incarnation of its Pulpish roots. The fascination of disbelief is strong here, and not something I’m keen to revisit any time soon.”

• Meanwhile, Lit Reactor humorously chastises Lee Child for the number of times his characters “shrug” or “nod” or pointedly “say nothing.” I’ll never read Child’s work the same way again!

Wednesday, November 18, 2020

Third Time to Charm

Two TV detective series already adapted from Ann Cleeves’ novels—Shetland and Vera—have proven so successful, that British network ITV has decided to launch a third. As The Killing Times reports, Cleeves’ latest protagonist, introduced in the 2019 novel The Long Call, is slated to be given his own show soon:
The story centres around Detective Inspector Matthew Venn, who has returned to live in a small community in North Devon with his husband, Jonathan. It’s a place Matthew walked away from 20 years ago, after being rejected by his family.

We first meet the reserved, but intense Matthew Venn outside the local church as his father’s funeral takes place. Sadly, the day Matthew turned his back on the strict evangelical community in which he grew up, he lost his family too.

Now he’s back, not just to mourn his father at a distance, but to take charge of his first major murder. A body has been found on the beach near to Matthew’s new home: a man with the tattoo of an albatross on his neck, has been stabbed to death.
There’s no word yet as to casting or a premiere date.

Saturday, February 09, 2019

Bullet Points: Hunkered Down Edition

It’s been more than a couple of months since I’ve taken on the task of  compiling crime-fiction news bits that don’t necessarily merit posts of their own ... which means I have a lot of information to impart. Fortunately, Seattle is heavily socked in with snow today, so I have little interest in spending much time outside in the cold. Better to snug in with a cup of coffee and my computer keyboard. Let us begin ...

• Lisbeth Salander fans, take note: BookRiot reports that “An unseen investigation by Stieg Larsson, the late journalist and author of the Millennium Trilogy, has come to light and will be revealed in a new true-crime book. Larsson was a leading expert on antidemocratic, right-wing, extremist organizations.” The site goes on to synopsize the plot of the new book, which is due out from AmazonCrossing in October:
On February 28, 1986, Swedish Prime Minister Olof Palme was shot dead in Stockholm. The crime is still unsolved today. It’s now known that Larsson began his own investigation into the assassination—continuing the search until his own death. In 2014, journalist and documentary filmmaker, Jan Stocklassa gained access to the 20 boxes of Larsson’s research into the case.
To quote from an Amazon press release:
In The Man Who Played with Fire: Stieg Larsson’s Lost Files and the Hunt for an Assassin, Stocklassa reveals new facts about the case and reveals the hitherto unknown research of the best-selling author in a fascinating true crime story. For the first time in many years, the police in Sweden have taken active measures to investigate a new suspect in the murder case and are pursuing leads based on the research revealed in Stocklassa’s book.
• What matters most is making money, right? The New Yorker reported recently that Dan Mallory, the book editor turned author who—as “A.J. Finn”—penned last year’s best-selling The Woman in the Window, has made a variety of false assertions regarding his health, his education, and his career achievements. Mallory has since sought to excuse his actions, but his deceptions have left many folks in the publishing industry wary of the author. In The Washington Post, critic Ron Charles wrote: “If James Frey taught us anything with his infamous memoir, it’s that autobiographical claims can collapse into a million little pieces of exaggeration and deception. Mallory’s situation is different, though, if more bizarre. How do we reconsider a work of fiction—or any work of art—when confronted with troubling information about its creator?” Despite all of this controversy, Mallory’s publisher, HarperCollins, says it is holding firm on plans to bring out his sophomore novel in January 2020—a San Francisco-set yarn The New Yorker describes as “a story of revenge … involving a female thriller writer and an interviewer who learns of a dark past.”

• Julie Adams, an Iowa-born actress who co-starred opposite an amphibious “Gill man” in the 1954 movie The Creature from the Black Lagoon before going on to a long and prolific TV career, passed away in Los Angeles on February 3 at age 92. Among her many television roles were appearances on Hawaiian Eye, Perry Mason, Darren McGavin’s The Outsider, Ironside, Kolchak: The Night Stalker, Ellery Queen, Mannix, Cagney & Lacey, Murder, She Wrote, and Diagnosis: Murder. An interesting tidbit: Adams’ fleeting first marriage was to Leonard B. Stern, a screenwriter and producer responsible for such memorable series as Get Smart, McMillan & Wife, and The Snoop Sisters.

• Via Shotsmag Confidential comes news that Karin Slaughter’s 2018 novel, Pieces of Her, will become an eight-episode Netflix series directed—at least initially—by Lesli Linka Glatter. “The story,” explains the blog (quoting from a press release), “follows as an adrift young woman’s conception of her mother is forever changed after a Saturday afternoon trip to the mall together suddenly explodes into violence. As figures from her mother’s past start to resurface, she is forced to go on the run and on that journey, begins to piece together the truth of her mother’s previous identity and uncovers secrets of her childhood.”

• With Series 6 of Endeavour scheduled to debut in Great Britain tomorrow, February 10, ITV Magazine—a consumer periodical just launched last month by the show’s principal broadcasting network—has published a rather satisfying article about what viewers can expect from Endeavour’s latest four episodes. Chris Sullivan has posted scans of that piece in his blog, Morse, Lewis and Endeavour. Meanwhile, he has embedded a new morning TV show interview with a bushy-bearded Roger Allam, who plays Detective Chief Inspector Fred Thursday on the program opposite Shaun Evans, starring as Detective Sergeant Endeavour Morse.

• From B.V. Lawson’s In Reference to Murder:
USA Network has picked up to series its drama pilot Dare Me, based on Megan Abbott’s 2012 novel of the same name. Set in the world of competitive high school cheerleading, it follows the fraught relationship between two best friends (Herizen Guardiola and Mario Kelly) after a new coach (Willa Fitzgerald) arrives to bring their team to prominence. While the girls’ friendship is put to the test, their young lives are changed forever when a shocking crime rocks their quiet suburban world.
• Lawson also reports that “ABC has ordered the drama pilot Stumptown, inspired by the graphic novels published by Oni Press. It follows Dex Parios, a strong, assertive, and unapologetically sharp-witted Army veteran working as a P.I. in Portland, Oregon. With a complicated personal history and only herself to rely on, she solves other people’s messes with a blind eye toward her own.”

• As an unflagging fan of Lou Grant, the 1977-1982 CBS-TV series starring Ed Asner as the sometimes crusty city editor of a fictional Southern California daily newspaper called the Los Angeles Tribune, I was pleased to discover at least the vast majority of that show’s episodes are available for free on YouTube. The picture quality is sometimes less than ideal, but until I drop the dough for Shout! Factory’s DVD releases of all five seasons, it’s probably the best I can expect. If you want to learn more about this drama series—which was a spin-off from The Mary Tyler Moore Show—check out The Canonical Lou Grant Episode Guide. And I’ve added the main title sequences from the first three seasons of Lou Grant to The Rap Sheet’s YouTube page.

• Speaking of vintage shows, The Spy Command alerts me to the fact that La-La Land Records will soon release “Jerry Goldsmith[‘s] music to a mostly forgotten 1975 TV show, Archer.” Wikipedia explains that this is “a limited-edition soundtrack containing the one episode … Goldsmith scored (paired with a re-issue of the score to the film Warning Shot, from newly discovered better elements).” If you, too, have difficulties remembering Archer, let me point out that it was a short-lived NBC mid-season replacement series starred Brian Keith (Family Affair) as L.A. private investigator Lew Archer, the character so masterfully developed over three decades by Ross Macdonald. Keith’ show wasn’t awful, without ever being really good; I much preferred Peter Graves’ portrayal of the same protagonist in an unsuccessful 1974 TV pilot based on one of Macdonald’s later yarns, The Underground Man. And though, as one TV critic observed, Keith was mustered up “weary cynicism” enough to play Archer, he did not seem to respect the source material. In fact, Keith even had visions of moving the series’ setting from the City of Angels to Honolulu! Regardless, I’d like to get my hands on the six episodes of Archer that were originally broadcast, if only for nostalgic reasons. I might even be willing to purchase La-La Land’s presumably high-quality cut of Goldsmith’s Archer theme, if only because the version I have—and which is featured in The Spy Command’s post—is terrible.


(Above) J. Kingston Pierce and Chelsea Cain enjoy a bit of fun at Bouchercon 2011, high above St. Louis’ Gateway Arch.

• I have many fond memories of attending Bouchercon 2011, which took place in St. Louis, Missouri. But one of the few captured on film was my meeting with Portland, Oregon, author Chelsea Cain, who turned out to be personable, downright funny, and nowhere near as dark-spirited a woman as her fiction might suggest. So I was pleased to read that her 2014 novel, One Kick, has been adapted as a 12-part TV series titled Gone, scheduled for broadcast on WGN America, beginning on 9 p.m. ET/PT on Wednesday, February 27. Deadline Hollywood sums up the plot this way: “Gone follows the story of Kit ‘Kick’ Lannigan ([played by] Leven Rambin), survivor of a highly publicized child-abduction case, and 20-year veteran Frank Novak ([Chris]Noth), the FBI agent who rescued her. Years later, he recruits her to join a special task force dedicated to solving abductions and missing-persons cases. Paired with former Army intelligence officer John Bishop (Danny Pino), Lannigan uses her intuitive wit and martial arts skills to solve cases and bring victims home.”

• Yet another Agatha Christie yarn appears due for big-screen treatment, with a possible 2020 release date. The Killing Times reports that UK screenwriter Sarah Phelps (The A.B.C. Murders, Murder by Innocence, And Then There Were None) “has signed up to adapt Christie’s [1961] stand-alone novel, The Pale Horse.”

• Also to be filmed: Stephen King’s Mile 81.

• Ann Cleeves closed out her nine-volume Shetland Islands/Jimmy Perez series with last year’s Wild Fire. Fear not, though, for EuroCrime says she’s “turning her hand to a new series set in Devon.” The first of those new books, introducing Detective Matthew Venn, will be The Long Call, due out from Minotaur in September.

• Two other far-off releases to watch for: Kate Atkinson’s Big Sky (Little, Brown), her fifth novel starring Cambridge private eye Jackson Brodie, is scheduled for publication on both sides of the Atlanticin June; and Anne Perry will inaugurate a brand-new, pre-World War II series, starring “intrepid photographer” Elena Standish, with the September release Death in Focus (Ballantine).

• Before we leave Ann Cleeves too far behind, a reminder should be issued that Series 5 of Shetland, starring Douglas Henshall as Detective Inspector Jimmy Perez, will debut in the UK on BBC One next Tuesday, February 12. There’s no word yet n when those six new episodes will become available to Netflix users in the States.

• Among the digital audio series CrimeReads contributing editor Emily Stein showcases on her list of the “8 True-Crime Podcasts to Listen to in 2019” is The Murder Book, which premiered on January 28, and which Stein says “is the first podcast produced by bestselling crime novelist Michael Connelly.” She continues:
In Season 1, “The Tell Tale Bullet,” Connelly returns to his roots as a crime beat reporter to investigate a real, 30-year-old cold case of a fatal carjacking in Hollywood, and of a murderer who walked free. Connelly promises that every season of Murder Book will end with a crime solved; to get there, he employs a wide array of sources, including court recordings, wiretaps, and interviews with witnesses and detectives.

Complete with hardboiled narration and a jazzy soundtrack,
Murder Book is the perfect podcast both for fans of true crime, and fans of classic noir. It also takes a serious look at the limitations and flaws of our criminal justice system, which leaves the listener with the unavoidable impression that in the past three decades, far too little has changed.
Listen to Connelly’s episodes on the Murder Book Web site or via Apple Podcasts. Full transcripts of each installment are also available on the Web site. New episodes drop every Monday for 10 or 12 weeks.

• One podcast that isn’t mentioned in Stein’s wrap-up is We Never Solved Anything. No, I’d never heard of it either, until its hosts e-mailed me an invitation to listen. As they explain, “It is a funny podcast where we explore a new unsolved mystery theme each week such as serial killers, spontaneous human combustion, and medical mystery stories.” Find the 11 existing episode here.

• Literary Hub’s Emily Temple chooses “10 Contemporary ‘Dickensian’ Novels,” including Donna Tartt’s The Goldfinch (2013), Sarah Waters’ Fingersmith (2002), and Peter Carey’s The True History of the Kelly Gang (2001).

• “A great teacher is a gift. A great line editor is a miracle,” declares Nick Ripatrazone, a staff writer for The Millions.

• The Winter 2018/2019 edition of Mystery Readers Journal—built around the theme “Mystery in the American South—“is available now as a PDF and will shortly be available in hardcopy …,” writes editor Janet Rudolph. “We had so many articles, author essays, and reviews, that we had to split this themed issue into two.” A list of contents for this new issue, plus info on buying a copy, can be found here.

• I periodically like to revisit episodes from the classic NBC Mystery Movie series Columbo. Knowing whodunit, and sometimes remembering exactly how the rumpled Los Angeles police lieutenant pins the blame, doesn’t spoil the re-watching one iota. Not long ago I came across this piece The Columbophile, revealing which four among the almost 70 episodes of that show were star Peter Falk’s favorites. “It might come as a surprise to fans,” writes the blog’s anonymous editor, “that pivotal episodes ‘Etude in Black’ and ‘Murder by the Book’ don’t feature here—particularly ‘Etude,’ which starred Falk’s BFF John Cassavetes. Instead, all of Falk’s personal favourites come from Seasons 3 or 5, when the show was more firmly established. Notably, three of the four are from Season 5 alone. What does this tell us? Well for one thing it suggests that Falk was at his happiest in the crumpled raincoat once he had a couple of full seasons under his belt.”

• As we prepare for the June release of James Ellroy’s This Storm (Knopf)—book two in his “Second L.A. Quartet” (following 2014’s Perfidia)—Steve Powell, a British student of that author’s work, feels compelled to ask, “is James Ellroy losing his touch?” Writing in his blog, The Venetian Vase, Powell continues: “I’ve decided to broach the subject as the critical response to Ellroy’s last novel Perfidia was mixed, as were the reviews for his novel before that Blood’s a Rover. … I’ve sensed a certain weariness about Ellroy’s recent efforts when I talk with fans of the author. … So Ellroy cannot expect his new novel, This Storm, to be met with universal acclaim as critical opinion has started to shift. In fact, the opposite may be the case. Ellroy may have to win back some critics who are getting cynical about the author’s once unassailable reputation.”

• What a terrific couple of short-story titles, from classic crime-fiction magazines found here and here. On top of that, both of these publications feature cover art by the great Norman Saunders.

• Mystery Tribune chooses the “45 Best Cozy Mystery Novels.”

• New York bookshop proprietor and anthologist Otto Penzler continues to count down what he contends are the “Greatest Crime Films of All-Time.” Most recently he has considered The Ipcress File (1965), The Kennel Murder Case (1933), and The Glass Key (1942). Keep track of this developing series here.

• While we’re on the subject of Penzler, it should be mentioned that he will be partnering with Pegasus Books to launch Scarlet, an imprint “specializing in psychological suspense aimed at female readers.” Publishers Weekly explains: “The new venture has [tapped] Luisa Smith, longtime buying director at Book Passage, a Corte Madera, Ca., bookstore, to be Scarlet editor-in-chief. Nat Sobel, founder of the Nat Sobel Associates literary agency, will act as a consultant to the imprint. Scarlet will launch in winter 2020 with six to eight titles. The Scarlet list will be distributed by W.W. Norton, which also distributes the titles of its parent companies, Penzler Publishing and Pegasus Books.” Although there’s been some grumbling about the name Scarlet being applied to a literary line intended to promote women’s fiction and female authors (shades of Nathaniel Hawthorne’s The Scarlet Letter!), and Penzler’s heated objections to the Mystery Writers of America’s decision to deny Linda Fairstein a Grand Master Award due to her involvement in a 1990 New York City rape-case prosecution left some authors questioning his compassion toward women, I look forward to seeing what Scarlet can contribute to the already rich field of psychological suspense novels.

• A similarly promising venture comes from Polis Books, which has announced the creation of Agora, an imprint designed to “focus on diverse voices, putting out between six and ten books per year.” Chantelle Aimée Osman will serve as the editor of this line, which plans to begin releasing books in the fall of 2019. Read more here.

• I’m not a big social-media user, but over the years I have established a Rap Sheet presence on Facebook, on Twitter, and on Google+. Now it appears that last page is set to vanish forever. I was recently given this warning:
In December 2018, we announced our decision to shut down Google+ for consumers in April 2019 due to low usage and challenges involved in maintaining a successful product that meets consumers’ expectations. We want to thank you for being part of Google+ and provide next steps, including how to download your photos and other content.

On April 2nd, your Google+ account and any Google+ pages you created will be shut down and we will begin deleting content from consumer Google+ accounts. Photos and videos from Google+ in your Album Archive and your Google+ pages will also be deleted. You can download and save your content, just make sure to do so before April. Note that photos and videos backed up in Google Photos will not be deleted.

The process of deleting content from consumer Google+ accounts, Google+ Pages, and Album Archive will take a few months, and content may remain through this time. For example, users may still see parts of their Google+ account via activity log and some consumer Google+ content may remain visible to G Suite users until consumer Google+ is deleted.
I don’t remember when I signed up for Google+, but I know I only did so because fellow blogger Bill Crider already had. Thankfully, my contributions to The Rap Sheet’s page there have been minimal. I’ll keep updating it for as long as possible, but if you notice that the Google+ link available from the right-hand column of this blog disappears in the next couple of months, you’ll know why.

• In its latest look back at Edgar Award winners of the past, Criminal Element revisits one of my favorite private-eye novels of the past: 1958’s The Eighth Circle, by Stanley Ellin. Sadly, critic Joe Brosnan is too rigid in applying our modern social and sexual sensibilities to a work that was penned more than six decades ago.

• TV fandom is no crazier today than it’s always been. According to this 1959 newspaper report, overenthusiastic followers of the 1958-1964 ABC private-eye series 77 Sunset Strip flocked to the Los Angeles site that stood in for the agency’s offices.

• Finally, here are a few author interviews worth checking out: Jane Harper talks with The New York Times about her new Australia-set crime novel, The Lost Man; Christobel Kent chats with CrimeReads about What We Did; Speaking of Mysteries host Nancie Clare goes one-on-one with H.B. Lyle (The Red Ribbon), Val McDermid (Broken Ground), and James Rollins (Crucible); Ronald H. Balson answers questions from Crimespree Magazine’s Elise Cooper about The Girl from Berlin; and Laura K. Benedict discusses The Stranger Inside with Criminal Element’s John Valeri.

Friday, October 27, 2017

“The Worthiest of Winners”

The video footage below, shot by Rap Sheet contributor Ali Karim, comes from last night’s presentation, in London, of the 2017 Dagger Awards. It shows Martin Edwards, chair of the UK’s Crime Writers’ Association, bestowing this year’s Diamond Dagger on British novelist Ann Cleeves, author of the Shetland Island mysteries and the Vera Stanhope novels. The Diamond Dagger has been described as “the highest honor in British crime writing … recogniz[ing] authors whose crime-writing careers have been marked by sustained excellence, and who have made a significant contribution to the genre.”



READ MORE: “Interview: Ann Cleeves,” by DeathBecomesHer
(Crime Fiction Lover).

Monday, January 23, 2017

Cleeves Applauded for Excellence

It was just a couple of months ago that UK author Ann Cleeves picked up the Icelandic Noir festival’s first Honorary Award for Services to the Art of Crime Fiction. Now here she is again, winning an even more prestigious commendation. Martin Edwards, the new chair of the Crime Writers’ Association, announced this morning that Cleeves will be given the 2017 CWA Diamond Dagger award. Shotsmag Confidential explains that this is “the highest honor in British crime writing … recogniz[ing] authors whose crime-writing careers have been marked by sustained excellence, and who have made a significant contribution to the genre.” The official news release notes that
Ann has written 30 novels and is translated into as many languages. Before her writing career took off, Ann worked as a probation officer, bird observatory cook and auxiliary coastguard. In 2015, Ann chaired the Theakstons Old Peculier Crime Writing Festival, during which Vera [Stanhope] was voted the UK’s favorite fictional detective. Also in 2015, Thin Air was nominated for the Scottish Crime Novel of the Year and Ann was shortlisted for the CWA Dagger in the Library award. In 2006, Cleeves’ novel Raven Black was awarded the Duncan Lawrie Dagger (the prestigious CWA Gold Dagger) for Best Crime Novel, and in 2012, she was inducted into the CWA Crime Thriller Awards Hall of Fame.

As well as fiction, Ann has written a non-fiction title about Shetland and, in November 2015, she hosted the inaugural Shetland Noir festival on the Shetland Islands.
Cleeves will be presented with her Diamond Dagger during a ceremony to held in London on October 26 of this year. Previous winners of the same prize include P.D. James, John le Carré, Ian Rankin, Dick Francis, and last year’s recipient, Peter James.

The latest novel in her Shetland mystery series, Cold Earth, is due for release for its U.S. release in April by Minotaur Books.

Sunday, November 20, 2016

Cleeves Captures Commendation

As part of its excellent coverage of this weekend’s Iceland Noir festival in Reykjavik, the Web site Crime Fiction Lover reports that British author Ann Cleeves has won the “first ever Honorary Award for Services to the Art of Crime Fiction.

“The author of both the Vera [Stanhope] series, set in North East England, and the Shetland books, with the Shetland Islands as their backdrops, was handed both the award and an authentic Icelandic wool blanket. She has been instrumental in helping the bi-annual event establish itself. She’s also an advocate for reading and library provision, while in her books she explores families and communities and how they’re affected by dramatic events … such as murder.”