Bullet Points: Tariffs-Free Edition

• Who should be the next cinematic Bond? With Daniel Craig having departed the role of James Bond following 2021’s No Time to Die, speculation on which actor might next play Ian Fleming’s famous British superspy has revolved at various times around Henry Cavill, Tom Hardy, Idris Elba, Jack Lowden, and even 21-year-old Louis Partridge. CrimeReads’ Olivia Rutigliano has her own suggestion: “Joshua Bowman, the charming English actor who played Krasko on Doctor Who, and Daniel Grayson on ABC’s Revenge.” While I’m not yet on board with Bowman as Agent 007, I heartily endorse her idea that the next movie should be set in the 1950s, pre-Sean Connery. Remember that the ending of No Time to Die makes it pretty ridiculous to resurrect that protagonist for further feats in the 2020s. So why not return Bond to his roots, at the height of the Cold War? “It could be an origination story of the character,” writes Rutigliano, “rather like how Craig’s era rebooted the franchise with Casino Royale and used the Vesper Lynd love story as a consistent anchor for Bond’s choices, across multiple films. This could do something like that, with a nostalgic temporal re-contextualization that could stand out in a franchise that has historically insisted on contemporaneity.” Hey, everyone over at Metro-Goldwyn-Mayer Studios and Amazon (which now owns the intellectual property rights to Bond), are you listening?

• Meanwhile, The Spy Command’s Bill Koenig notes that “This year marks the 60th anniversary of Thunderball, the fourth Bond film and the apex of the 1960s spy craze.” He also alerts us to a Bond fan event, Gatherall at Goldeneye, set to take place in Jamaica this coming fall, and mentions that a new, expanded edition of Joseph Darlington’s 2013 book, Being James Bond: Volume One, is coming in August—though there’s not yet an Amazon “pre-order” link to share.

• Do you know the retro film and TV Web site Modcinema? I’ve ordered low-cost, made-on-demand DVD copies of forgotten small-screen features from that enterprise before, but its latest newsletter alerts me to a wealth of new offerings. Among them: the 1972 teleflick Assignment: Munich, which spawned Robert Conrad’s short-lived show Assignment: Vienna; a three-disc set containing all five episodes of the 1978 series Richie Brockelman, Private Eye starring Dennis Dugan; three episodes (including the pilot) of Cool Million, the James Farentino series that was one spoke of the NBC Wednesday Mystery Movie “wheel series” (two additional eps can be found in this set); and Fame Is the Name of the Game, the 1966 made-for-television picture starring Tony Franciosa, which “served as the pilot episode of the subsequent series The Name of the Game.”

• As a longtime follower of Peter Falk’s NBC Mystery Movie series, I’m surprised this February release didn’t hit my radar before now: Columbo Explains the Seventies: A TV Cop’s Pop Culture Journey, by Glenn Stewart (Bonaventure Press). UPDATE: Stewart tells The Columbophile about what inspired him to write this book.

• My suspicion is there aren’t many people around these days boasting solid memories of the 1980 ABC-TV action series B.A.D. Cats. As Wikipedia recalls, that Douglas S. Cramer/Aaron Spelling production starred Asher Brauner and Steve Hanks as “two former race car drivers who joined the Los Angeles Police Department as part of the ‘B.A.D. C.A.T.’ Squad (a double acronym for ‘Burglary Auto Detail–Commercial Auto Theft’).” Then 21-year-old Michelle Pfeiffer appeared on the program too, playing Officer Samantha “Sunshine” Jensen, who “would occasionally lend a hand when a more feminine approach was called for.” B.A.D. Cats didn’t last long; it was cancelled in February 1980 after a pilot (which you can view here) and five other episodes had been broadcast. But as Vintage Everyday observes, the show was an important stepping stone on Pfeiffer’s path to Hollywood renown. A few days ago, that blog posted almost four dozen promotional photos of her from B.A.D. Cats, which it says demonstrated “Pfeiffer’s youthful charm and emerging star quality.” The actress would go on to play a different breed of bad cat in Batman Returns (1992).

• While I greatly enjoyed Netflix’s first two Enola Holmes movies (in 2020 and 2022), based on the middle-reader mysteries by Nancy Springer, I forgot there was to be another. Variety brings the news that its production is already well underway. “The third instalment,” that publication explains, “sees adventure chase Enola Holmes to Malta, where, according to the description, ‘personal and professional dreams collide on a case more tangled and treacherous than any she has faced before.’” As in the previous pictures, Millie Bobby Brown will play Sherlock Holmes’ teenage sister. There’s no release date yet.

• This item comes from In Reference to Murder:

Wallander, the globally acclaimed Swedish detective drama, is getting “a modernized and reimagined reboot” with Gustaf Skarsgård (Oppenheimer, Vikings) playing the iconic role. The first season of the new Swedish-language adaptation will comprise three 90-minute films and will see Kurt Wallander, now 42, recently separated, after two decades of marriage, and estranged from his daughter. On the edge as his life seemingly unravels, Wallander drinks too much, sleeps too little, and carries the weight of every unsolved case.

Penned by bestselling author Henning Mankell, the Wallander novels have sold over 40 million copies and been translated into more than 40 languages. The original Swedish series and film adaptations, which aired between 1994 and 2013, garnered wide international success and were followed by a British mini-series adaptation starring Kenneth Branagh that earned him a BAFTA for his portrayal of the detective.

• Sunday, June 15, will bring the return of Grantchester to PBS-TV’s Masterpiece Mystery! timeslot. Mystery Fanfare has the trailer for Season 10 of that historical whodunit.

• As Saturday Evening Post columnist Bob Sassone writes, “Dragnet’s Officer Bill Gannon (Harry Morgan) was known for the food he ate, which often confused and worried his partner Joe Friday (Jack Webb). Barry Enderwick of the terrific Sandwiches of History decided to try it, at the suggestion of many of his fans.” Watch the video here.

• The small-screen period crime drama Peaky Blinders is coming back! So are the rebooted Bergerac and the Death in Paradise spin-off Return to Paradise (even though I haven’t seen either of their opening seasons yet). And Acorn TV has scheduled the two-episode premiere, on Monday, June 9, of Art Detectives, which “revolves around the Heritage Crime Unit, a [UK] police department hired to solve murders connected to the world of art and antiques.”

• I was a huge fan of Leverage, the 2008-2012 TNT-TV crime caper series starring Timothy Hutton, Gina Bellman, Aldis Hodge, Christian Kane, and Beth Riesgraf. I must have watched every episode four times or more! Yet when that show was revived in 2021 as Leverage: Redemption, with Noah Wyle replacing Hutton, I hesitated tuning in, partly because I wasn’t sure I could believe the “gang” being a decade older and still as active. I think I’ve seen only two episodes of Redemption, and I completely missed the news that it had been renewed for a third season. The first three of 10 new installments aired on April 17, with more to come every Thursday through June 5. I guess it’s time I started catching up! See the trailer below.



• The Web site Geek Girl Authority (yeah, I’d never heard of it until today either) features a review of Leverage: Redemption, Season 3, plus this tribute to my favorite Leverage team member, Riesgraf’s prodigiously eccentric Parker, “truly the world’s greatest thief.”

• Speaking of TV trailers, CrimeReads has posted one for Season 2 of Poker Face, the crime comedy-drama starring Natasha Lyonne as Charlie Cale, “a casino worker on the run who entangles herself into several mysterious deaths of strangers along the way.” That show will return to the streaming service Peacock on Thursday, May 8, with 12 new episodes (two more than were broadcast in 2023).

• And while you are at CrimeReads, enjoy these three other posts that went up there recently: Patrick Sauer’s salute to Tony Rome, the South Florida gumshoe introduced in 1960’s Miami Mayhem by Marvin H. Albert, and a character Frank Sinatra played in a couple of “groovy” films; Christopher Chambers’ case for reading F. Scott Fitzgerald’s The Great Gatsby (which celebrated its 100th anniversary earlier this month) as noir; and Scott Montgomery’s look back at the first quarter-century of Stark House Press’ efforts to return to print many hard-boiled authors and novels from the 1950s and ’60s.

• Thomas Pynchon has a new private-eye novel coming in October!

• National Public Radio weekend host Scott Simon interviews film historian Jason Bailey about his brand-new biography, Gandolfini: Jim, Tony and the Life of a Legend (Abrams Press). That book is being promoted as “a detailed and nuanced appraisal of an enduring artist,” Jim Gandolfini, who was apparently quite different from the New Jersey Mafia boss he played on HBO’s The Sopranos.

• Why can’t the United States have nice things like this? The British Writers’ Association and the Reading Agency, a UK charity, have jointly organized National Crime Reading Month (NCRM) in June. “This year,” says a press release, “it opens with an exclusive online panel, The Lives of Crime, featuring bestselling crime authors. On 4 June at 6 p.m., the CWA chair and bestselling author, Vaseem Khan, will host authors Fiona Cummins, Adele Parks, and Penny Batchelor in the free online panel event.” They’ll be talking about “the genre’s universal appeal—from psychological thrillers to cozy mysteries—and how it creates accessible pathways to reading for audiences who might otherwise never discover the joy of books.” (Click here to register.) Beyond that presentation, NCRM will offer “over a hundred local author events and talks that run throughout June across the UK and Ireland, which take place in libraries, theatres, bookshops and online.” A page devoted to keeping track of NCRM events is available at this link.

• I am way behind in reading Paperback Warrior’s occasional “primers” on vintage crime novelists and pulp-fiction characters. The latest entry in that series recalls Kendell Foster Crossen (1910-1981), who “wrote crime-fiction novels under the name of M.E. Chaber, a pseudonym he used to construct the wildly successful Milo March series from the mid-1950s through the 1970s.” Fun stuff! UPDATE: Another such primer has just “gone live,” this one relating the background of Charles Williams, who “authored 22 books and was one of the best-selling writers in the Fawcett Gold Medal stable.”

• Historical mystery novelist Jeri Westerson used to produce a blog called Getting Medieval, offering interviews and articles—only to suddenly delete that journal from the Web, leaving links at other sites broken. She says now that “it was too much work and social media was rising.” Recently, though, Westerson decided to return to blogging. She has subsequently posted several author exchanges of interest. Gary Phillips, James R. Benn, and Rebecca Cantrell have all fielded questions from her. I hesitate slightly to link to these conversations, leery of their also disappearing someday, but transience is unfortunately a Web foible.

• Is this creative or creepy? From The Hollywood Reporter:

BBC Studios, the commercial arm of British broadcaster BBC, and the Agatha Christie estate have teamed up to launch a writing course on education-focused streaming service BBC Maestro taught by Christie herself. Well, to be precise, it is taught by the queen of crime, brought to life by actress Vivien Keene and AI, using the author’s own words.

“In a world first, Agatha Christie—best-selling novelist of all time—will be offering aspiring writers an unparalleled opportunity to learn the secrets behind her writing, in her own words,’ the partners said. ‘Using meticulously restored archival interviews, private letters and writings researched by a team of Christie experts, this pioneering course reconstructs Christie’s own voice and insights, guiding you through the art of suspense, plot twists and unforgettable characters.”

James Prichard, Christie’s great-grandson and the CEO of Agatha Christie Limited, is quoted in The Guardian as saying that the educators and researchers behind this subscription-based video series “extracted from a number of her writings an extraordinary array of her views and opinions on how to write. Through this course, you truly will receive a lesson in crafting a masterful mystery, in Agatha’s very own words.” OK, maybe it’s creative, after all.

• I have given precisely zero thought to what might be the “best crime novels of 2025 … so far.” However, both The Times of London and The Week have already shared their favorites.

• Over at my Killer Covers blog, I’ve written a great deal about the American artist Robert McGinnis this year, both prior to his demise in March (at age 99!), and after. But author Max Allan Collins had his own memories to share, in this post that talks about how he scored an unusual number of McGinnis’ paintings for use on his novels about the hired killer known only as Quarry.

• Can we ever get enough of Belgian author Georges Simenon’s Jules Maigret mysteries? Penguin Books has been publishing paperback versions of them over the last decade, and has brand-new editions set to become available beginning in July. And now the U.S. imprint Picador is joining in the game, launching its own Maigret lineup this month. Over the next three years, Picador says, it too will reissue all 75 Maigrets, plus “thirty of his darker standalone ‘romans durs’ beginning March 2026.” Pietr the Latvian will reach stores on May 6, together with The Late Monsieur Gallet and The Hanged Man of Saint-Pholien, all of which originally saw print back in 1931. It may be time to clear some space on your bookshelves!

• This is a terrible loss—at least from my perspective. The annual Bulwer-Lytton Fiction Contest, which celebrated appallingly bad initial sentences to (fortunately) never-to-be-completed books, is no more. Scott Rice, who, as an English professor at California’s San Jose State University, founded the competition in 1982, says he finds it “becoming increasingly burdensome and [I] would like to put myself out to pasture while I still have some vim and vigor!” The Rap Sheet has posted many of the winners over time, and we’re sorry not to be able to keep up that tradition for decades more to come.

• California author J. Sydney Jones produced half a dozen books in his Viennese Mysteries series, beginning with The Empty Mirror (2008) and ending—it was presumed—with The Third Place (2015). They were complicated and propulsive stories of crime in the Austrian capital that took place during the very early 20th century, had as their leads lawyer Karl Werthen and real-life criminologist Doktor Hanns Gross, and seemed to fare well in the marketplace. However, Jones writes in his blog, “The original series stopped after book six. I had originally planned it for another three to four installments. But other projects came up, other publishers.” The author nonetheless returned to that series during the COVID-19 pandemic, penning a “capstone” titled Lilacs of the Dead Land, which he published in February of this year—a novel that somehow managed to avoid my radar. He calls it “a stirring historical thriller set in Austria shortly after the German annexation, or Anschluss, of March 1938.” As one who very much appreciated his Viennese Mysteries, I’ll want to find a copy soon.

• It should be mentioned that one of those “other projects” Jones embarked upon was a new crime series, set on California’s central coast during World War II and adopting as its protagonist a wounded former New York City police detective, Max Byrns. The second Byrns book, Play It in Between (Werthen Press), debuted in April.

• April 17 brought the presentation, at New York City’s New School, of the 37th annual Publishing Triangle Awards celebrating “LGBTQ+ literary excellence.” During that event, Massachusetts author and creative writing professor Margot Douaihy was given the Joseph Hansen Award for LGBTQ+ Crime Writing for her second Sister Holiday novel, 2024’s Blessed Water (Zando/Gillian Flynn Books). Hansen, you will remember, penned a dozen novels in the late 20th century starring gay death claims investigator Dave Brandstetter.

• Just as “authors hitting the best seller list are approaching gender equality for the first time,” a new independent press in Great Britain proposes to center its business on male writers. Reporting on this development, Lit Hub’s James Folta acknowledges that “female authorship is on the rise, especially recently,” but he adds, “to conclude that men therefore need an urgent champion seems naïve and near-sighted. To look at this trend or, perhaps more accurately, to feel the vibes and conclude that male authors are in danger is pushing it. Male authors going from 80% to 50% of the market is far from a crisis in need of another intervening corrective.”

• And here’s one more instance of a blog rising from the dead. The Stiletto Gumshoe debuted back in November 2018, focusing on crime and mystery fiction and the artwork associated with same. But it went dormant just two years later, with its author, C.J. Thomas, apologizing that “some troubling ‘real-life’ issues need to be wrestled with right now, so there’ll be a break from blogging here for a while. Hope to be back soon …” Soon was not soon at all. When The Stiletto Gumshoe finally disappeared altogether from the Internet (forcing me to substitute links to its posts from The Wayback Machine), I struck it from this page’s lengthy blogroll, too. Then, just as abruptly as it was gone, Thomas’ creation returned! This last April 23, Thomas put up a tribute to Sergeant DeeDee McCall, the role Stepfanie Kramer played in the 1980s TV crime drama Hunter. He has followed that with posts about the 1950 film noir Where Danger Lives, J. Robert Lennon’s new Buzz Kill, French 1980s print ads from DIM Paris, and much more. Welcome back, C.J., I hope you can stick around this time.