Sadly, the habit of publishers using stock artwork, rather than original images, on their new fiction and non-fiction releases has hardly decreased. Just to prove that at least some of us are still monitoring this penny-pinching trend, here are two examples from the mystery and thriller shelves that recently caught our attention.

Left: The Missing American, by Kwei Quartey (Allison & Busby UK, 2020), the first entry in his series starring Ghanaian private investigator Emma Djan. Right: All Her Little Secrets, by Wanda M. Morris (Morrow U.S., 2021), the author’s debut novel.

Left: The Crime Writer, by Jill Dawson (Sceptre UK, 2016), which enlisted “eccentric American novelist Patricia Highsmith” as its protagonist. Right: Our Woman in Moscow, by Beatriz Williams (Morrow U.S., 2021), called “a gripping and profoundly human story of Cold War espionage and family devotion.”















No comments:
Post a Comment