The private eye, at his best, is and always has been a man (or woman) of his times and his world. And you can’t get much more man-of-his-times than John Shannon’s Jack Liffey, who makes his 11th appearance in the just-released novel Palos Verdes Blue.
Me, personally, I think this is one of the finest, most sustained, and boldest detective series to ever be set in Los Angeles--an extended valentine to a battered, tattered City of Angels and its citizens that never fails to entertain and challenge. But imaginative plots, rock-solid writing, living, breathing characters, and an unwavering intelligence and compassion evidently aren’t enough for mystery readers these days.
What more do they want?
Tits? Beheadings? Torture?
Maybe Shannon isn’t quite the man of his times I thought he was, because if there’s one recurring theme in the reviews of his last few books, it’s the nagging mystery that keeps turning up. As a recent Booklist review (starred, of course) so succinctly put it, “With a hero as brainy, compassionate, and conflicted as this, the only real mystery is why these books aren’t bestsellers.”
Even I’m getting a little cranky waving the flag here. My guess is that, in an increasingly polarized cultural and political landscape where opposing political, cultural, and social philosophies are too often endlessly smacked together for simple entertainment value under the guise of “news,” and the “analysis” offered is really just a dumbed down demolition derby, Jack Liffey scares people.
I mean, the United States is a nation in which a large segment of its citizens, if they even care about the news at all, turn on the boob tube to hear the president referred to as “Hitler” by camera-sucking “patriots”; where a beloved commentator publicly hopes the entire country’s economy will crash and burn to prove some dubious political point; and where name-calling and bullying have replaced rational debate. So, a series that dares to ask people to think for themselves, to not jump to conclusions, to look at multiple sides of an issue instead of jumping on the bandwagon du jour--yeah, I guess I can see how that might unsettle people. I guess, for some people, Jack is downright scary.
Which is a laugh. Jack’s probably one of the most soft-spoken and least threatening private eyes around. Not that he’s a wimp, or that he doesn’t display rather amazing resilience at times, but this Los Angeles-based finder of lost children has never met a one-sided argument in his life.
For some readers--particularly those accustomed to having their opinions (and their crime fiction) pre-digested and spoon-fed to them--that can be heady stuff. And possibly a little bewildering.
So maybe it’s simply commercial frustration, but in Palos Verdes Blue Shannon pulls out all the stops. Everything that is wonderful about this series is cranked up a notch here--there are even more memorable characters, even more SoCal weirdness, even more of L.A.’s endless subcultures to explore, even more ideas fleshed out and stamped with a human face. Shannon doesn’t so much offer talking points as thinking points.
As a favor to his ex-wife, Kathy, Jack reluctantly agrees to look for her best friend’s precocious, idealistic teenage daughter. But what at first seems like just another wandering-daughter job soon has the detective bumping up against the spoiled, territorial surfer brats of the swanky Palos Verdes enclave, not to mention cranked-up white supremacists, burnt-out cops, the obscenely rich, and the murky world of illegal immigrants who serve them--including a young Mexican day-laborer who just wants to hang 10. Meanwhile, Jack’s own precocious, idealistic teenage daughter, Maeve, hits another speed bump on her ongoing journey to define herself. That the author is growing impatient (critical acclaim and rave reviews don’t pay the rent) might be guessed by the defiant, almost surreal, and even more audacious than usual, vaguely apocalyptic conclusion with which he wraps things up. But somehow, Shannon manages again to pull it off with his by now trademark wit and compassion.
Scary stuff, indeed.
READ MORE: Click here to enjoy an excerpt from John Shannon’s new novel, Palos Verdes Blue.
Monday, May 11, 2009
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6 comments:
"Wandering-daughter job"? It seems like I just stumbled over those words in some Dashiell Hammett I've been reading...
Nice post. I've reviewed many of Shannon's books over the years--many of those reviews have been starred--and I continue to be mystified by the lack of wider recognition for his talent. (But I guess I said that in my review of Palos Verdes Blue.)
Hi, Keir, nice to see you prowling the websites.
John Shannon
the major issue Shannon is dealiong with--along with Andrew Vachss--is the overall content of the Liffey novels. Liffey is an extremely likable character, but his specialty is finding lost children.The subject of lost, abused, neglected, kidnapped children is a very tough pill to swallow for most readers. Yes, the series is very well written, the characters are engaging, the plots suspenseful but it seems in the age of nearly nonstop episodes of Dateline: To catch a preator and the media inundating the public with stories of rampant child abuse, perhaps the general reading public find it hard to pick up a book dealing with the same subject matter.
And I hate to say it, but perhaps Mr. Shannon would benefit moving the Liffey series to a larger publishing house that could actually provide an actual marketing budget for his excellent novels
Missing children, yes. But the children in Shannon's books are missing for a large variety of reasons. Unlike Vachss, Shannon is no one-trick pony. Indeed, may of the children who are "missing" in his books aren't missing at all -- they got out under their own speed for a multitude of reasons.
And as for Shannon benefiting from a larger publishing house, I'm sure you wouldn't hear him complaining.
Finally, Jared gets the Thrilling No-Prize for successfully picking up on the Hammett shout-out.
Excellent first chapter. I've never read Shannon before...but I intend to start, so I suppose your post has earned him at least one new reader.
Off the top of my head, I'd say this concerning your comment, "What more do they want?"
They don't want more...they want less. Less info, shorter chapters. Not always, but often, this is the case. Unfortunately, the best books aren't necessarily the best sellers.
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