Tuesday, October 23, 2007

A Soul to Tell

Sons of Spade blogger Jochem van der Steen this week has the chance to address just three questions to veteran crime novelist Jeremiah Healy. Fortunately, one of those queries was about the status of fictional Boston private eye John Francis Cuddy, who’s still mixing it up in magazine-published short stories, but hasn’t been seen in a novel since Spiral (1999).

The 59-year-old author begins his response by lamenting that “the taste of the American public has changed. Thrillers have eclipsed private-eye novels and classic mysteries, UNLESS a substantial promotional budget is provided for those latter kinds of book.” But then he leaks the following:
The GOOD news on the Cuddy front is that a long-time friend and executive producer of television series (Martial Law, The Nero Wolfe Mysteries, Dick Van Dyke’s Diagnosis: Murder) is “pitching” Cuddy as a television series. We would probably update Cuddy as a Military Police veteran from the Persian Gulf conflict rather than the Vietnam War, and we would likely replace Cuddy’s visits to his wife at her gravesite by having an actress play the dead wife, whom only Cuddy can see (think Mike Hammer meets The Sixth Sense).
Hmm. I like the notion that Cuddy could be coming to the small screen someday. We’ve been without decent private-eye series for far too long. But the widower sleuth’s customary visits to his late wife Beth’s grave, and how he even followed the advice she supposedly gave him during those drop-bys, became a peculiar attraction of the books. And part of what made those visits so interesting was that we never saw Beth, who had perished even before the first Cuddy novel, Blunt Darts (1984), began. We simply had to take it on faith that our hero could see her, or could at least sense her in some way. To give Beth a physical presence, no matter how ghostly, would be to detract from the commitment a reader, or maybe someday a viewer, has to make in believing that Cuddy isn’t merely crazy when he goes out to seek his wife’s counsel. The device of employing incorporeal characters whom nobody but the protagonist and TV audience can see worked OK in last year’s Jeff Goldblum series, Raines, and it was of course a staple of the late-1960s British series Randall and Hopkirk (Deceased). But it’s unfortunate that TV audiences must always see to believe. Then again, if people had better imaginations, television might not be so popular.

1 comment:

Gerald So said...

I agree that giving Beth a more physical presence could take something away, but in the books, Cuddy does seem to converse with her about current cases--not merely reflect on what she might say were she alive. There would have to be some back-and-forth to be completely faithful to the books.

Complete fidelity aside, I would simply show Cuddy at Beth's grave, not have him or Beth say anything, but let him reveal his insights to another flesh-and-blood character after the fact.

On the other hand, MONK has done a good job of occasionally showing Adrian's dead wife, Trudy. She has a real presence on the show despite appearing so sporadically. I'd want the same effect from Beth's presence.