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Best Hardcover:
• Oblivion, by Peter Abrahams (Morrow)
• The Lincoln Lawyer, by Michael Connelly (Little, Brown)
• The Forgotten Man, by Robert Crais (Doubleday)
• In a Teapot, by Terence Faherty (Crum Creek Press)
• The Man with the Iron-On Badge, by Lee Goldberg (Five Star)
• Cinnamon Kiss, by Walter Mosley (Little, Brown)
Best Paperback Original:
• Falling Down, by David Cole (Avon)
• The James Deans, by Reed Farrel Coleman (Plume)
• Deadlocked, by Joel Goldman (Pinnacle)
• Cordite Wine, by Richard Helms (Back Alley Books)
• A Killing Rain, by P.J. Parrish (Pinnacle)
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• Blood Ties, by Lori G. Armstrong (Medallion)
• Still River, by Harry Hunsicker (Thomas Dunne/St. Martin’s Minotaur)
• The Devil’s Right Hand, by J.D. Rhoades (St. Martin’s Minotaur)
• Forcing Amaryllis, by Louise Ure (Mysterious Press)
Best Short Story:
• “Oh, What a Tangled Lanyard We Weave,” by Parnell Hall (in Murder Most Crafty, edited by Maggie Bruce; Berkley)
• “Two Birds with One Stone,” by Jeremiah Healy (Alfred Hitchcock’s Mystery Magazine [AHMM], January-February 2005)
• “The Big Road,” by Steve Hockensmith (AHMM, May 2005)
• “A Death in Ueno,” by Michael Wiecek (AHMM, March 2005)
• “The Breaks,” by Timothy Williams (Ellery Queen Mystery Magazine, September-October 2005)
I’m pleased to see Steve Hockensmith’s nomination here (duplicating picks for the same short story by the Barry and Macavity nominating committees). I very much enjoyed Hockensmith’s first novel, Holmes on the Range, which made it to bookstores earlier this year, and I hope to see much more of his writing in the near future. And I must confess to having not sufficiently recognized the talents of Lee Goldberg, whose first adventure featuring Southern California P.I. Harvey Mapes book, The Man with the Iron-On Badge, is up for a Best Novel commendation. That book came into my hands at an extremely busy time, and I set it aside, thinking I might or might not return to it later. Given this Shamus nod, I evidently misjudged the novel’s value. I’ll have to go find it again now. But that’s always one of the best things about awards nominations: They make you sit up and take notice of works you might otherwise have overlooked.
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