Monday, March 23, 2026

Spring in the Air, Books in the Bag



Incredible as this seems, The Rap Sheet will turn 20 years old in 2026. (Its actual “birth date” is May 22.) And throughout most of those two decades, I've assembled lists of forthcoming crime, mystery, and thriller releases to help readers choose what they should pick up next. Those started as just occasional lists, but they quickly evolved into quarterly offerings. Rarely since then have I failed to deliver my selections on schedule and at rather intimidating length. My fall 2025 rundown, for example, extended to more than 425 reading recommendations from both sides of the Atlantic.

But last summer I found I was desperately short of time and unable to post my usual seasonal selections. Then the computer crash I experienced at the end of 2025 put an end to my hope of compiling picks for the first three months of this year. I promised myself I would get back on track again come spring; yet here we are near the close of March, and my suggestions of which new books from our favorite genre deserve special attention remain incomplete.

Rather than wait any longer, I’ve decided to go with what I have so far: more than 200 works of note due out in the United States between now and the end of May. Those include fresh novels by headliners in the field such as Charles Todd, Tana French, Anthony Horowitz, Jane Harper, Vaseem Khan, Sujata Massey, John Katzenbach, and Michael Connelly, together with stories from less-familiar fictionists on the order of Nicola Whyte, Joshua Moehling, Libby Klein, Jeff Boyd, and A. Rae Dunlap. The next three months will deliver to bookshops the late Anne Perry’s Death Times Seven, her concluding case for attorney Daniel Pitt; Craig Johnson’s The Brothers McKay, his 22nd Sheriff Walt Longmire novel, inspired by Russian author Fyodor Dostoevsky’s The Brothers Karamazov; Murder and Acquisitions, “a gripping story of greed, rivalry, and revenge in the publishing industry” by veteran publisher Thomas Dunne; the third and last installment in Kim Sherwood’s Double O Trilogy, Hurricane Room, which imagines a perhaps “broken” James Bond joining his fellow British secret agents to head off a worldwide cyberattack; Alison Gaylin’s Booked, her latest lively yarn featuring Sunny Randall, Robert B. Parker’s other Boston private invetigator; and Michael Crichton’s never-before-published Tinseltown thriller, Murder in Hollywood.

Beyond all those, expect three more George Gross police procedurals by Tim Sullivan; Jordan Harper’s new portrayal of Los Angeles' criminal underbelly, A Violent Masterpiece; Mad Mabel, Sally Hepworth’s clever tale of a cantankerous 81-year-old woman with a “shady past,” who becomes entangled in her neighbor’s dubious demise; and Thomas Perry’s The Tree of Light and Flowers, the presumably final outing for trouble-tackling Native American “guide” Jane Whitfield (as that Edgar-winning author perished last September).

While I regret not including here my customary myriad listings of coming attractions from UK publishing houses, it cannot be helped. The time necessary to gather all of those as well might delay the posting of The Rap Sheet’s list until mid-April, when it would be signally less useful. I shall simply have to find another way, either through a separate compilation or perhaps by including more British titles in my “Revue of Reviewers” posts, to get the word out about near-future releases from the opposite side of the pond.

As it is, I suspect there are a few fine U.S.-published works of crime fiction absent from the lengthy catalogue below, which I shall endeavor to find and add in updates over the next two and a half months. (Please let me know in the Comments section at this post’s end if you are already aware of any I have missed.) For now, though, I invite you to explore the following 200-plus. Non-fiction works are marked here with asterisks (*); the rest are novels or short-story collections.

MARCH (U.S.):
Agatha Christie Seek-and-Find: Find Clues and Criminals in 20 Classic Mysteries! by Sarah Dvojack (Chronicle)
The Antique Hunter’s Murder at the Castle, by C. L. Miller (Atria)
A Bad, Bad Place, by Frances Crawford (Soho Crime)
The Baffle Book, by Lassiter Wren and Randle McKay (Penzler/American Mystery Classics)
Beatrice Ophelia Is Flickering Out, by Megan Gerig (Lamplighter)
The Best Little Motel in Texas, by Lyla Lane (Harper Perennial)
Bloodlust, by Sandra Brown (Grand Central)
The Boy in the Wall, by Jeffrey B. Burton (Severn House)
Buried in a Book, by T.C. LoTempio (Severn House)
Chaos Man, by Andrew Mayne (Thomas & Mercer)
A Crime Through Time, by Amelia Blackwell (Pan)
The Dark Time, by Nick Petrie (Putnam)
The Daughters, by Joanna Margaret (Mysterious Press)
A Day of Judgment, by Charles Todd (Mysterious Press)
A Defiant Woman, by Karen E. Olson (Pegasus Crime)
The Delivery, by Andrew Welsh-Huggins (Mysterious Press)
The Dreadfuls, by A. Rae Dunlap (Kensington)
The End of the Sahara, by Saïd Khatibi (Bitter Lemon Press)
Enemy of My Enemy, by Alex Segura (Hyperion Avenue)
Everyone in This Bank Is a Thief, by Benjamin Stevenson (Mariner)
Everything on Black, by F.T. Grant (Vigilante Crime & Pulp)
Felony Review: Tales of True Crime and Corruption in Chicago, by Randy E. Barnett (Encounter)*
Finlay Donovan Crosses the Line, by Elle Cosimano (Minotaur)
From the Dust, by David Swinson (Mulholland)
A Ghastly Catastrophe, by Deanna Raybourn (Berkley)
Girl in a Shroud / The Girl Who Was Possessed / The Lady is Available, by Carter Brown (Stark House Press)
A Good Person, by Kirsten King (Putnam)
A Grave Mistake, by Kate MacLean (Kate MacLean)
The Guilty Daughter, by Victoria Jenkins (Bookouture)
Hard Times, by Jeff Boyd (Flatiron)
The Harvey Girl, by Dana Stabenow (Head of Zeus/Aries)
The Hiding Season, by Ava Glass (Bantam)
I Came Back for You, by Kate White (Thomas & Mercer)
I Did Not Kill My Husband, by Linda Keir (Blackstone)
The Imposter, by Adriane Leigh (Podium)
Incidentals, by Sheila Yasmin Marikar (Little A)
The Jewish Policeman, by Jonathan Dunsky (Lion Cub)
Judge Stone, by Viola Davis and James Patterson (Little, Brown)
The Keeper, by Tana French (Viking)
Killing Me Softly, by Sandie Jones (Minotaur)
The Last Celebrity, by Madeleine Henry (Little A)
A Lie for a Lie, by Ren DeStefano (Berkley)
Missing, by E.A. Jackson (Atria/Emily Bestler)
Missing Sister, by Joshilyn Jackson (Morrow)
The Most Mysterious Bookshop in Paris, by Mark Pryor (Kensington)
Murder As a Fine Art, by Carol Carnac (Poisoned Pen Press)
My Grandfather, the Master Detective, by Masateru Konishi (Putnam)
Never Spar with a Viscount, by Lindsay Lovise (Forever)
No Good Deed, by Katherine Kovacic (Poisoned Pen Press)
The Perfect Girl, by Andy Maslen (Thomas & Mercer)
The Pie & Mash Detective Agency, by J. D. Brinkworth (Berkley)
A Place to Die For, by A.M. Strong and Sonya Sargent (Thomas & Mercer)
The Plans I Have for You, by Lai Sanders (Simon & Schuster)
The Politician, by Tim Sullivan
(Atlantic Crime)
The Primrose Murder Society, by Stacy Hackney (Morrow Paperbacks)
The Pryce of Fame, by Kari Bovée (Vinci)
Robbie McNeil’s Hit List, by Brianna Heath (Poisoned Pen Press)
Ruby Falls, by Gin Phillips (Atlantic Crime)
The Secret Lives of Murderers’ Wives, by Elizabeth Arnott (Berkley)
Served Him Right, by Lisa Unger (Park Row)
She Fell Away, by Lenore Nash (Atria/Emily Bestler)
Sisters in Yellow, by Mieko Kawakami (Knopf)
Society Women, by Adriane Leigh (Harper Perennial)
Sorry for Your Loss, by Georgia McVeigh (Dutton)
Stakeouts and Strollers, by Rob Phillips (Minotaur)
The Star from Calcutta, by Sujata Massey (Soho Crime)
Storm Warning, by Alice Henderson (Morrow)
Strange Buildings, by Uketsu (HarperVia)
Strangers in the Villa, by Robyn Harding (Grand Central)
The Survivor, by Andrew Reid (Minotaur)
The Tree of Light and Flowers, by Thomas Perry (Mysterious Press)
The Story of Marceau Miller, by Marceau Miller (Blackstone)
This Story Might Save Your Life, by Tiffany Crum (Pine & Cedar)
Two Kinds of Stranger, by Steve Cavanagh (Atria)
Vanished in the Crowd, by Rhys Bowen and Clare Broyles (Minotaur)
Vengeance in Venice, by Erica Ruth Neubauer (Kensington)
Want to Know a Secret? by Freida McFadden (Poisoned Pen Press)
What the Fields Saw, by Linda Norlander (Severn River)
Where the Truth Lies, by Katherine Greene (Crooked Lane)
Whidbey, by T. Kira Madden (Mariner)
Yesteryear, by Caro Claire Burke (Knopf)

APRIL (U.S.):
Agnes Sharp and the Wedding to Die For, by Leonie Swann
(Soho Crime)
All Them Dogs, by Djamel White (Riverhead)
The Architect of Deception, by Debbie Baldwin (Gatekeeper Press)
As Far as She Knew, by Diana Awad (Mindy’s Book Studio)
Brenda, by Samuel S. Taylor (Stark House Press)
The Caretaker, by Marcus Kliewer (Atria/Emily Bestler)
Cat on a Hot Tin Woof, by Spencer Quinn (Minotaur)
Cats Don’t Need Coffins, by Dolores Hitchens (Penzler/American Mystery Classics)
The Chambermaid’s Key, by Genevieve Graham (Simon & Schuster)
City of the Muse, by Kate Hilton
(Simon & Schuster)
Confessions of an Amateur Sleuth, by Lynn Cahoon (Kensington Cozies)
Countdown, by Sara Driscoll (Kensington)
A Cruise to Die For, by Heather
Graham (Mira)
Dark Hazard / The Quick Brown Fox, by W.R. Burnett (Stark House Press)
The Dead Can’t Make a Living, by Ed
Lin (Soho Crime)
A Deadly Episode, by Anthony Horowitz (Harper)
The Dead Ringer, by Dane Bahr (Counterpoint)
Death Times Seven, by Anne Perry and Victoria Zackheim (Ballantine)
Double Shadow, by Andrew Ludington (Minotaur)
The Edge of Darkness, by Vaseem Khan (Hodder & Stoughton)
The Ending Writes Itself, by Evelyn Clarke (Harper)
An Enigma by the Sea, by Carlo Fruttero and Franco Lucentini
(Bitter Lemon Press)
Everyone Is Perfect Here, by Jane Haseldine (Severn House)
Fair Chase, by Travis Mulhauser (Grand Central)
Gimme Shelter, by Libby Klein (Kensington)
The Girls Trip, by Ally Condie (Grand Central)
Guilt, by Keigo Higashino (Minotaur)
Gunner, by Alan Parks (Pegasus Crime)
Her First Lie, by Lucinda Berry (Thomas & Mercer)
Hollywood Payback, by Jon Lindstrom (Crooked Lane)
Holy Island, by L.J. Ross (Poisoned Pen Press)
Hope Rises, by David Baldacci (Grand Central)
How to Cheat Your Own Death, by Kristen Perrin (Dutton)
The Insomniacs, by Allison Winn Scotch (Berkley)
In the Spirit of French Murder, by Colleen Cambridge (Kensington)
Kill Dick, by Luke Goebel (Red Hen Press)
Last One Out, by Jane Harper (Pine & Cedar)
Liar’s Creek, by Matt Goldman (Minotaur)
The Lost Angels, by Michele Domínguez Greene (Thomas & Mercer)
The Lost Book of Elizabeth Barton, by Jennifer N. Brown
(St. Martin’s Press)
Mad Mabel, by Sally Hepworth (St. Martin’s Press)
The Missing Ones, by A.R. Torre (Thomas & Mercer)
The Monk, by Tim Sullivan (Atlantic Crime)
Mrs. Shim Is a Killer, by Kang Jiyoung (Harper Perennial)
Murder Mindfully, by Karsten Dusse (Soho Crime)
Murders and Acquisitions, by Thomas Dunne (Blackstone)
The Museum of Unusual Occurrence, by Erica Wright (Severn House)
Obelists Fly High, by C. Daly King (Penzler/American
Mystery Classics)
One Second Away, by Rick Mofina (Doubleday Canada)
The Patriot’s Daughter, by Brittany Butler (Crooked Lane)
The Plunge, by Lila Raicek (Park Row)
Pomona Afton Can Totally Catch a Killer, by Bellamy Rose (Atria/Emily Bestler)
Raskin’s World, by Charlie Stella
(Stark House Press)
Reasonable Suspicion, by James Chandler (Severn River)
Redbelly Crossing, by Candice Fox (Crooked Lane)
Revenge Prey, by John Sandford (Putnam)
Sanctuary, by James Cleary (Berkley)
The Secrets of the Abbey, by Jean-Luc Bannalec (Minotaur)
Short Circuit, by Wolf Haas (HarperVia)
The Silent Ones, by Anna McPartlin (Canelo)
The Silver Fish, by Connor Martin (Mysterious Press)
Spies and Other Gods, by James Wolff (Atlantic Crime)
Staged Evidence, by Traci Hunter Abramson (Shadow Mountain)
The Summer House Murder, by Ava Roberts (Crooked Lane)
The Ten Teacups, by Carter Dickson (Poisoned Pen Press)
Thanks for Watching, by Kate Cavanaugh (Inimitable)
This Weekend Doesn’t End Well for Anyone, by Catherine
Mack (Minotaur)
Too Close to Home, by Seraphina Nova Glass (Park Row)
To the End of Reckoning, by Joseph Moldover (Mysterious Press)
Two Truths and a Lie, by Mark Stevens (Thomas & Mercer)
A Violent Masterpiece, by Jordan Harper (Mulholland)
The Washashore, by Christopher Mirabile (Slack Tide Press)
We Would Never Tell, by Anne-Sophie Jouhanneau (Sourcebooks Landmark)
What Happened Next, by Edwin Hills (Thomas & Mercer)
When the Wolves Are Silent, by C.S. Harris (Berkley)
Yours Always, by Corinne Sullivan (Thomas & Mercer)

MAY (U.S.):
An Accidental Death, by Peter Grainger (Union Square)
And the Corpse Wore Tartan, by Stuart MacBride (Macmillan)
The Anniversary, by Alex Finlay (Minotaur)
The Architect, by John Katzenbach (Blackstone)
The Author Weekend, by Laura Zigman (Blackstone)
Beneath a Broken Sky, by Joshua Moehling (Poisoned Pen Press)
The Brothers McKay, by Craig Johnson (Viking)
Caller Unknown, by Gillian McAllister (Morrow)
City on Fire, by Simon Elegant (Pegasus Crime)
Dissection of a Murder, by Jo Murray (Dutton)
The Divorce, by Freida McFadden (Poisoned Pen Press)
Dreadful Summit, by Stanley Ellin (Penzler/American
Mystery Classics)
The Echo of Crows, by Phil Rickman (Atlantic)
The Fine Art of Lying, by Alexandra Andrews (Harper)
Five, by Ilona Bannister (Crown)
A Fortune of Sand, by Ruta Sepetys (Ballantine)
Going, Going, Gone, by Nasheema Lennon (HarperNorth)
The Great Houses of Pill Hill, by Diane Josefowicz (Soho Crime)
Hawai’i Rage, by Tori Eldridge
(Thomas & Mercer)
Hidden in Lies, by Viveca Sten
(Amazon Crossing)
Hurricane Room, by Kim Sherwood (Morrow)
Ironwood, by Michael Connelly
(Little, Brown)
I, Spy, by L.M. Kemp (Minotaur)
The Last Mandarin, by Louise Penny and Mellissa Fung (Minotaur)
The Lemon Twist, by Élan Les Vies (Keylight)
The Library After Dark, by Ande Pliego (Bantam)
A Little Bit Bad, by Cassandra Neyenesch (S&S/Summit)
The Lost Soldiers, by Andrey Kurkov (HarperVia)
The Mediator, by Robert Bailey (Thomas & Mercer)
Moonlight Murder, by Uzma Jalaluddin (Harper Perennial)
Murder at the Hotel Orient, by Alessandra Ranelli (Gallery/
Scout Press)
A Murder in Hollywood, by Michael Crichton (Blackstone)
Murder Like Clockwork, by Nicola Whyte (Union Square)
Murder on the Rocks, by T.E. Kinsey (Thomas & Mercer)
My Name Was Gerry Sass, by Tiffany Hanssen (Atlantic Crime)
Not to Be Taken: A Puzzle in Poison, by Anthony Berkeley
(Poisoned Pen Press)
Ode to the Bones, by Carolyn Haines (Minotaur)
The One Day You Were My Husband, by Rosie Walsh (Pamela Dorman)
An Ordinary Sort of Evil, by Kelley Armstrong (Minotaur)
Red Verdict, by James Comey (Mysterious Press)
Robert B. Parker’s Booked, by Alison Gaylin (Putnam)
Reverse, by Steven F. Havill (Severn House)
Safari Murder Party, by Rachel Moore (Berkley)
Storm Warning, by James Byrne (Minotaur)
The Teacher, by Tim Sullivan (Atlantic Crime)
The Tuxedo Society, by Paul Rudnick (Atria)
26 Beauties, by James Patterson (Little, Brown)
The Vampyre Client, by Jeri Westerson (Old London Press)
A Very Vexing Murder, by Lucy Andrew (Morrow)
You Can Tell Me, by Melinda Leigh (Montlake)

Wish me luck in trying to get things back in order here, so I can produce a full summer books list for early June.

How About Some Prizes?

This last week brought word of which books have been chosen as finalists for the 2026 Lambda Literary Awards, “celebrating outstanding LGBTQ+ voices in literature.” There are 26 categories of contenders, with five works vying for top LGBTQ+ Mystery honors:

A Queer Case, by Robert Holtom (Titan)
Every Sweet Thing Is Bitter, by Samantha Crewson (Crooked Lane)
Girl Falling, by Hayley Scrivenor (Flatiron)
Mirage City, by Lev AC Rosen (Minotaur)
The Case of the Missing Maid, by Rob Osler (Kensington)

Recipients of this year’s “Lammys,” as they’re familiarly known, are to be announced on Friday, June 12, during the 38th Annual Lambda Literary Awards Ceremony in New York City.

* * *

Meanwhile, In Reference to Murder reports that four popular works are competing for the 2026 Minnesota Book Award for Genre Fiction.

Apostle’s Cove, by William Kent Krueger (Atria)
Broken Fields, by Marcie Rendon (Soho Crime)
The Codebreaker’s Daughter, by Amy Lynn Green (Bethany House)
The Quiet Librarian, by Allen Eskens (Mulholland)

The winners in all nine Minnesota Book Award divisions will be revealed during a ceremony on Wednesday, May 6.

* * *

Finally, a commendation I somehow failed to mention until now. From Elizabeth Foxwell at The Bunburyist:
The latest recipient of the Dove Award—which is awarded by the Popular Culture Association’s Mystery and Detective Fiction Area and recognizes contributions to the serious study of mystery, detective, and crime fiction—is Stewart King, associate professor of European languages at Monash University (Melbourne, Australia). King, a specialist in Spanish and Catalan crime fiction, has edited or co-edited 6 books (e.g., The Cambridge Companion to World Crime Fiction, 2022), produced 35 book chapters and 28 articles, as well as co-edits the journal Crime Fiction Studies. He previously served on the editorial board of Clues: A Journal of Detection (I am managing editor of the journal).
Past Dove Award winners include Martin Edwards, Barry Forshaw, Douglas G. Greene, H.R.F. Keating, Janet Rudolph, and Foxwell herself.

Friday, March 20, 2026

Revue of Reviewers: 3-20-26

Critiquing some of the most interesting recent crime, mystery, and thriller releases. Click on the individual covers to read more.














Tuesday, March 17, 2026

A Modest Man, a Masterful Career

Just a month after celebrating his 97th birthday, British spy novelist Len Deighton—author of The IPCRESS File, Funeral in Berlin, SS-GB, and other classics of the genre—died Sunday at his home on the island of Guernsey. No cause for his passing has yet been specified.

In his excellent obituary for The Guardian, Mike Ripley recalls,
When he made the remark that he was “the most illiterate writer ever”, in an interview with Argosy magazine in 1969, Len Deighton ... had already published five bestselling spy novels, starting with The Ipcress File, three of which had been made into successful films. He had also written two cookbooks and a comic novel, edited an iconic guide to London in the swinging 60s and a book on fine wines and spirits, written a television play for the Armchair Theatre [TV anthology] series and two film scripts, become travel editor for Playboy and produced two films. He was to go on to write a further 21 novels and a collection of short stories, and to establish a reputation as a military historian.

Deighton was an established and “quite comfortable” freelance graphic artist when he began writing
The Ipcress File “for a lark” while living in France in 1960, completing it the following year while on holiday, but it was not until he met the literary agent Jonathan Clowes at a party in London that he was persuaded to submit it for publication.

Rejected by two publishers, one of whom remarked sniffily that there was no market for spy stories, it was taken by a third and published in November 1962 after serialisation in the London
Evening Standard. It was an instant success, the first print-run of 4,000 copies selling out on the day of publication, and its impact on spy fiction has been called seismic.
The New York Times mentions that the London-born Deighton regarded The IPCRESS File (as its title appeared originally) as “a riposte to the James Bond novels of Ian Fleming.
Instead of Bond’s cartoonish and morally simplistic take on spycraft, Mr. Deighton offered a shadow world through which his unnamed hero—christened Harry Palmer for the film versions—made his way, beset by disinformation, triple-crosses and dim bureaucrats.

Unlike the impossibly suave, action-oriented Bond or George Smiley, John le Carré’s dumpy, cerebral, upper-class spy hero, Mr. Deighton’s central character is self-consciously proletarian, with a jaded, frequently hostile attitude toward his superiors, a droll sense of humor and a love of cooking.

Mr. Deighton took a sardonic view of his sudden achievement as a brand-name writer. “All you need is a profound inferiority complex, no training as a writer and growing up a victim of the English class system,” he told
Publishers Weekly in 1993.
In its own posthumous tribute, The Washington Post adds,
Mr. Deighton dismissed writing as a “goof-off profession,” but he said he thrilled at the impact his novels had on readers. “When you make a book, it’s like making a hand grenade,” he told the Telegraph. “It’s a dull process but when you throw it, the person at the other end gets the effect.”

His spy works are marked by elliptical narratives short on explanatory details, reflecting the mysteries of espionage, yet filled with unforgettable moles, traitors and other characters who double- and triple-cross one another.

“Deighton’s wry and ironic recognition of the realities of espionage and the crackling energy that motivates his fiction place him in the first rank of spy novelists,” critic George Grella wrote in the 1985 edition of
Twentieth Century Crime and Mystery Writers. “He writes thrillers that are witty, thoughtful, authentic, and entertaining, a rare combination of merits.”

In his later years, Mr. Deighton’s shyness and his pivot to historical fiction and nonfiction works left him more removed from public awareness. “I’ve never written books for people more clever than I am, or more stupid,” he once said. “I’ve always tried to direct things at people like me.”
“Fiercely protective of his private life, he rarely gave interviews and avoided public appearances at festivals and conventions,” Ripley observes. “He was elected to the Detection Club in 1969, but turned down the offer of a Diamond Dagger for lifetime achievement from the Crime Writers’ Association on three occasions, maintaining that ‘two things destroy writers—alcohol and praise.”

Len Deighton was a fictionist of distinction, for sure.

READ MORE:Len Deighton, R.I.P.,” by Martin Edwards (‘Do You Write Under Your Own Name?’); “Len Deighton Dies at 97,” by Bill Koenig (The Spy Command); “Len Deighton: A Personal Appreciation,” by Mike Ripley (Shotsmag Confidential); “Len Deighton (1929-2026) Remembered,” by Chris Connor (Crime Fiction Lover).

Monday, March 16, 2026

Barry Tough Choices

Deadly Pleasures Mystery Magazine has released its list of contenders for the 2026 Barry Awards, in four separate categories.

Best Mystery:
The Impossible Thing, by Belinda Bauer (Atlantic Monthly)
Crooks, by Lou Berney (Morrow)
King of Ashes, by S.A. Cosby (Flatiron)
The Black Wolf, by Louise Penny (Minotaur)
The White Crow, by Michael
Robotham (Scribner)
Presumed Guilty, by Scott Turow
(Grand Central)

Best First Mystery:
Leverage, by Amran Gowani (Atria)
All the Other Mothers Hate Me, by Sarah Harman (Putnam)
Dead Money, by Jakob Kerr (Bantam)
The Vanishing Place, by Zoë
Rankin (Berkley)
Stillwater, by Tanya Scott (Atlantic Monthly)
Julie Chan Is Dead, by Liann Zhang (Atria)

Best Paperback Original Mystery:
Crimson Thaw, by Bruce Robert Coffin (Severn River)
Splintered Justice, by Kim Hays (Seventh Street)
Making a Killing, by Cara Hunter (Morrow)
If Two Are Dead, by Rick Mofina (Mira)
Wolf Six, by Alex Shaw (Boldwood)
The Dentist, by Tim Sullivan (Atlantic Crime)

Best Thriller:
Witness 8, by Steve Cavanagh (Atria)
The Oligarch’s Daughter, by Joseph Finder (Harper)
Midnight Black, by Mark Greaney (Berkley)
Clown Town, by Mick Herron (Soho Crime)
Head Cases, by John McMahon (Minotaur)
The Mailman, by Andrew Welsh-Huggins (Mysterious Press)

To select the winners, we are told that “Readers of Deadly Pleasures Mystery Magazine are eligible to vote. One vote per category. Send votes to george@deadlypleasures.com.” The results will be announced on October 22, during the opening ceremonies at this year’s Bouchercon in Calgary, Alberta.

The Barry Awards, established in 1997, are named in honor of Barry Gardner, a longtime DP “fan reviewer.”

Thursday, March 12, 2026

Sam, Scarlett, and the Tarts All Weep

This wasn’t the sort of news I was longing to receive on a Thursday morning. As Shotsmag Confidential’s Ayo Onatade reports,
It is with deep sadness that the crime writing community have learned of the recent death of the award-winning crime writer Lauren Milne Henderson. As well as being an author, Lauren worked as a journalist for a number of well-known newspapers and magazines. [She was 59 years old.]

Under the name of Lauren Milne Henderson, she was the author of the Sam Jones series featuring sculptor-turned-sleuth Sam Jones. The first book in the series is
Dead White Female [which] was published in 1995 and … was followed by six more books: Too Many Blondes (1996), The Black Rubber Dress (1997), Freeze My Margarita (1998), The Strawberry Tattoo (1999), Chained (2001) and Pretty Boy (2002).

Following on from her Sam Jones series, she also wrote the Young Adult Kiss/Scarlett series starting with
Kiss Me Kill Me in 2008, which featured 16-year-old Scarlett Wakefield, who must clear her name after the last boy she kisses dies in her arms and she is accused of his death. There were 3 more books in this series published: Kisses and Lies (2009), Kisses in the Dark (2010) and Kisses of Death (2011). Kiss Me Kill Me was nominated for an Anthony Award in 2009. ...

Under the name Rebecca Chance she was also the author of 10 glamourous thrillers and what was known as ‘Bonkbusters’. Whilst all standalones, previous characters could be found in other books. The first book in the series was
Divas (2009), and the last book Killer Affair (2017). Killer Heels (2012), Bad Angels (2012), Killer Queens (2013) and Bad Brides (2014) all made the Sunday Times best-seller list.
Wikipedia adds that Henderson helped establish Tart Noir, “a branch of crime fiction that is characterized by strong, independent female detectives with an amount of sexuality often involved. The books in the genre also occasionally feature a murderer protagonist and are sometimes presented in a first person point of view.” What I hope is a full list of her books can be found here.

Wednesday, March 11, 2026

Eliza’s Mettle Is No Longer in Doubt

This is rather sad news, but was certainly expected at some point: PBS-TV’s Masterpiece umbrella series has announced that the upcoming Season 7 of Miss Scarlet will bring an end to that well-written Victorian-era mystery drama. Filming of the six episodes to comprise this final run has already begun in Belgrade, Serbia.

Miss Scarlet, you will recall, debuted in Great Britain in March 2020 as Miss Scarlet and the Duke (and made its way to Masterpiece early the following year). It starred Kate Phillips as Eliza Scarlet, London’s resourceful first female private detective, with Stuart Martin cast as her childhood friend and reluctant Scotland Yard ally, Inspector William “the Duke” Wellington. But Martin left the show after Season 4, Tom Durant-Pritchard joined the ensemble as Inspector Alexander Blake, and the drama’s title was necessarily shortened.

So what might we expect to see in Miss Scarlet’s concluding installments? According to a news release, “Eliza Scarlet has found love, but with it comes a new set of challenges, both on a professional and personal level. As she faces mounting pressures both at work and at home, she is reunited with familiar friendly faces, as well as a powerful new crime boss who has arrived in town—and it’s not who you might expect. Meanwhile, Blake’s promotion brings its own complications, as he finds himself answering to a surprising new boss with whom he shares a complicated history. Season 7 raises the stakes, deepens the drama, and brings Eliza and Blake’s journey to a thrilling and satisfying close.”

“What a journey this has been,” Kate Phillips is quoted as saying. “Miss Scarlet has been one of the greatest joys of my career, and I will forever be grateful to Rachael New for creating such a witty, sharp, and delightful character in Eliza. It’s been a privilege to work on a show crafted with so much love and dedication and as we prepare to say goodbye, I’m so proud of what we’ve achieved and the memories we’ve made. Thank you to everyone who has supported us—I can’t wait to share the farewell Miss Scarlet deserves.”

Despite a bit of unevenness in its early years, Miss Scarlet will be remembered as a delightful blend of whodunit, humor, and thoughtful character study. I, for one, will miss it greatly.

Saturday, March 07, 2026

A Hammett-Seasoned Assembly

(Above) R-Evolution, American artist Marco Cochrane’s 47-foot-tall, steel rod-and-mesh sculpture of a nude woman, rises from Embarcadero Plaza on the San Francisco waterfront. It has stood there in front of the Ferry Building since April 2025.


Time was when I visited San Francisco regularly—maybe once a year, or at least once every couple of years. However, before last week, a full decade and a half had elapsed since my previous call on Northern California’s most colorful and captivating metropolis; the last time was back in 2010, when Bouchercon took over the Hyatt Regency hotel on the Embarcadero, directly across from the historic Ferry Building. During the interim, I’d seen stories about how that City by the Bay had fallen into social and financial decline. Elon Musk, the South Africa-born right-winger who founded Tesla and destroyed Twitter (today’s X)—and who is a product of Silicon Valley, the high-tech hub located just to the south—had portrayed San Francisco as “a crime-ridden wasteland where homeless drug addicts freely roam.”

So I was fully prepared to see this place I have loved for so long reduced to a shadow of its erstwhile glory. Yet that isn’t what I found. In fact, central San Francisco looked pretty much like every other big city I’ve traveled to since the COVID-19 pandemic. There were scattered empty storefronts along Market Street, and one of my all-time favorite breakfast venues—Dottie’s True Blue Café, formerly on Jones Street but moved since my last drop-by to a larger, Sixth Street location—had shut its doors. Yes, there were some unhoused residents on sidewalks, benefiting from this burg’s moderate climate and extensive public services, but no more than I see nowadays in Seattle or Portland ... and none of them were shooting up in the gutters. San Francisco struck me as a locale that’s weathered bad economic times and is on its way to finding its footing again.

It certainly did a superb job of hosting the 2026 Left Coast Crime convention, which was held last week (Thursday, February 26, to Sunday, March 1) in the same Hyatt Regency I’d frequented 15 years ago.

Not surprisingly, given that (1) we were in Dashiell Hammett country and (2) this year brought an end to copyright restrictions on the author’s detective-fiction masterpiece, The Maltese Falcon, there was considerable attention paid to that 1930 novel. Falcon statuettes were presented to all four of LCC 2026’s guests of honor. One of the gathering’s Thursday panel discussions found Bay Area author Mark Coggins and Randal S. Brandt—who writes The Rap Sheet’s “Book Into Film” column and curates the California Detective Fiction Collection at the University of California, Berkeley’s Bancroft Library—examining the book’s still-enduring impact on crime fiction. And that same night, Coggins and Brandt appeared together at a downtown used bookshop to chat with other mystery enthusiasts about Poltroon Press’ recent re-release of The Maltese Falcon, to which both contributed.

One of this convention’s first panel exchanges was “Let’s Talk About the Black Bird,” which addressed Dashiell Hammett’s best-known novel, The Maltese Falcon. Participating were—left to right—authors Elizabeth Crowens (Bye Bye Blackbird), Domenic Stansberry (the North Beach mysteries, The Lizard), and Kelli Stanley (the Miranda Corbie series, The Reckoning), as well as librarian Randal Brandt, who moderated the colloquy. Not shown, but also part of the group, was Mark Coggins. He took this shot and e-mailed it to me with a note that joked, “Looks like someone photobombed them.”

Hours after that panel presentation concluded, Brandt and Coggins (shown above on the left and right, respectively) joined San Francisco author and philanthropist Robert Mailer Anderson (center) at Kayo Books, a treasury of used works on Post Street downtown, to celebrate Hammett’s considerable influence on todays detective fiction. Afterward, Anderson—who rents the pocket-edition apartment at 891 Post where Hammett lived from 1927 to 1929 and penned his first three novels—escorted a few members of the audience on a brief tour of those rehabbed digs.

Yes, that’s me, Jeff Pierce, seated in the very apartment (#401) where ex-Pinkerton operative Hammett crafted his earliest novels and many of his short stories. Neither the wooden desk nor the typewriter are original fixtures, but they certainly add to the cribs Jazz Age ambiance. (Photograph by Mark Coggins)


In a memorable treat for yours truly, immediately prior to the Kayo Books event, Coggins and I accompanied local novelist Robert Mailer Anderson (Boonville) to the fourth-floor apartment Hammett once rented at 891 Post Street, one block east of the bookshop. It was there, in the late 1920s, that Red Harvest, The Dain Curse, and The Maltese Falcon were all batted out noisily on a typewriter, the author likely working longer into the night than his neighbors would have preferred. For many years, architect and Hammett fan Bill Arney lived in those 275-square-foot lodgings, but after his passing in 2021, Anderson took over the rent. He has since restored the apartment to how it might have looked during Hammett’s time. Anderson is also working on a project that will bring modern authors into the place and film them reading excerpts from Hammett’s prose.

For a guy like me, who discovered Dashiell Hammett, Sam Spade, and the Continental Op during college, and who’s been re-reading their adventures ever since, this opportunity to stand where their fictional lives began was nothing short of electrifying.

Those four days in mostly sunny San Francisco were a whirlwind of activities, from genre panel discussions and serendipitous encounters in hallways with friends to the discovery of new attractions the city has to offer. A few of my other favorite experiences:

My daily morning walks around downtown, during which I not only got exercise and fresh air, but made a point of reaching buildings and monuments familiar to me from my years of writing about SF history.

Sitting down with local author Kelli Stanley and talking about her efforts to relocate from the United States to Europe; her latest novel, The Reckoning; and how she couldn’t relax at LCC because she needed to get home and finish her sequel to that book by its deadline.

Chatting up the friendly doorkeepers at the Hyatt Regency and finally questioning them about where to find the best Mexican food in the Mission District. This provoked much debate and research, until they finally directed me to Gallardos at 3248 18th Street (corner of 18th and Shotwell). I took the BART train down to the 16th and Mission station, then walked south on Mission and left on 18th for three more blocks. My being the only white guy in the restaurant suggested authenticity, as did the fact that credit cards weren’t accepted—Gallardos is cash-only. And the food? Well, I ordered the Guadalajara Dinner, a combination plate featuring an enchilada, a chili relleno, and a taco. With a side of house-made tortillas! It was savory and filling, and more than I could eat, but I had no refrigerator in my hotel room to hold the leftovers. I’ll definitely go back there the next time I’m in the Bay Area.

Finding myself at the hotel bar next to Chicago’s Lori Rader-Day, an hour before Saturday night’s Lefty Awards banquet was to commence. I first met Lori during an airport shuttle ride into Raleigh, North Carolina, for Bouchercon 2015—back when she was just starting her career composing fiction. Since then, she’s produced six more novels, among them this year’s Wreck Your Heart, and survived breast cancer. I have done … well, nothing even remotely so courageous or dramatic. But it was good to catch up for a spell over gin-and-tonics.

And then after the banquet and prize dispersals, joining Los Angeles author Gary Phillips at that same bar. He told me about the delights of rearing his late daughter’s young child, and briefed me on his soon-forthcoming novel, The Haul, which recounts the story of a professional thief coming out of retirement to engineer “a multi-million-dollar raid of a tech billionaire’s secret bunker.” Gary and Lori are such kind and generous people; I’m sorry I live so far from them.

When Sunday rolled around, I was not close to being ready for departure. I mused on how wonderful it might be to spend another week roaming San Francisco, just photographing sidewalk scenes and the elegant decorations of old buildings. I hadn’t had a chance during my stay to wander out to spacious Golden Gate Park. Or to hop a Powell-Hyde Cable Car to The Buena Vista café, which is credited with introducing Irish coffees to the United States in 1952. Nor had I stopped at John’s Grill on Ellis Street, where Spade ordered “chops, baked potatoes, [and] sliced tomatoes” in The Maltese Falcon.

But I had to be back home the next day, so couldn’t stay. Next time, I told myself. And next time would be sooner than 15 years off!

Thursday’s “Thoughts on Podcasting” session was moderated by Jaime Parker Stickle (far left), author of the Corey in Los Angeles series and host of The Girl with the Same Name. Tackling the topic with her were Sabrina Thatcher (Slaying the Craft: Inside the Mind of a Thriller Writer), Jim Fusilli (Writers at Work), Mike Adamick (Crime Adjacent), and Dan White (OutWithDan).

“The Liars Panel” on Friday was one of this convention’s more unusual offerings, but its title says it all. Five writers told stories of their encounters with famous people, and the audience was charged with identifying which were factual and which were fabricated. Shown from left to right: Lee Matthew Goldberg (The Great Gimmelmans), Holly West (The Money Block), the legendary Sara Paretsky (creator of the V.I. Warshawski series), Lori Rader-Day (this panel’s moderator), and Lina Chern (Tricks of Fortune).

Guest of Honor Gary Phillips was interviewed onstage Friday afternoon by fellow fictionist Christa Faust (The Get Off). During their engaging 45-minute exchange, Phillips was asked which of all his books he would like to have outlast him. His answer: Violent Spring, his 1994 debut novel (featuring private eye Ivan Monk), and his 1999 standalone, The Jook.

Finally, Lori Rader-Day’s selfie showing the two of us enjoying chilled libations in the Hyatt Regency’s lobby bar.

Sometimes Only a Wrap-up Will Do

Three recent news items that might have passed through your radar unnoticed, as they almost passed through ours:

• The Glencairn Glass Crime Short Story Competition is now open for submissions. “The official glass for Scotch whisky, Glencairn is once again raising a toast to crime fiction with the return of its popular annual competition, in partnership with the Bloody Scotland International Crime Writing Festival,” explains Crime Fiction Lover. “Experienced and novice writers from around the world are invited to submit an original crime story of under 2,000 words. You don’t have to be Scottish to enter, but your protagonist must be a Scot.” Entries are to be accepted through March 31. “The overall winner will receive £1,000, publication of their story on the Bloody Scotland website, and the chance of a guest appearance at the Bloody Scotland Festival in September 2026. The runner-up will win £500, with both winning stories also published on the Glencairn Glass website.”

• Lee Child, Jane Harper, Peter James, and Lucy Foley, are among the authors announced as headliners for this year’s Capital Crime festival, set to take place in London from June 18 to 20.

• And Season 15 of the Robert Thorogood-created series Death in Paradise is scheduled to debut in the States on BritBox come March 24. (It has already been airing in Great Britain.) There will be eight new episodes. Mystery Fanfare has a trailer here.

Thursday, March 05, 2026

Revue of Reviewers: 3-5-26

Critiquing some of the most interesting recent crime, mystery, and thriller releases. Click on the individual covers to read more.