Showing posts with label Agatha Christie. Show all posts
Showing posts with label Agatha Christie. Show all posts

Wednesday, August 26, 2026

Clearing the Backlog

• The Australian Crime Writers Association has announced its shortlists of nominees for four 2026 Ned Kelly Awards. Here are the contenders in its Best Crime Fiction category:

Liar’s Game, by Jack Beaumont (Allen & Unwin)
Lyrebird, by Jane Caro (Allen & Unwin)
The Other Child, by Susi Fox (Penguin Australia)
Mad Mabel, by Sally Hepworth (Pan Macmillan Australia)
The Ghost Walk, by Karen Herbert (Fremantle Press)
Fire in the Head, by Daniel Oakman (Black Inc)
The White Crow, by Michael Robotham (Hachette Australia)
The Casino, by Iain Ryan (Ultimo Press)

Also released are candidate lists for the Best International, Best Debut Crime Fiction, and Best True Crime prizes. The winners are to be revealed sometime in September.

• After 30 years in print, Deadly Pleasures Mystery Magazine is suddenly a free, digital-only publication. Editor George Easter explains in the new, Summer 2026 issue that “I’m doing away with subscriptions. … I’ve been handling subscriptions for 45 years (30 with my wife Michele’s consumer magazine and 34 years with DP, with some overlap) and I’m burned out. I want to simplify my life. It doesn’t cost much to get each issue out and I can handle that just fine. Also, no more filing a tax return for DP. Hooray! Those of you who still have current subscriptions with future issues paid for will still get those issues and just think, you’ll get free ones from that point on.” Access the latest PDF mag here, and digital back issues here.

• Incidentally, note that on page 23 of the brand-new Deadly Pleasures you will find four categories of nominees for the 2026 Barry Awards, sponsored as ever by the magazine. All readers are invited to cast their votes for favorite works, one title per division, by sending Easter an e-mail message at george@deadlypleasures.com. The deadline for expressing opinions is Tuesday, September 15.

In Reference to Murder points us to a first photo of “Edward Bluemel as Agatha Christie’s iconic Belgian detective, Hercule Poirot, in BritBox’s upcoming six-part drama series Hercule. The origin series, which is currently shooting in Liverpool, is an intimate study of legendary Belgian detective Hercule Poirot in Britain between the wars. Hercule will center around three of Agatha Christie’s early stories, while also introducing Hercule Poirot to future friends and allies and one particular nemesis.” Deadline adds that “the series will premiere on the BBC and BritBox in North America in 2027,” and it is said to enjoy a three-season production commitment.

• Below is a 90-second trailer for Marble Hall Murders, the six-part TV adaptation of of Anthony Horowitz’s third Susan Ryeland mystery, set to begin airing in the States on PBS come Sunday, September 6.



The Rap Sheet’s UK correspondent, Ali Karim, had the chance recently to address some questions to Jack Jewers, author of The Lost Diary of Samuel Pepys (2023) and its sequel, Seething Lane, due out on the other side of the pond early next month. Ali describes Seething Lane as “a dark swashbuckling adventure-cum-detective whodunit-cum-historical thriller.” His interview can be relished here.

• The Disney-oriented Web site Inside the Magic quotes Amy Pascal, one of a pair of veteran producers working on a new, MGM Amazon iteration of Ian Fleming’s James Bond, as saying it’s “a good bet” that we’ll know who will next portray British Agent 007 on screen “by the end of this year.” In addition, the site offers tidbits of information regarding the forthcoming children’s adventure novel James Bond and the Secret Agent Academy, penned by Gold Dagger award-winning author M.W. Craven and set to reach stores in April 2027. It’s apparently the first entry in a projected series.

• Frank Gregorsky is back with a fresh (August 2026) edition of the quarterly PDF periodical Detective Drama Gems, which revisits episodes of classic TV crime and mystery shows. Under consideration this time are stories from Dragnet, The Felony Squad, and the Canada/USA hybrid series Night Heat. You can read all about them here.

Friday, July 31, 2026

Bullet Points: Bursting at the Seams Edition

It’s been a good long while since I put together one of these news bits columns, so I have some serious catching-up to do!



• The finalists for 2026’s Hammett Prize have been announced by the International Association of Crime Writers, North American Branch. This commendation is presented annually to a work, published in the previous year, that judges say demonstrates “literary excellence in crime writing.” Here are the five latest candidates:

El Dorado Drive, by Megan Abbott (Putnam)
Party of Liars, by Kelsey Cox (Minotaur)
The Big Empty, by Robert Crais (Putnam)
The Savage Noble Death of Babs Dionne, by Ron Currie (Putnam)
The Lizard, by Domenic Stansberry (Molotov Editions)

Expect to hear news of the winner later this summer. Lists of previous Hammett Prize nominees and recipients are available here.

• Believe it or not, among the 13 novels on this year’s longlist of Booker Prize nominees is one plucked straight from the crime/thriller category: All Them Dogs (Riverhead), by Irish fictionist Djamel White. The award’s Web site calls it “by turns savage, thrilling and unexpectedly tender, ... a gripping story of violence, lust, and greed that explores one man's struggles to find his place in an unsparing world.” Whether All Them Dogs will find a place on the Booker shortlist, slated to be revealed on September 22, is anybody’s guess.

• Following this year’s release of A River Red with Blood, the 23rd outing for cop-turned-P.I. Charlie Parker, John Connolly explains in his latest newsletter that his next novel—due out in May 2027—will be The Castle, “a standalone thriller with political overtones, set in a Connecticut suburb in 1973.” He goes on to say:
The Castle is a safe haven, a gated community in a U.S. nation troubled by the war in Vietnam, political assassinations, and the growing shadow of Watergate. For the disillusioned publisher Hamer, it is an escape from a world that has disappointed him.

But something is very wrong in the Castle. A teenage boy has gone missing. There are thefts, threats, shootings. Hamer has begun to fear the Castle may not be so safe after all, and he and his neighbors are the targets of a conspiracy with a single purpose: to destroy five families and punish them for the sins of their children. And one of those families could be his own.
Connolly calls this “a book about secrets: the secrets of the state, the secrets of families, and perhaps the secrets we hide even from ourselves. I’ve been working on it for three years now, and I think—I hope—that it’s about as good a thriller as I can write.”

• If you haven’t yet noticed, my Killer Covers blog is currently rolling out a succession of posts celebrating private eyes.

• I’m a huge fan of stories that illuminate small, seemingly insignificant aspects of crime-fiction storytelling. So Olivia Rutigliano’s new CrimeReads piece, “The 8 Best Fake Crime Novels in Film and TV, Ranked,” is right up my alley.

• The debut of Amazon Prime’s Reacher, Season 4, is teed up for Wednesday, August 12. This latest run of eight episodes will be based on Lee Child’s 2009 novel, Gone Tomorrow. It finds Reacher (played by Alan Ritchson) having “a chance encounter with a distraught stranger on a train [that] goes horribly wrong,” only to see our hero “drawn into a complex and deadly game that pits him against ruthless foes from the highest echelons of power.” A trailer for Reacher is below.



• The program is already looking ahead to its next season. “Amanda Ip, Jay Baruchel, Ciara Bravo and Kevin Durand will star opposite Alan Ritchson,” says The Hollywood Reporter, “as Reacher in the fifth season ... will be based on Lee Child’s novel Make Me. The series ... will catch up with Ritchson’s title character after his train stops in the mysterious town of Mother’s Rest where he teams with a private investigator in the search for a missing person.”

• Meanwhile, watch for the premiere of Prime’s Reacher spin-off series, Neagley, starring Danish actress Maria Sten as the most dangerous operative among Jack Reacher’s Special Investigators, on Wednesday, September 16. (It has its own trailer here.) And Kill Zone, the third entry in Dan Ames’ Frances Neagley novel series, is due out on August 17, with another, Blow Back, coming in November.

• In other television news, The Chelsea Detective, with Adrian Scarborough and Vanessa Emme, will return to Acorn TV for a fourth season on Monday, August 10. A trailer and brief synopses of the four new 90-minute episodes can be found here.

• Max Allan Collins reports that Death by Fruitcake, his 90-minute indie film that brings to life main characters from the Trash ’n’ Treasures mystery series he’s been penning for almost two decades with his wife, Barbara (under their joint pseudonym, Barbara Allan) recently debuted on the streaming TV service Tubi.

Deadline brings word that “Cooper & Fry are heading to the U.S. after streamer BritBox snapped up the British crime drama. The show has performed well on Paramount-owned broadcast network 5 in the UK and now has a U.S. home. BritBox has snagged Season 1 of the show for U.S. and Canada, while Netflix has taken second window UK rights. Adapted from Stephen Booth’s bestselling detective novels, Cooper & Fry follows unlikely detective duo Ben Cooper and Diane Fry, played by Robert James-Collier (Downton Abbey) and Mandip Gill (Doctor Who). Set in and around England’s picturesque Peak District, the series follows Cooper, who is struggling to emerge from the shadow of his late father, while Fry is an outsider fleeing tragedies in her past. Together, they tackle grisly crimes in the remote countryside.” All eight episodes of Season 1 will drop on Monday, August 17; look for a one-minute trailer here. A second season has already been commissioned, with episodes adapted from Booth’s novels The Devil’s Edge, Fall Down Dead, One Last Breath, and The Murder Road

Maigret, based on Georges Simenon’s many mysteries, will return to PBS-TV’s Masterpiece rotation for a sophomore season beginning on Sunday, October 18. Benjamin Wainwright (Belgravia: The Next Chapter, Lord of the Rings: War of the Rohirrim) reprises his lead role as French police detective Jules Maigret, with Stephanie Martini (The Gold, Last Kingdom) playing his wife, Louise. What can we expect from the half-dozen new episodes? PBS offers this plot brief:
An epic power struggle is happening in La Brigade Criminelle in Maigret Season 2. Maigret’s boss, Director of Police Xavier Guichard, has become suspicious of Maigret’s methods and decides to ‘take him down a peg.’ One of Maigret’s colleagues leaves, another is transferred by Guichard and replaced by George Bonfils, who is immediately unpopular with Les Maigrets. As Maigret investigates new crimes, the line between guilt and innocence is blurred. The unconventional detective will have to work out his own unique form of justice for victims and perpetrators alike.
These stories are adapted from Simenon’s The Hanged Man of Saint-Pholien, Maigret’s Revolver, and The Yellow Dog.

• Agatha Christie created the characters Thomas Beresford and his wife, Prudence (née Cowley), for her 1922 novel, The Secret Adversary. They carried on their detecting escapades through four more books, into the early 1970s. Their debut on television came in the 10-part, 1983-1984 series Agatha Christie’s Partners in Crime, starring Francesca Annis and James Warwick. A terrific six-episode show, Partners in Crime, resurrected the pair in 2015, this time portrayed by David Walliams and Call the Midwife’s Jessica Raine in a drama set during the 1950s. Now, Britbox has scheduled a six-part reboot, Agatha Christie’s Tommy & Tuppence, to commence airing on Tuesday, September 15. The action in this new TV serial takes place in the present day, with the private detective protagonists reimagined as on-and-off romantic partners. Antonia Thomas (The Good Doctor, Still Up) will play “spirited actress” Tuppence, while Josh Dylan (The Buccaneers, Mamma Mia 2) portrays Tommy, “a meticulous and charming crime writer.” Mystery Fanfare furnishes a video preview.

According to In Reference to Murder, “Morgan Spector is in talks to headline Netflix’s series adaptation of Dan Brown‘s latest novel, The Secret of Secrets, tackling the role of Professor Robert Landgon played by Tom Hanks in the film versions. Rebecca Hall (The Town) is also in talks for the female lead opposite Morgan. Spector already stars in HBO’s The Gilded Age as railroad tycoon George Russell, but sources say he would be able to do both series with proper scheduling should Gilded Age get renewed for a fifth season. In The Secret of Secrets, symbologist Robert Langdon (Spector) races against ancient forces and time to rescue his girlfriend, missing scientist Katherine Solomon (Hall), and her groundbreaking manuscript whose discoveries have the power to forever change humanity’s understanding of the mind. If the deals come to fruition, it will mark the first TV series acting collaboration for real-life couple Spector and Hall, who have starred together in a handful of plays and movies, including the Broadway revival of Machinal, Christine, and Permission.”

• And Icelandic author Lilja Sigurðardóttir has reached a deal with Germany’s ZDF Studios and Iceland producer Glassriver to translate her five “Áróra Investigation” novels for the small screen. Variety delivers this synopsis of Sigurðardóttir’s popular yarns: “Set across Iceland and London, the series follows Áróra, a tough fraud investigator with Icelandic roots who returns home to search for her missing sister. What begins as a family mission soon expands into a wider criminal investigation as she teams with Daniel, an Icelandic police detective and potential love interest, exposing corruption, betrayal and violence beneath Iceland’s rugged landscape.”

• It seems every time I think about how many free hours I might gain by signing off from Facebook, that social-networking site dispenses some fresh nugget of information I didn’t know I needed. Case in point: A post from somebody named Donald Bishop, who writes:
If you ever wondered who that beautiful young woman was who was running down the beach combing her hair and then turning to face the camera in the opening of [the original] Hawaii Five-O, now you know, her name is Elizabeth Logue. She is a native Hawaiian, apparently still alive. Her full name is Elizabeth Louise Malamalamaokalani White Logue. Apart from that iconic shot in the intro, she has only 2 other screen credits to her name. In 1961, she had a role in a low-budget Italian exploitation film shot in Tahiti called Nude Odyssey. Her only other part was in the Julie Andrews/Max Von Sydow film Hawaii, based on James Michener’s novel of the same name. She also did a short promotional film for the state of Hawaii to lure tourists to the island paradise.
Below is a compilation of opening sequences from Hawaii Five-O’s 12 seasons as part of CBS’s prime-time line-up (1968-1970).



• Speaking of Facebook, Frederick, Maryland-based publisher Level Best Books declared there weeks ago that it has formed Level Best Books UK, “a wholly owned subsidiary based in London that will serve as the publisher's official presence in the United Kingdom and represent the company's interests throughout Great Britain.” The venture “will be led by Shawn Reilly Simmons, publisher and CEO of Level Best Books, and internationally acclaimed mystery author Martin Edwards, who will serve together as co-directors.”

This “collaborative mystery” from Britain’s Detection Club should be fun. Sadly, we must wait until 2028 for its appearance.

• I’m quite behind in drawing reader attention to Frank Gregorsky’s fine Detective Drama Gems. Issue 18 marks the start of that publication’s sixth year, and contains background on the 1961-1962 ABC-TV series The New Breed, as well as the Canadian cop drama Night Heat (1985-1989) and “Fade in to Murder,” a memorable 1976 episode of Columbo that pitted Peter Falk’s shabby but clever Los Angeles police lieutenant against former Star Trek captain William Shatner, who played the self-obsessed star of a TV detective show. Issue 19 celebrates the radio version of Dragnet, the 1966-1969 ABC program Felony Squad, and another episode of Night Heat. The next edition of Gems is expected in November.

• Published and unpublished works alike have achieved wins in this year’s contest for the Daphne du Maurier Awards for Excellence in Mystery/Suspense, sponsored by the Kiss of Death Chapter of Romance Writers of America. Click here to see the full results.

• A new crime-fiction periodical is to be launched soon! Beginning in October (so, in time for it to be heavily promoted at Bouchercon in Calgary), SMFS Mystery Magazine will appear three times a year featuring content from some familiar members of the Short Mystery Fiction Society. In addition to short stories, the mag is expected to incorporate interviews by Kevin Tipple and M.E. Proctor, and reviews by June Lorraine Roberts and Mat Coward. I’m guessing we will hear more about buying subscriptions once we get closer to the publication date. The cover of Issue 1 is embedded on the left.

• Hot off the presses (or at least still warm) is the Summer 2026 “Mysteries Set in France” edition of Mystery Readers Journal. Grab a copy for yourself here. And note that this follows a similarly themed number of the magazine from the spring of 2012, which looks to be available now only in PDF format.

• The next issue of MRJ will address the topic of “Cross-Genre Mysteries.” Submissions of articles, reviews, and author essays are due by August 20. Guidelines can be accessed here.

• This is good news, indeed! Scottish novelist Peter May wrote recently on Facebook (yeah, damn Facebook again!): “I know that I indicated strongly that The Black Loch [2024] would be my last book. But I also said, never say never. So there’s going to be just one more.” His post also drops “some visual clues” to a location he suggests is “very similar” to an imaginary one featured in Island of the Dead, set to go on sale from Riverrun next January.

• Sometime Rap Sheet contributor Peter Handel hatched his own blog almost a year ago. It’s called Carnivorous: A Steady Diet of Crime Fiction and has of late brought forth a couple of interviews destined to reward your scrutiny. The first is with Amy Bloom and focuses around Blunt Instrument (Mysterious Press), which marks her entry into the mystery-fiction world. The second finds Handel talking with Greg Shepard, the director of vintage publisher Stark House Press. Bookmark Carnivorous, if you have not already done so.

• Finally, we must say good-bye to some people who greatly impacted this field of fiction. Gail Bowen, the Canadian author of more than 20 novels starring Joanne Kilbourn, a political science professor in Saskatchewan with a sideline in solving crimes, passed away on June 25 at age 83, “following a brief battle with cancer.” Japanese writer Keigo Higashino, who reportedly produced 106 books during his lifetime, but may be remembered best for his Detective Galileo mysteries (The Devotion of Suspect X, etc.), perished on July 23 as a result of colorectal cancer; he was 68 years old. And Joanna Pettet may have been a London-born actress, rather than a wordsmith, but her contributions to crime and mystery fiction were still important. She guested on such boob-tube series as The Fugitive, Mannix, The Delphi Bureau, Banacek, Harry O, and Murder, She Wrote, and played “the scantily clad Mata Bond,” daughter of David Niven’s James Bond, in the 1967 spy parody Casino Royale. Pettet was 83 when she died in Temecula, California, on July 7.

Wednesday, June 10, 2026

Bullet Points: No AI Content Here Edition

• Albert Finney, Peter Ustinov, Kenneth Branagh, David Suchet, Alfred Molina, John Malkovich, even Tony Randall—over the decades, they have all portrayed Agatha Christie’s most famous fictional private detective, Hercule Poirot, on the large or small screens. But now 33-year-old English actor Edward Bluemel (Killing Eve, My Lady Jane, Agatha Christie’s Seven Dials) is stepping into the role of that fastidious, mustachioed Belgian in Hercule, a BBC/Britbox TV reboot set to start filming in Liverpool, England, this summer and expected to premiere with six episodes in the latter half of 2027. Deadline says “there is a three-season commitment to Hercule,” though that has not been confirmed by either of the production partners. The show is being described as “an intimate study of Hercule the man and an epic portrait of Britain between the wars. The series takes a magnifying glass to three of Christie’s most celebrated stories, while also charting Hercule’s burgeoning friendship with Captain Arthur Hastings, his early encounters with Scotland Yard’s James Japp, and introducing him to one particular nemesis.” Deadline adds that “Responsibility for adapting Christie’s work has fallen to Benji Walters, a relatively unknown writer who has credits on BBC series Noughts + Crosses and spent time developing an adaptation of Brideshead Revisited with Call Me by Your Name director Luca Guadagnino in 2020.”

• By the way, did you know that Christie’s third and probably most famous Poirot novel, The Murder of Roger Ackroyd, celebrates its centennial this month? The story was serialized as Who Killed Ackroyd? in the London Evening News between July and September 1925, then released in book form by UK publisher Williams Collins, Sons in June of 1926. (An American edition soon followed.) While Ackroyd—with its deliberate subversion of reader expectations—may not be the perfect place to start in exploring Christie’s extensive oeuvre (instead, try And Then There Were None or a later Poirot tale such as Death on the Nile), it is nonetheless acclaimed for its shell-game plotting and final twist. In his well-respected 1941 study of this genre, Murder for Pleasure: The Life and Times of the Detective Story, American writer-editor Howard Haycraft placed Ackroyd in the 16th spot on his list of “the best and most influential” crime novels in print, right behind Christie’s first Poirot yarn, The Mysterious Affair at Styles (1920).

• Although the “news” is less than timely, let me just point out that Mike Lawson has won 2026’s Spotted Owl Award for Untouchable (Atlantic Monthly Press ), his 18th novel about Washington, D.C., troubleshooter Joe DeMarco. By my count, this is the third occasion on which Lawson has scored the Owl, an honor handed out annually by the Portland, Oregon-based Friends of Mystery fan organization to what it deems was the Best Pacific Northwest Crime Novel published during the previous year. Also in contention were Marc Cameron’s Deadline, Robert Dugoni’s A Dead Draw, Sam Wiebe’s The Last Exile, Elizabeth George’s A Slowly Dying Cause, James Bryne’s Chain Reaction, Daniel Kalla’s The Deepest Fake, J.A. Jance’s Overkill, Phillip Margolin’s False Witness, and Nolan Chase’s A Lonesome Place for Murder.

• As you have probably heard, Netflix’s The Lincoln Lawyer will end its run after Season 5, which is due for streaming next year. The concluding 10 episodes are “inspired by” Michael Connelly’s Resurrection Walk (2025), the seventh installment in his series about L.A. defense attorney Mickey Haller, played on the show by Mexican actor Manuel Garcia-Rulfo. Netflix supplies this plot description:
Mickey Haller’s world is upended when the half-sister he never knew existed, Emi [Cobie Smulders], comes to him with a plea to help free a wrongfully convicted woman. In a season defined by blood ties and buried secrets, Mickey takes on a grueling habeas petition to overturn a six-year-old murder conviction, but the deeper he digs, the more nefarious the forces arrayed against him become.

Meanwhile, the stakes rise for his trusted team as Lorna [Becki Newton], Izzy [Jazz Raycole], and Cisco [Angus Sampson] step up to tackle high-profile challenges of their own. Having just saved himself from a wrongful conviction in Season 4, Mickey is now determined to set right an enormous miscarriage of justice. But as he unravels a dangerous web of corruption and lies, he must grapple with the fractured legacy of his family—both his chosen family and the family he never knew he had.
Lincoln Lawyer’s departure from its schedule has left Netflix looking for a legal-drama replacement to satisfy viewers. One option might be And Justice for All, a series based on Al Pacino’s powerful, Emmy-nominated 1979 film of that same name. Deadline depicts it as “a gritty look at an idealistic attorney’s flawed life as he struggles to fight a corrupted legal system until he finally snaps.” The program will be scripted by Jeremy Miller and Dan Cohn (That Was Then).

• Concurrently, Lincoln Lawyer creator David E. Kelley is adapting another Connelly work for television, the 2025 novel Nightshade. Deadline says, “The project, titled Welcome to Catalina, is in development at HBO Max under the streamer’s model for drama procedurals intended to return each year with sizable orders and moderate cost. … Written by Kelley, Welcome to Catalina centers on Los Angeles County Sheriff’s Detective Stilwell who has been ‘exiled’ to a low-key post policing [Southern California’s] rustic Catalina Island. But while following up the usual drunk-and-disorderlies and petty thefts that come with his new territory, Stilwell gets a report of a body found weighed down at the bottom of the harbor.” There’s no word yet on when Welcome to Catalina might be welcomed to your big-screen set, but if it proves a winner, there’s at least one other Stilwell story to turn into a screenplay: Connelly’s Ironwood, which reached U.S. bookstores only last month.

• Sherlock Holmes’ arch-rival, Professor James Moriarty, is finally getting a TV series of his own, in which he will demonstrate his previously undisplayed array of sleuthing skills.

• Are these really the 20 greatest film sleuths of all time?

• It’s always great to see Donald E. Westlake’s storytelling mastery recognized, as The Daily Telegraph’s Jake Kerridge does in this recent essay reprinted by MSN. But how fragile is fame, that the headline labels Westlake—who just died back in 2009 (see our tributes here and here)—“The greatest crime novelist you have probably never heard of.”

• And the crime-fiction community has seen other deaths of late. Actress-turned-writer Sheila Keating (née Mitchell), who for almost six decades was wife to the English crime novelist H.R.F. Keating (creator of the Inspector Ganesh Ghote series), passed away on June 4 just short of her 101st birthday. Canadian fictionist Alan Bradley, the author of a dozen books in the Flavia de Luce mystery series (beginning with 2009’s The Sweetness at the Bottom of the Pie) died on the Isle of Man in the Irish Sea on May 18 at age of 87. Finally, Dennis McMillan, a San Francisco small-press publisher of “the hard-boiled, the noir, and the strikingly unusual,” met his end on May 5 in a Phoenix, Arizona, hospital. Among the authors McMillan published over the years were Kent Anderson, Michael Connelly, Fredric Brown, Leigh Brackett, James Crumley, and Rick DeMarinis.

(Hat tips to In Reference to Murder and Mark Coggins.)

Saturday, May 10, 2025

From the TV Front

Deadline reports that “The BBC and BritBox International have landed on Endless Night as their latest Agatha Christie adaptation from Sarah Phelps. Set in 1967, the book is neither a Poirot [n]or a Marple but follows man-of-many-trades Michael Rogers, who finds himself working as chauffeur for the enigmatic designer du jour Rudolf Santonix. Transfixed by Santonix’s latest project, a beautiful house in the English countryside, Mike dreams of meeting the love of his life and taking up residence. But unbeknownst to Mike, the house that he has set his heart on has a dark past that goes back for centuries.” There’s no casting news yet, but filming is expected to begin later this year.

• With the debut of Netflix’s Department Q expected on May 29, a trailer for that crime drama—based on Danish writer Jussi Adler-Olsen’s police procedural series (The Keeper of Lost Causes, etc.)—was released earlier in the week. This British adaptation, set in Edinburgh, Scotland, follows a previous series of Danish films adapted from Adler-Olsen’s novels about a once-respected homicide cop, Carl Mørck, demoted to cold-case investigations. Matthew Goode (Downton Abbey, Ordeal by Innocence) stars in the new program as detective Morck (now without the “ø”). The International Movie Database (IMDb) says nine episodes will comprise Department Q’s opening season.

• We learned last fall that Scottish actress Phyllis Logan (another Downton Abbey regular) will play Cora Felton, the author of a syndicated puzzle column, in The Puzzle Lady from UK broadcaster Channel 5. As The Killing Times says, this six-episode mystery—derived from the late Parnell Hall’s eight Puzzle Lady books—“begins when a strange murder takes place in the sleepy market town of Bakerbury. The local police are baffled by a crossword puzzle left on the body. With their case going nowhere, they turn reluctantly to Cora Felton, a recent arrival in Bakerbury; whose fame as the eponymous Puzzle Lady suggests she can help DCI Hooper [to be played by Adam Best] and the Bakerbury police solve its first murder case. But the eccentric Cora isn’t who she claims to be, and as she throws herself into a murder case that has the town’s residents baffled, she starts to gather allies and enemies in equal measure.” No premiere date has been announced, but it’s expected to be sometime in 2025.

• And though this has sod all to do with crime fiction … Did you know that a third and last Downton Abbey theatrical release is coming in September of this year? I first heard about it while looking for information about Logan and The Puzzle Lady. With the exception of Maggie Smith, who died in late 2024, the majority of Downton cast members are to return in the coming movie, appropriately titled Downton Abbey: The Grand Finale. While I was slightly disappointed in the second picture (2022’s Downton Abbey: A New Era), you can bet that as a longtime fan of the original 2010-2015 TV program, I shall be buying tickets as soon as possible to see this third sequel.

Saturday, May 03, 2025

Bullet Points: Tariffs-Free Edition



• Who should be the next cinematic Bond? With Daniel Craig having departed the role of James Bond following 2021’s No Time to Die, speculation on which actor might next play Ian Fleming’s famous British superspy has revolved at various times around Henry Cavill, Tom Hardy, Idris Elba, Jack Lowden, and even 21-year-old Louis Partridge. CrimeReads’ Olivia Rutigliano has her own suggestion: “Joshua Bowman, the charming English actor who played Krasko on Doctor Who, and Daniel Grayson on ABC’s Revenge.” While I’m not yet on board with Bowman as Agent 007, I heartily endorse her idea that the next movie should be set in the 1950s, pre-Sean Connery. Remember that the ending of No Time to Die makes it pretty ridiculous to resurrect that protagonist for further feats in the 2020s. So why not return Bond to his roots, at the height of the Cold War? “It could be an origination story of the character,” writes Rutigliano, “rather like how Craig’s era rebooted the franchise with Casino Royale and used the Vesper Lynd love story as a consistent anchor for Bond’s choices, across multiple films. This could do something like that, with a nostalgic temporal re-contextualization that could stand out in a franchise that has historically insisted on contemporaneity.” Hey, everyone over at Metro-Goldwyn-Mayer Studios and Amazon (which now owns the intellectual property rights to Bond), are you listening?

• Meanwhile, The Spy Command’s Bill Koenig notes that “This year marks the 60th anniversary of Thunderball, the fourth Bond film and the apex of the 1960s spy craze.” He also alerts us to a Bond fan event, Gatherall at Goldeneye, set to take place in Jamaica this coming fall, and mentions that a new, expanded edition of Joseph Darlington’s 2013 book, Being James Bond: Volume One, is coming in August—though there’s not yet an Amazon “pre-order” link to share.

• Do you know the retro film and TV Web site Modcinema? I’ve ordered low-cost, made-on-demand DVD copies of forgotten small-screen features from that enterprise before, but its latest newsletter alerts me to a wealth of new offerings. Among them: the 1972 teleflick Assignment: Munich, which spawned Robert Conrad’s short-lived show Assignment: Vienna; a three-disc set containing all five episodes of the 1978 series Richie Brockelman, Private Eye starring Dennis Dugan; three episodes (including the pilot) of Cool Million, the James Farentino series that was one spoke of the NBC Wednesday Mystery Movie “wheel series” (two additional eps can be found in this set); and Fame Is the Name of the Game, the 1966 made-for-television picture starring Tony Franciosa, which “served as the pilot episode of the subsequent series The Name of the Game.”

• As a longtime follower of Peter Falk’s NBC Mystery Movie series, I’m surprised this February release didn’t hit my radar before now: Columbo Explains the Seventies: A TV Cop’s Pop Culture Journey, by Glenn Stewart (Bonaventure Press). UPDATE: Stewart tells The Columbophile about what inspired him to write this book.

• My suspicion is there aren’t many people around these days boasting solid memories of the 1980 ABC-TV action series B.A.D. Cats. As Wikipedia recalls, that Douglas S. Cramer/Aaron Spelling production starred Asher Brauner and Steve Hanks as “two former race car drivers who joined the Los Angeles Police Department as part of the ‘B.A.D. C.A.T.’ Squad (a double acronym for ‘Burglary Auto Detail–Commercial Auto Theft’).” Then 21-year-old Michelle Pfeiffer appeared on the program too, playing Officer Samantha “Sunshine” Jensen, who “would occasionally lend a hand when a more feminine approach was called for.” B.A.D. Cats didn’t last long; it was cancelled in February 1980 after a pilot (which you can view here) and five other episodes had been broadcast. But as Vintage Everyday observes, the show was an important stepping stone on Pfeiffer’s path to Hollywood renown. A few days ago, that blog posted almost four dozen promotional photos of her from B.A.D. Cats, which it says demonstrated “Pfeiffer’s youthful charm and emerging star quality.” The actress would go on to play a different breed of bad cat in Batman Returns (1992).

• While I greatly enjoyed Netflix’s first two Enola Holmes movies (in 2020 and 2022), based on the middle-reader mysteries by Nancy Springer, I forgot there was to be another. Variety brings the news that its production is already well underway. “The third instalment,” that publication explains, “sees adventure chase Enola Holmes to Malta, where, according to the description, ‘personal and professional dreams collide on a case more tangled and treacherous than any she has faced before.’” As in the previous pictures, Millie Bobby Brown will play Sherlock Holmes’ teenage sister. There’s no release date yet.

• This item comes from In Reference to Murder:
Wallander, the globally acclaimed Swedish detective drama, is getting “a modernized and reimagined reboot” with Gustaf Skarsgård (Oppenheimer, Vikings) playing the iconic role. The first season of the new Swedish-language adaptation will comprise three 90-minute films and will see Kurt Wallander, now 42, recently separated, after two decades of marriage, and estranged from his daughter. On the edge as his life seemingly unravels, Wallander drinks too much, sleeps too little, and carries the weight of every unsolved case.

Penned by bestselling author Henning Mankell, the Wallander novels have sold over 40 million copies and been translated into more than 40 languages. The original Swedish series and film adaptations, which aired between 1994 and 2013, garnered wide international success and were followed by a British mini-series adaptation starring Kenneth Branagh that earned him a BAFTA for his portrayal of the detective.
• Sunday, June 15, will bring the return of Grantchester to PBS-TV’s Masterpiece Mystery! timeslot. Mystery Fanfare has the trailer for Season 10 of that historical whodunit.

• As Saturday Evening Post columnist Bob Sassone writes, “Dragnet’s Officer Bill Gannon (Harry Morgan) was known for the food he ate, which often confused and worried his partner Joe Friday (Jack Webb). Barry Enderwick of the terrific Sandwiches of History decided to try it, at the suggestion of many of his fans.” Watch the video here.

• The small-screen period crime drama Peaky Blinders is coming back! So are the rebooted Bergerac and the Death in Paradise spin-off Return to Paradise (even though I haven’t seen either of their opening seasons yet). And Acorn TV has scheduled the two-episode premiere, on Monday, June 9, of Art Detectives, which “revolves around the Heritage Crime Unit, a [UK] police department hired to solve murders connected to the world of art and antiques.”

• I was a huge fan of Leverage, the 2008-2012 TNT-TV crime caper series starring Timothy Hutton, Gina Bellman, Aldis Hodge, Christian Kane, and Beth Riesgraf. I must have watched every episode four times or more! Yet when that show was revived in 2021 as Leverage: Redemption, with Noah Wyle replacing Hutton, I hesitated tuning in, partly because I wasn’t sure I could believe the “gang” being a decade older and still as active. I think I’ve seen only two episodes of Redemption, and I completely missed the news that it had been renewed for a third season. The first three of 10 new installments aired on April 17, with more to come every Thursday through June 5. I guess it’s time I started catching up! See the trailer below.



• The Web site Geek Girl Authority (yeah, I’d never heard of it until today either) features a review of Leverage: Redemption, Season 3, plus this tribute to my favorite Leverage team member, Riesgraf’s prodigiously eccentric Parker, “truly the world’s greatest thief.”

• Speaking of TV trailers, CrimeReads has posted one for Season 2 of Poker Face, the crime comedy-drama starring Natasha Lyonne as Charlie Cale, “a casino worker on the run who entangles herself into several mysterious deaths of strangers along the way.” That show will return to the streaming service Peacock on Thursday, May 8, with 12 new episodes (two more than were broadcast in 2023).

• And while you are at CrimeReads, enjoy these three other posts that went up there recently: Patrick Sauer’s salute to Tony Rome, the South Florida gumshoe introduced in 1960’s Miami Mayhem by Marvin H. Albert, and a character Frank Sinatra played in a couple of “groovy” films; Christopher Chambers’ case for reading F. Scott Fitzgerald’s The Great Gatsby (which celebrated its 100th anniversary earlier this month) as noir; and Scott Montgomery’s look back at the first quarter-century of Stark House Press’ efforts to return to print many hard-boiled authors and novels from the 1950s and ’60s.

• Thomas Pynchon has a new private-eye novel coming in October!

• National Public Radio weekend host Scott Simon interviews film historian Jason Bailey about his brand-new biography, Gandolfini: Jim, Tony and the Life of a Legend (Abrams Press). That book is being promoted as “a detailed and nuanced appraisal of an enduring artist,” Jim Gandolfini, who was apparently quite different from the New Jersey Mafia boss he played on HBO’s The Sopranos.

• Why can’t the United States have nice things like this? The British Writers’ Association and the Reading Agency, a UK charity, have jointly organized National Crime Reading Month (NCRM) in June. “This year,” says a press release, “it opens with an exclusive online panel, The Lives of Crime, featuring bestselling crime authors. On 4 June at 6 p.m., the CWA chair and bestselling author, Vaseem Khan, will host authors Fiona Cummins, Adele Parks, and Penny Batchelor in the free online panel event.” They’ll be talking about “the genre’s universal appeal—from psychological thrillers to cozy mysteries—and how it creates accessible pathways to reading for audiences who might otherwise never discover the joy of books.” (Click here to register.) Beyond that presentation, NCRM will offer “over a hundred local author events and talks that run throughout June across the UK and Ireland, which take place in libraries, theatres, bookshops and online.” A page devoted to keeping track of NCRM events is available at this link.

• I am way behind in reading Paperback Warrior’s occasional “primers” on vintage crime novelists and pulp-fiction characters. The latest entry in that series recalls Kendell Foster Crossen (1910-1981), who “wrote crime-fiction novels under the name of M.E. Chaber, a pseudonym he used to construct the wildly successful Milo March series from the mid-1950s through the 1970s.” Fun stuff! UPDATE: Another such primer has just “gone live,” this one relating the background of Charles Williams, who “authored 22 books and was one of the best-selling writers in the Fawcett Gold Medal stable.”

• Historical mystery novelist Jeri Westerson used to produce a blog called Getting Medieval, offering interviews and articles—only to suddenly delete that journal from the Web, leaving links at other sites broken. She says now that “it was too much work and social media was rising.” Recently, though, Westerson decided to return to blogging. She has subsequently posted several author exchanges of interest. Gary Phillips, James R. Benn, and Rebecca Cantrell have all fielded questions from her. I hesitate slightly to link to these conversations, leery of their also disappearing someday, but transience is unfortunately a Web foible.

• Is this creative or creepy? From The Hollywood Reporter:
BBC Studios, the commercial arm of British broadcaster BBC, and the Agatha Christie estate have teamed up to launch a writing course on education-focused streaming service BBC Maestro taught by Christie herself. Well, to be precise, it is taught by the queen of crime, brought to life by actress Vivien Keene and AI, using the author’s own words.

“In a world first, Agatha Christie—best-selling novelist of all time—will be offering aspiring writers an unparalleled opportunity to learn the secrets behind her writing, in her own words,’ the partners said. ‘Using meticulously restored archival interviews, private letters and writings researched by a team of Christie experts, this pioneering course reconstructs Christie’s own voice and insights, guiding you through the art of suspense, plot twists and unforgettable characters.”
James Prichard, Christie’s great-grandson and the CEO of Agatha Christie Limited, is quoted in The Guardian as saying that the educators and researchers behind this subscription-based video series “extracted from a number of her writings an extraordinary array of her views and opinions on how to write. Through this course, you truly will receive a lesson in crafting a masterful mystery, in Agatha’s very own words.” OK, maybe it’s creative, after all.

• I have given precisely zero thought to what might be the “best crime novels of 2025 … so far.” However, both The Times of London and The Week have already shared their favorites.

• Over at my Killer Covers blog, I’ve written a great deal about the American artist Robert McGinnis this year, both prior to his demise in March (at age 99!), and after. But author Max Allan Collins had his own memories to share, in this post that talks about how he scored an unusual number of McGinnis’ paintings for use on his novels about the hired killer known only as Quarry.

• Can we ever get enough of Belgian author Georges Simenon’s Jules Maigret mysteries? Penguin Books has been publishing paperback versions of them over the last decade, and has brand-new editions set to become available beginning in July. And now the U.S. imprint Picador is joining in the game, launching its own Maigret lineup this month. Over the next three years, Picador says, it too will reissue all 75 Maigrets, plus “thirty of his darker standalone ‘romans durs’ beginning March 2026.” Pietr the Latvian will reach stores on May 6, together with The Late Monsieur Gallet and The Hanged Man of Saint-Pholien, all of which originally saw print back in 1931. It may be time to clear some space on your bookshelves!

• This is a terrible loss—at least from my perspective. The annual Bulwer-Lytton Fiction Contest, which celebrated appallingly bad initial sentences to (fortunately) never-to-be-completed books, is no more. Scott Rice, who, as an English professor at California’s San Jose State University, founded the competition in 1982, says he finds it “becoming increasingly burdensome and [I] would like to put myself out to pasture while I still have some vim and vigor!” The Rap Sheet has posted many of the winners over time, and we’re sorry not to be able to keep up that tradition for decades more to come.

• California author J. Sydney Jones produced half a dozen books in his Viennese Mysteries series, beginning with The Empty Mirror (2008) and ending—it was presumed—with The Third Place (2015). They were complicated and propulsive stories of crime in the Austrian capital that took place during the very early 20th century, had as their leads lawyer Karl Werthen and real-life criminologist Doktor Hanns Gross, and seemed to fare well in the marketplace. However, Jones writes in his blog, “The original series stopped after book six. I had originally planned it for another three to four installments. But other projects came up, other publishers.” The author nonetheless returned to that series during the COVID-19 pandemic, penning a “capstone” titled Lilacs of the Dead Land, which he published in February of this year—a novel that somehow managed to avoid my radar. He calls it “a stirring historical thriller set in Austria shortly after the German annexation, or Anschluss, of March 1938.” As one who very much appreciated his Viennese Mysteries, I’ll want to find a copy soon.

• It should be mentioned that one of those “other projects” Jones embarked upon was a new crime series, set on California’s central coast during World War II and adopting as its protagonist a wounded former New York City police detective, Max Byrns. The second Byrns book, Play It in Between (Werthen Press), debuted in April.

• April 17 brought the presentation, at New York City’s New School, of the 37th annual Publishing Triangle Awards celebrating “LGBTQ+ literary excellence.” During that event, Massachusetts author and creative writing professor Margot Douaihy was given the Joseph Hansen Award for LGBTQ+ Crime Writing for her second Sister Holiday novel, 2024’s Blessed Water (Zando/Gillian Flynn Books). Hansen, you will remember, penned a dozen novels in the late 20th century starring gay death claims investigator Dave Brandstetter.

• Just as “authors hitting the best seller list are approaching gender equality for the first time,” a new independent press in Great Britain proposes to center its business on male writers. Reporting on this development, Lit Hub’s James Folta acknowledges that “female authorship is on the rise, especially recently,” but he adds, “to conclude that men therefore need an urgent champion seems naïve and near-sighted. To look at this trend or, perhaps more accurately, to feel the vibes and conclude that male authors are in danger is pushing it. Male authors going from 80% to 50% of the market is far from a crisis in need of another intervening corrective.”

• And here’s one more instance of a blog rising from the dead. The Stiletto Gumshoe debuted back in November 2018, focusing on crime and mystery fiction and the artwork associated with same. But it went dormant just two years later, with its author, C.J. Thomas, apologizing that “some troubling ‘real-life’ issues need to be wrestled with right now, so there’ll be a break from blogging here for a while. Hope to be back soon …” Soon was not soon at all. When The Stiletto Gumshoe finally disappeared altogether from the Internet (forcing me to substitute links to its posts from The Wayback Machine), I struck it from this page’s lengthy blogroll, too. Then, just as abruptly as it was gone, Thomas’ creation returned! This last April 23, Thomas put up a tribute to Sergeant DeeDee McCall, the role Stepfanie Kramer played in the 1980s TV crime drama Hunter. He has followed that with posts about the 1950 film noir Where Danger Lives, J. Robert Lennon’s new Buzz Kill, French 1980s print ads from DIM Paris, and much more. Welcome back, C.J., I hope you can stick around this time.

Monday, February 24, 2025

Turning the Dial

Amid all of my (mostly self-imposed) reading responsibilities, I have not been keeping up with what television offers. Only recently, for instance, did I finally tune in the seven-episode, 2024 AppleTV+ adaptation of Laura Lippman’s novel Lady in the Lake. And last night, I began watching Season 3 of Prime Video’s Reacher, which stars the terrific Alan Ritchson and is based on Lee Child’s seventh Jack Reacher novel, Persuader. I’m hoping this latest eight-episode run of Reacher will combine humor, character development, and action in a manner similar to the balance achieved in Season 1.

Meanwhile, debuts steam ahead (or should that be “stream” ahead) without a moment’s concern for my schedule:

• Agatha Christie’s 1944 crime novel Towards Zero has been translated into a star-spangled three-part small-screen drama set to commence showing on the UK’s BBC One on Sunday, March 2. BritBox will carry it in the States, but at a not-yet-specified date.

A Cruel Love: The Ruth Ellis Story, with the captivating Lucy Boynton playing an “infamous murderess, the last woman to be hanged in the UK” in the mid-1950s), is headed to British boob tubes on Wednesday, March 5. I just read, though, that this four-part historical drama is already available via BritBox on this side of the pond! (See what I mean about not staying current?)

• Amanda Seyfried stars in Long Bright River as a Philadelphia police officer “determined to track down her missing, drug-addicted sister, while simultaneously untangling the mystery of who’s murdering young prostitutes in the district she patrols.” All eight installments of this show, based on Liz Moore’s 2020 novel of the same name, will drop on streamer Peacock come Thursday, March 13.

• The 2024 thriller A Remarkable Place to Die, starring Chelsea Preston Crawford as a police detective who, to quote Telly Visions, “returns to her home town of Queensland in New Zealand, which she both loves and hates,” debuted on Acorn TV on February 17. Four 90-minute installments will stream on Mondays through March 10.

• Last but certainly not least, British broadcaster ITV has commissioned a fifth season of Ben Miller’s Professor T before that mystery’s fourth series has even aired (on PBS-TV here in the States).

Saturday, November 16, 2024

Bullet Points: Packed Potpourri Edition

• Audible, the online audiobook/podcast service, has chosen its “10 best mysteries and thrillers of 2024” (all of them Audible releases):

Listen for the Lie, by Amy Tintera
First Lie Wins, by Ashley Elston
We Play Games, by Sarah A. Denzil (Audible Original)
The Teacher, by Freida McFadden
The Sequel, by Jean Hanff Korelitz
All the Colors of the Dark, by Chris Whitaker
We Solve Murders, by Richard Osman
The Safe Man, by Michael Connelly (Audible Original)
After You’ve Gone, by Margot Hunt (Audible Original)

(Hat tip the Deadly Pleasures Mystery Magazine.)

• CrimeReads seems to have launched what has become its annual rollout of top crime- and mystery-fiction picks, unaccompanied by fanfare, starting with Molly Odintz’s rundown of what she says are the 10 “Best Gothic Novels of 2024.”

• Mick Herron, author of the Slough House spy novels (from which Apple+ TV’s Slow Horses is being adapted) has been tapped as programming chair for the 2025 Theakston Old Peculier Crime Writing Festival, set to take place in Harrogate, England, from July 17 to 20.

• The third season of Dalgliesh, the fine British TV crime drama based on novels by P.D. James and starring Bertie Carvel, is scheduled to start airing on both sides of the Atlantic in early December. Click here to watch a trailer. The Killing Times explains that the three books being adapted this time are Death in Holy Orders, Cover Her Face, and Devices and Desires. “Each story will be a two-parter, mirroring previous series’ approach. In the first, [Detective Chief Inspector Adam] Dalgliesh travels to a remote seminary overlooking a windswept lake, where a body has been found gruesomely murdered, while the second will see him look into a murder in the Essex home of a staggeringly wealthy family with connections to the British government.” This third go-round for Dalgliesh will begin in the States on Acorn TV come Sunday, December 2, and in the UK on December 5.

• Meanwhile, UK broadcaster ITV has ordered up a second series of After the Flood, with Sophie Rundle set to reprise her lead role as small-town English copper Joanna Marshall. Six new episodes will find “newly promoted detective Jo Marshall on the trail of a baffling murder investigation,” reports The Killing Times. “As tensions simmer in Waterside amid the rising threat of moorland fires and the subsequent risk of further flooding, a body is discovered in bizarre circumstances. Jo’s race to stop the killer will put her in opposition to dark, influential forces within the town, and ultimately take her on a much more personal investigation. One that will require her to operate in secret if she is to have any hope of rooting out the corruption that has blighted the town’s police force—and her own family—for decades. Philip Glenister is also back as Jack Radcliffe and Lorraine Ashbourne is confirmed to return as Jo’s mother, Molly.”

Harry O fans, rejoice! Steve Aldous and Gary Gillies’ book, The Harry O Viewing Companion: History and Episodes of the Classic Detective Series (McFarland), is due out in early February of next year. I knew this work was in progress, but only just learned of its imminent publication. Here’s a contents description from Amazon:
In the golden era of 1970s TV detective shows, Harry O stood out. David Janssen, already renowned for his role in The Fugitive, played Harry Orwell, a San Diego cop who retired after being shot in the back. The chemistry between Janssen and Anthony Zerbe, who delivered an Emmy-Award winning performance as Lt. K.C. Trench, captivated viewers and contributed to the show's popularity. While Harry O was largely character-driven, it also featured compelling plots that retained the show's audience throughout its two seasons.

In this viewing companion to
Harry O, all episodes are covered, along with information about cast, crew, locations, and story analysis. The book contains examinations of archival material, including series creator Howard Rodman's papers. It also features new interviews conducted by the authors, providing insight into the creation of the series [plus an introduction by Les Lannom, who played private-eye wannabe Lester Hodges]. From the filming of the pilot episodes in 1972 to the show's cancellation in '76, the book offers a comprehensive history of each step in the show's development.
This book’s British co-author, Aldous, is an occasional Rap Sheet contributor, who previously penned The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films, and Television Series (McFarland, 2015). Gillies is a Scottish musician and record producer, as well as the co-creator of a theatrical production called Alien War. I’m dearly hoping to rope at least one of them into an interview for this blog, sometime closer to when their new book hits print.

• If you would care to revisit a Harry O tribute I wrote for CrimeReads a few years back, you will find that right here.

• Slate columnist Laura Miller disparages the clichés that riddle Amazon Prime’s new thriller TV series Cross, starring Aldis Hodge, yet she applauds that show’s racial awareness. “Apart from a few higher-ups in the police brass, all the significant characters in [Alex] Cross’ life are Black,” she writes, “and their social world—from family karaoke nights to house parties—feels warm, rich, and authentic.”

• Need more cozy crime in your life? Deadline brings word that streamer Acorn TV and Paramount‘s Channel 5 “are co-producing an adaptation of Reverend Richard Coles‘ bestselling book Murder Before Evensong. … Murder Before Evensong was published in 2022 and introduces Canon Daniel Clement, a rector of Champton who becomes embroiled in a murder case when a cousin to the church’s patron is found stabbed in the neck with a pair of secateurs.”

• Mark this down on your calendar: The Series 5 debut of Miss Scarlet (formerly Miss Scarlet and the Duke) to PBS-TV’s Masterpiece lineup will come on Sunday, January 12, 2025—though it will be accessible earlier (on December 8) to PBS Passport subscribers. With the departure of Stuart Martin, who played struggling London sleuth Eliza Scarlet’s childhood friend and sometimes rival in this show’s initial four seasons, Detective Inspector William “Duke” Wellington, we find Miss Scarlet (played by Kate Phillips) now returned to her own, finally thriving detective agency, but with a new Scotland Yard antagonist and potential love interest, Alexander Blake (Tom Durant Pritchard). Synopses of the new episodes, as well as a Season 5 trailer, can be found on the Masterpiece Web site.

• And on December 11, the Scottish crime drama Shetland will kick off its ninth-season run on streamer BritBox. That BBC One-originating series, which stars Ashley Jensen as Detective Inspector Ruth Calder and Alison O'Donnell as Detective Sergeant Alison “Tosh” McIntosh, has already been showing in the UK for the last two weeks. Mystery Fanfare says the latest half-dozen episodes will focus on “a double missing person’s case that ‘blurs the lines between the personal and the professional, as Calder and Tosh are drawn into a labyrinthine investigation’ … When Tosh’s friend, Annie Bett (Sarah MacGillivray), goes missing, Ruth Calder—now living in Shetland—has no time to recover from a life-threatening ordeal of her own, and instead teams with Tosh to search for Annie and her young son, Noah (Jacob Ferguson).” I don’t know whether I am ready for more of Shetland. The show started to change, to grow darker, after its sophomore season, when episodes were no longer being adapted from Ann Cleeves’ Jimmy Perez novels, and were instead scripted exclusively for the small-screen. Star Douglas Henshall giving up his role as Perez after the seventh season left a hole in the cast that hasn’t adequately been filled by Jensen, who plays yet another troubled/damaged TV police detective. I may have to move on.

• I don’t know much about this yet, only what I have read in Ayo Onatade’s Shotsmag Confidential blog:
CrimeFest, one of the UK’s leading crime fiction conventions, will feature an exclusive John le Carré event featuring the author’s two sons.

Considered one of the greatest novelists of the postwar era, the ‘Ghost of Honour’ panel sees le Carré’s son, Nick Harkaway, discuss his latest novel,
Karla’s Choice. In the book, Nick brought back one of his father’s most famous literary creations—George Smiley.

The panel also welcomes Le Carre’s older son, the film producer Simon Cornwell, who is the CEO and co-founder of the independent studio, The Ink Factory. He is currently executive producing the much-anticipated second season of
The Night Manager for Amazon and the BBC, starring Tom Hiddleston and Olivia Colman.
CrimeFest 2025 will take place in Bristol, England, May 15-18.

• Editor George Easter this week e-mailed
the Fall 2024 edition of Deadly Pleasures Mystery Magazine to online subscribers. Its contents include a cover feature about UK novelist Jo Callaghan (Leave No Trace), plus extensive lists of other recent and recommended crime/thriller novels from across the pond; Mike Ripley’s latest “Ripster Revivals” column, weighing “the joys and disappointments of rediscovering books I should have read many years ago,” among them Morris West’s The Big Story (1957) and Gavin Lyall’s The Conduct of Major Maxim (1982); and a wide variety of new-book reviews by contributors Kevin Burton Smith, Meredith Anthony, Ted Hertel, Robin Agnew, Hank Wagner, and others. I’m always impressed by how much content Easter manages to squeeze into every issue of DP! Subscription information is available here.

• For fans of William Lindsay Gresham, best known for his 1946 novel, Nightmare Alley, Mystery*File editor Steve Lewis offers this interesting interview with the author’s stepson, Bob Pierce (no relation to yours truly). “In our interview,” Lewis writes, “Bob recalls growing up with Gresham, and some memories of spending time with Gresham’s sons, David and Douglas, in 1952-1953 before they moved away with [Gresham’s first wife, Joy] Davidman.”

• Finally, this might make a good present for the young readers (4-8 years old) on your Christmas list: a condensed 32-page version of The Mysterious Affair at Styles, Agatha Christie’s 1920 Hercule Poirot whodunit. The well-illustrated work is being touted as “the first in a series of interactive picture book mysteries for children.”