It’s been too long since I found the time to write one of these news wrap-ups, so I have much to share. Let’s dive right in.
• I was overjoyed last September to learn that Crippen & Landru would be releasing a posthumous collection of short stories by screenwriting partners
William Link and
Richard Levinson, best known for having created the
NBC Mystery Movie series
Columbo. C&L publisher Jeffrey Marks said the book was to be titled
Shooting Script and Other Mysteries, and that he would send me a copy. Four months passed, no book found its way into my mailbox, and I became busy with other things.
It wasn’t until mid-January that I thought to check on
Shooting Script’s status … only to learn that it
had gone on sale in November, and I just wasn’t aware. Naturally, I ordered a copy immediately, and have been working my way slowly through its 194 pages ever since. The book comprises 17 abbreviated yarns, written between 1954 and 1966. Most appeared originally in
Alfred Hitchcock’s Mystery Magazine. One, “Whistle While You Work,” was composed by the pair while they were still high school students in Philadelphia, and sold to
Ellery Queen’s Mystery Magazine, but the remainder,
explains Jim Noy in The Invisible Event, were turned out when Link and Levinson were in their 30s. “[S]traight away the tonal shift is evident,” he says, “concerned less with immediate narrative cleverness than with capturing the intrusion of crime as a terrifying-but-regenerative thing. ‘Shooting Script’ (1959), ‘Operation Staying-Alive’ (1959), and ‘Robbery, Robbery, Robbery’ (1959)—this last also published under the title ‘Robbery, Robbery!’, which manages to miss the point quite impressively—see ordinary people pulled into the maelstrom and emerging in different ways: bewildered, energised, sometimes terrified.” In Noy’s opinion, the best of the bunch here is “Dear Corpus Delicti” (1960), “in which we follow a man’s perfect scheme to murder his wife and start a new life with his mistress.” It’s obvious from the outset that “Dear Corpus Delicti” was part of the source material these authors harvested when they sat down to write the play and, later, the TV film
Prescription: Murder, the figurative first pilot for
Columbo.
Earlier this week, I asked Joseph Goodrich, who edited
Shooting Script, what he learned about Link and Levinson by bringing their forgotten short stories back to print. He got back to me pronto:
First of all, as a fan of Link and Levinson’s work, it was a pleasure to read the stories and watch them apply what they learned from reading mystery fiction to the writing of it. These aren’t detective stories, even though Columbo’s origins are contained in the collection; to me they have more in common with, say, Stanley Ellin’s stories, in which a shift of focus or perspective throws a new and unexpected (and often-shocking) light on what we assumed was happening.
Apart from 1954’s “Whistle While You Work,” the majority of the stories were written in the late ’50s and early ’60s, and reflect a world that was in the process of vanishing, the world of down-at-heels boarding houses and small-town postmen, and patients who smoke in doctors’ offices. I think there’s also just a hint of the turbulent world that would soon take over in stories like “Top-Flight Aquarium” and "The Man in the Lobby." Gruesome death and a deadly resignation …
Shooting Script and Other Mysteries offers insight into the evolution of Link and Levinson as storytelling masters. Highly recommended.
• Speaking of Messieurs Link and Levinson, what’s been swirling around in the zeitgeist that might explain why so much has been written recently about their 1975-1976 NBC-TV series,
Ellery Queen? Early last month, Ah Sweet Mystery! blogger Brad Friedman undertook the formidable task of reviewing—in pairs—all 22 weekly episodes. You should be able to access those pieces
here. (Friedman remarked on the March 23, 1975, pilot, “Too Many Suspects,”
in his introduction to that project.) After concluding his efforts, he presented
this poll page, inviting veteran
Ellery Queen enthusiasts as well as newcomers to that hour-long whodunit to identify their favorite episodes. Friedman will keep his survey up until February 16, then reveal its results.
• Meanwhile, Curtis Evans—spurred on by Friedman’s deep dive—presented his own memories and opinions of
Ellery Queen in The Passing Tramp. In his case, he covered that short-lived Jim Hutton/David Wayne series in five installments (see
here,
here,
here,
here, and
here), before presenting his top-10 list of favorite episodes. This all makes me want to go back and watch the full run of the show myself. Maybe after I finish
Reacher.
• Author Robert Crais announced this week that his next novel,
Racing the Light—starring P.I. Elvis Cole, Joe Pike, and mercenary John Stone—will be
released by Putnam on November 1.
• News that Monica Vitti, often referred to as “the Queen of Italian Cinema,”
died on February 2 at age 90, left me wondering how best to honor her memory in The Rap Sheet. Then, while reading Terence Towles Canote’s
obituary of Vitti, I was reminded that she’d starred as the eponymous criminal-turned-crime fighter in
Modesty Blaise, a lightweight but diverting 1966 British spy-fi picture. She also became artist
Robert McGinnis’ model for that character, when he sat down to paint the cover for Fawcett’s paperback tie-in novel,
Modesty Blaise, by Peter O’Donnell. The book front and actress are shown below.
• By the way, at least for now can watch the full two-hour length of Modesty Blaise by clicking over to YouTube.
• The lineup of prominent international authors invited as guests to this year’s Iceland Noir festival, taking place in Reykjavik from November 16 to 19, has been broadcast. It includes Ruth Ware, Richard Osman, Paula Hawkins, Mark Billingham, and Sophie Hannah. Tickets to the popular literary event can be purchased here.
• Coming up sooner than that is Mystery Fest, being planned for Saturday, March 12, in Portsmouth, England. The Guest of Honor at this year’s gathering will be Priscilla Masters, the creator of Detective Inspector Joanna Piercy (Almost a Whisper) and coroner Martha Gunn (Bridge of Sighs). Also appearing for panel discussions that day will be authors Edward Marston, Leigh Russell, and Judith Cutler. Events will take place on the third floor of the Portsmouth Central Library, beginning at 10 a.m. and concluding at 5 p.m.
• Oh, and let us not forget Lyme Crime, which—according to its Web site—“launched online in June 2020 and returns with a full, three-day festival 23 to 25 June 2022.” Tickets go on sale in March, and the program is expected to be publicized soon. For now, Shotsmag Confidential at least provides us with a look at the authors attending this convocation in the Dorset coastal town of Lyme Regis.
• Deadly Pleasures Mystery Magazine is out with its new, digital-only Winter 2022 issue, devoted in substantial part to what its editors (and others) say were the best mysteries, crime novels, and thrillers published over the course of 2021. Editor George Easter has filled these pages with numerous “best of the year” lists he posted in his blog at the end of 2021, then broken the top picks down according to the number of times they were mentioned. (S.A. Cosby’s Razorblade Tears scored best, with an astonishing 44 recommendations!) Elsewhere in the issue, assistant editor Larry Gandle assesses this year’s Edgar Award-nominated books; recent deaths within the crime-fiction community are acknowledged (goodbye again, G.M. Ford); contributor George H. Madison looks back at the rough road to making the Raymond Chandler-scripted 1946 film, The Blue Dahlia; Ted Hertel and Brian Ritt both revisit the work of George Harmon Coxe (1901-1984); and there are myriad critiques of recent releases, including from debut columnist Meredith Anthony. That’s a hell of a lot of copy to cram into one magazine. Good thing that Deadly Pleasures no longer needs to worry about paper and printing costs.
• A rare “best of 2021” compilation that didn’t make it into Deadly Pleasures comes from The Strand Magazine. Its absence may be chalked up simply to the fact that it came out so tardily: managing editor Andrew Gulli posted his top 20 favorites in late January. They include Sleep Well, My Lady, by Kwei Quartey (Soho Crime); The Whispering Dead, by Darcy Coates (Black Owl ); The Wayward Spy, by Susan Ouellette (CamCat); Her Perfect Life, by Hank Phillippi Ryan (Forge); and The Maidens, by Alex Michaelides (Celadon).
• A different sort of “bests” roster was presented more recently by Robert Lopresti in the Sleuth Sayers blog. As he explains, it’s his “thirteenth annual list of the year’s best mystery [short] stories as determined by yours truly. It goes without saying that the verdicts are subjective, personal, and entirely correct.” Almost a third of Lopresti’s 16 picks originated in Alfred Hitchcock Mystery Magazine, with almost as many drawn from Ellery Queen Mystery Magazine.
• How his hoax execution affected Fyodor Dostoevsky’s fiction.
• It’s been a long time in coming, but the six-part Apple+ TV series Slow Horses is finally set to premiere on Friday, April 1. And that’s no joke, folks. Mystery Fanfare reports that this spy drama, adapted from Mick Herron’s first Slough House novel of the same name, will start with back-to-back presentations of its opening two installments, “followed by one new episode weekly every Friday.” Slow Horses focuses on a team of British intelligence agents who are considered, well, troublesome and expendable. Gary Oldman plays the arrogant and oft-offensive head of that misfit squad, Jackson Lamb. Also among the cast are Kristin Scott Thomas, Jonathan Pryce, 
and Olivia Cooke. Anyone who doesn’t know about Herron’s series should check out the cover story from last spring’s edition of Deadly Pleasures.
(Left) Joe Cole plays Harry Palmer in The Ipcress File.
• In other small-screen news, Crime Fiction Lover alerts us that UK network ITV will roll out, sometime in March, its six-part series The Ipcress File, based on both Len Deighton’s 1962 espionage novel, The IPCRESS File, and the 1965 Michael Caine film adapted from that book. Judging by a one-minute trailer, says CFL, “It looks like no expense has been spared … and the initial impression is sexy, witty and dangerous.” Deighton Dossier blogger Rob Mallows adds: “While little of the plot is given away, it’s clear that the series will make some significant departures from both the book and the [film] …, such as the more active agent role for Jean, played by Lucy Boynton, evidence of the backstory of the ‘unnamed spy’—Harry Palmer—and his role in the Berlin black market which led to military prison and ultimately, the job with W.O.O.C.(P)., plus the sidebar story involving the nuclear test in the Pacific, which is a big part of the book but which was of course not featured in the original film.” In addition to Boynton, The Ipcress Files’ cast features Joe Cole and Tom Hollander. UPDATE: This mini-series is supposed to be carried in the States on AMC+, but no airdate has yet been publicized.
• I can’t say I’m terribly surprised to hear this. From Deadline:
Marg Helgenberger is eyeing a possible return to the CSI franchise with a reprisal of her role as Catherine Willows ... Helgenberg would appear in the upcoming second season of CSI: Vegas, the sequel to the groundbreaking 2000 series, in which Helgenberger starred for the first 12 seasons. …
Season 1 opened a new chapter in Las Vegas—the city where it all began, introducing a serialized storytelling to the classic crime procedural drama. Facing an existential threat that could bring down the entire Crime Lab and release thousands of convicted killers back onto the neon-lit streets of Vegas, a brilliant new team of investigators led by Maxine Roby (Paula Newsome) enlisted the help of old friends, Gil Grissom (William Petersen) and Sara Sidle (Jorja Fox), to investigate a case centered around former colleague David Hodges (Wallace Langham). This combined force deployed the latest forensic techniques to follow the evidence—to preserve and serve justice in Sin City.
Actors Petersen and Fox had earlier announced they will not be returning for the sophomore season of
CSI: Vegas.
• This Monday is Valentine’s Day. Do you know what books you’ll crack for that occasion? Janet Rudolph
offers some suggestions.
• CrimeReads senior editor Molly Odintz supplies an alternative reading list: “
Your Anti-Valentine’s Day Round-Up of the Sexiest Mysteries to Read with Your FWBs.” Yes, I had to look up that initialism, too: it stands for “friends with benefits.”
• Wait just a darn minute here, I thought Christopher Fowler was done penning his time-spanning yarns about detectives Arthur Bryant and John May of London’s fictional Peculiar Crimes Unit. When the 20th such mystery,
Bryant & May: London Bridge Is Falling Down, came out last summer,
The Guardian made quite clear that it was “bringing to a close a much-loved series that started in 2003 with
Full Dark House.” So much for that. Fowler
writes this week in his blog that he’s now “in the final stages of the edit” of a
21st Peculiar Crimes book, which sounds more like a tour guide than a novel. Says Fowler:
For 20 books, London has been a central character in the Bryant & May series, so I decided that the detectives’ next investigation should be of London itself. And that this investigation has been going on—in a sort of louche way—for the last twenty years.
After all, the nation’s oldest serving detectives have spent a lifetime investigating crimes in the murkiest corners of London. They’ve been walking the streets and impulsively arresting citizens for decades. Who better to take you through London’s less savoury side?
They’re going to be remembering old buildings and odd characters, lost venues, forgotten disasters, confusing travel routes, dubious gossip, illicit pleasures and hidden pubs. The idea is to make strange connections and show readers why it’s almost impossible to tell separate and fiction in the city.
The book will be very much a part of the existing canon; Volume 21, Bryant & May’s Peculiar London. It will have a cover by our usual superb artist Max Schindler and will be the same size and format as all earlier volumes.
Amazon UK says Fowler’s new book
will be released on July 14.
• Funny, this 1977 NBC-TV movie was supposed to be set in my hometown of Seattle, Washington, but I’ve never heard of it before. The Modcinema sales site
describes Ransom for Alice as “the pilot film for the unsold series
The Busters. The protagonists are not narcotics agents as might be assumed, but instead a male-female team of government undercover agents (Gil Gerard, Yvette Mimieux) operating in Seattle in the 1890s. …
Ransom for Alice is an uncertain blend of cop drama, western, and espionage caper.” Do any Rap Sheet readers remember watching this 75-minute feature?
• A couple of podcasts have been added to The Rap Sheet’s right-hand column of crime-fiction resources:
Hark! The 87th Precinct Podcast, which deals with the varied works of Ed McBain, and
The le Carré Cast, concentrating on espionage novelist John le Carré.
• While we’re on the topic of le Carré, let us note the coming publication of a new collection of his writings. The following comes
from Jeff Quest’s blog, Spy Write: “After being teased by Nick Harkaway, one of le Carré’s sons, during book events surrounding the release of
Silverview, we now have additional details on a book of John le Carré/David Cornwell correspondence. The book, currently titled
A Private Spy: The Letters of John le Carré, 1945-2020, has a
UK release date of November 3rd, 2022 and a healthy page count of 400, although [publisher Viking’s]
U.S. page lists a release date of October 11th, 2022 and 144 pages. So there is some conflicting information that will hopefully be cleared up soon.”
• Beware, spoilers ahead! Although the British-French crime drama
Death in Paradise debuted way back in 2011, my wife and I only became fans during the months of COVID-19 isolation. That program’s cast has changed a good deal over the last decade, offering viewers four different male leads (my favorite being
Kris Marshall as Detective Inspector Humphrey Goodman), backed up by a trio of female detective sergeants—the best of whom, to my mind, is six-season veteran Florence Cassell, played by lovely French actress
Joséphine Jobert. Season 11 was introduced with a 90-minute Christmas special this last December, and has been airing new episodes in Great Britain since early January. So far, there seems to be no U.S. premiere scheduled for this latest series; however, word of its plot progress has been leaking across the pond—including sad news that
Jobert is no longer part of the show after Episode 4. Indeed, the UK’s
Hello! magazine confirms that in the fifth episode, she’s
replaced by Shantol Jackson playing newly promoted DS Naomi Thomas.
• Why is strychnine the mystery writers’ poison of choice?
• Saima Mir, author of the 2021 debut novel Khan, has been named as “the first recipient of the CrimeFest bursary for a crime fiction author of colour.”
According to a news release, that scholarship “will cover the cost of a full weekend pass to
CrimeFest this May, a night’s accommodation at the Mercure Bristol Grand Hotel, and a guaranteed panel appearance. … Three runners-up were also chosen to receive complementary passes to this year’s convention: Elizabeth Chakrabarty, Amita Murray, and Stella Oni.”
• Sioux Falls, South Dakota, fictionist William Reynolds has been enjoying some favorable press notices of recent date, thanks to the fact of Brash Books reissuing his half-dozen crime novels about
Nebraska, a single-monikered writer and private eye operating in Omaha, Nebraska. “From the beginning,”
he tells the Sioux Falls blog Pigeon 605, “I wanted him to be sort of this average guy. He’s not 6-foot-6 and 250 pounds of square-jawed raw muscle; he’s average. In fact, there’s instances in which he deliberately uses his averageness to kind of blend in. He’s self-aware, and sometimes he screws up. He blunders into things he shouldn’t blunder into.” Reynolds’ series commences with
The Nebraska Quotient (1984) and runs through
Drive-By (1995)—at least, so far. Might all of this fresh attention to
his work spur the author to compose a new Nebraska tale? Pigeon 605’s Jill Callison says, Reynolds “doesn’t have a new plot in mind. But he did spend time over the summer thinking about it.”
• Also receiving attention is the
fourth issue of Men’s Adventure Quarterly, edited by Robert Deis and Bill Cunningham, and released last month. “I’m running out of superlatives to describe what a beautiful publication
Men’s Adventure Quarterly is,”
enthuses prolific novelist James Reasoner. “Every issue lovingly reprints great covers and interior art from the men’s adventure magazines of the Fifties, Sixties, and Seventies, along with stories and features from those magazines, all of it enhanced by well-written and informative editorials and introductions.” Glorious Trash’s Joe Kenney
adds that this edition “is different from the previous three, not only due to its focus on female characters, but also because it features a few stories that were actually written by a female author. As Bob Deis notes in his intro, Jane Dolinger was definitely unique in the world of men’s magazines: a female writer who turned out escapist adventure yarns and who also happened to be a stacked beauty who
posed nude for the very magazines she wrote for!” I admit, I haven’t yet purchased any of these magazines. Clearly I have been missing out.
• Count me as lax, too, for not having already mentioned Michael Stradford’s beautiful coffee-table book,
Steve Holland: The World’s Greatest Illustration Art Model (St. Clair). Stradford has turned his boyhood fascination with the old Doc Savage paperback series—fronted so often by illustrations including actor-model
Steve Holland—into a tribute volume that Paperback Warrior
calls “absolutely a mandatory reference for anyone fascinated by 20th-century paperbacks, magazines and male-oriented advertisements. … More than 20 years after his death, Holland’s face is still selling publications. That is a testament to his phenomenal physique, likable face and ability to provide the perfect likeness for all of these amazing visuals. Stradford has honored Holland in such a beautiful way and I can’t thank him enough for his labors in creating it.”
• Should you be unacquainted with Steve Holland’s once-ubiquitous presence on paperbacks and magazines, see examples
here.
• PulpFest, the annual celebration of pulp magazines and genre fiction—scheduled to take place this year in Pittsburgh, Pennsylvania, from August 4 to 7—is soliciting nominations for two familiar prizes. First is the Munsey Award, named for America’s first pulp mag publisher,
Frank A. Munsey, and recognizing “an individual or organization that has bettered the pulp community, be it through disseminating knowledge about the pulps or through publishing or other efforts to preserve and foster interest in the pulp magazines we all love and enjoy.” (Last year’s Munsey recipient was publisher and book designer
Rich Harvey.) The second commendation seeking nominees is the Rusty Hevelin Service Award, “designed to recognize those persons who have worked long and hard for the pulp community with little thought for individual recognition.” More info about these honors and how to submit names for consideration is available
here.
