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• Yesterday, February 12, brought us Chinese New Year, marking the start of this latest Year of the Ox. (The last Ox year was 2009.) By way of celebrating, Mystery Fanfare brings us this short list of “mysteries that take place during Chinese New Year.” Included are The Shanghai Moon, by S.J. Rozan, and Kelli Stanley’s City of Dragons, both of which I have enjoyed, without recalling their spring festival links.
• In Reference to Murder notes that submissions to the McIlvanney Prize/Scottish Crime Book of the Year contest are now open, “with a deadline of Friday, April 9. The winner of Crime Book of the Year will receive £1,000, while the winner [of] the Debut of the Year will receive £500. Entries come from full-length novels first published in the United Kingdom between August 1, 2020, and July 31, 2021. When considering the entries the judges will take into account quality of writing, originality of plot and potential durability in the crime genre.”
• I’m a sucker for posts about vintage paperback covers, so George Easter’s new collection—at the Deadly Pleasures Mystery Magazine site—of dusty softcovers bearing “great titles” drew me immediately. My favorite of his bunch: Don Von Elsner’s Don’t Just Stand There, Do Someone (1962). Von Elsner (1909-1997) was, in fact, known for his clever titles. Among his series of novels starring lawyer David Danning, for instance, are Those Who Prey Together Slay Together (1961), Just Not Making Mayhem Like They Used To (1961), Pour a Swindle Through a Loophole (1964), and A Bullet for Your Dreams (1968).
• In Too Much Horror, Will Errickson brings the sad news that artist Rowena Morrill, known for her science-fiction and fantasy illustrations, has “died at age 76 after a long illness.” (She passed away on February 11.) Not surprisingly, given his blog’s name, Errickson’s post showcases various Morrill horror-fiction fronts, including “her stunning debut, 1978’s Jove paperback original Isobel,” by Jane Parkhurst.
• And was Body Heat, director Lawrence Kasdan’s 1981 neo-noir picture, really “the greatest erotic thriller ever made”? Literary Hub’s Dan Sheehan certainly thinks so.
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