The strip was originally conceived [in the early 1930s] by King Features to compete with Dick Tracy’s growing popularity, but somewhere along the line, they decided it wasn’t enough for the hero of this new strip to be a hardboiled private eye. He would also be a secret agent. G-Men were doing boffo box office and one of the previous year’s more popular films had been Private Detective 62, based on a series of stories that appeared in Black Mask, written by Hammett’s pal, Raoul Whitfield, about a disgraced government agent, Donald Free, who becomes a private eye.The original daily strip debuted on January 22, 1934. Despite Hammett washing his hands of the project (and reportedly losing a weekly fee of $500 for its modest scripting), Secret Agent X-9 carried on under a variety of other writers and artists until February 10, 1996.
Alas, somewhere along the line, the competing visions of Hammett and King Features came to a head. Hammett evidently wanted to write a series about a private eye (no surprise there—he had already made a name for himself as creator of Sam Spade, The Continental Op and Nick and Nora Charles). But King wanted a strip about a nameless, mysterious secret agent. …
Neither artist nor writer were happy with the results, and both were eager to quit King Features. Within a year, Hammett was gone (his contract having expired) having only scripted four continuities. Leslie Charteris, creator of The Saint, took over the scripting chores.
I was reminded of all this recently when Evan Lewis began posting, in his blog, a four-part, gunplay-packed BBC Radio adaptation of Hammett’s early Secret Agent X-9 yarns, starring Stuart Milligan as X-9 and Connie Booth as Grace Powers. You can already listen to the first two episodes here, with the final couple yet to be posted.
READ MORE: “Hammett Herald-Tribune: Secret Agent X-9 (1934),” by Evan Lewis (Davy Crockett’s Almanack of Mystery, Adventure,
and the Wild West).
No comments:
Post a Comment