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But 2017 has been different. Several people this holiday season took a chance on presenting me with works of fiction and non-fiction, most of which were by authors not already represented on my shelves. These included Noah Isenberg (We’ll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood’s Most Beloved Movie), Bill James (The Man from the Train: The Solving of a Century-Old Serial Killer Mystery), Pete Souza (Obama: An Intimate Portrait), Walter Isaacson (Leonardo da Vinci), and Richard Matheson (The Best of Richard Matheson). This continues a pattern I realized was taking shape about halfway through 2017, which is that I’ve been tackling an inordinate number of books by wordsmiths I have never sampled before.
Ever since 2008, I have been keeping an inventory of such author “discoveries.” Thus far, 2015 proved to be my most successful year for testing out scribblers I either hadn’t heard of before, or whose books I had at least not previously enjoyed: it added 47 authors to my lifetime reading record. This makes my final count for 2009, when I “test-drove” a mere 30 unfamiliar authors, look rather feeble. The tally for 2107 is 46 new writers—just one shy of my record. No wonder this has felt like an exceptional 12-month period.
So who did I “discover” over the course of 2017? Let me begin, below, by naming all the novelists. Debut works are boldfaced. Asterisks denote crime, mystery, and thriller fiction.
• Leo W. Banks (Double Wide)*
• Guy Bolton (The Pictures)*
• Chris Brookmyre (Places in the Darkness)*
• Héctor Aguilar Camín (Day In, Day Out)*
• Polina Dashkova (Madness Treads Lightly)*
• Harry Dolan (The Man in the Crooked Hat)*
• Ramón Díaz Eterovic (Dark Echoes of the Past)*
• Mick Finlay (Arrowood)*
• Danny Gardner (A Negro and an Ofay)*
• Steve Goble (The Bloody Black Flag)*
• Jane Harper (The Dry)*
• Jordan Harper (She Rides Shotgun)*
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• Martin Holmén (Clinch)*
• Andrew Hughes (The Convictions of
John Delahunt)*
• Ragnar Jónasson (Snow Blind)*
• Stephen Mack Jones (August Snow)*
• Harry Kemelman (Friday the Rabbi
Slept Late)*
• Gerald Koplan (Etta)
• M.J. Lee (Death in Shanghai)*
• Attica Locke (Bluebird, Bluebird)*
• H.B. Lyle (The Irregular)*
• Greer Macallister (Girl in Disguise)*
• Ian McGuire (The North Water)*
• Abir Mukherjee (A Rising Man)*
• Jim Napier (Legacy)*
• John O’Connell (Baskerville)*
• John O’Hara (Appointment in Samarra)
• T.R. Pearson (A Short History of a Small Place)
• Ivy Pochoda (Wonder Valley)*
• John Rector (The Ridge)*
• M.L. Rio (If We Were Villains)*
• Sarah Schmidt (See What I Have Done)*
• Tony Schumacher (An Army of One)*
• William Shaw (The Birdwatcher)*
• Burt Solomon (The Murder of Willie Lincoln)*
• Amor Towles (A Gentleman in Moscow)
• Andy Weir (Artemis)*
• Kaite Welsh (The Wages of Sin)*
• Theodore Wheeler (Kings of Broken Things)
• Colson Whitehead (The Underground Railroad)
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• Mattias Boström (From Holmes to Sherlock: The Story of the Men and Women Who Created an Icon)
• Tom Clavin (Dodge City: Wyatt Earp, Bat Masterson, and the Wickedest Town in the American West)
• Vicki Constantine Croke (Elephant Company: The Inspiring Story of an Unlikely Hero and the Animals Who Helped Him Save Lives in World War II)
• Mark Kurlansky (Havana: A Subtropical Delirium)
• Brad Ricca (Mrs. Sherlock Holmes: The True Story of New York City’s Greatest Female Detective and the 1917 Missing Girl Case That Captivated a Nation)
OK, those are my new-author encounters for 2017. How about yours? Which writers’ books were you introduced to this year? Please let everyone know in the Comments section of this post.
1 comment:
Just heard Sue Grafton passed on Dec 28...a very talented lady.
Two debut novels I liked this year: Auntie Poldi and the Sicilian Lions by Mario Giordano and The Dime by Kathleen Kent.
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