When We Vote, We Win!

You Can’t Keep a Good Sheriff Down

This may be the week’s most heartwarming news:

When Bill Crider died in 2018, he left behind over sixty books published by New York publishers, and a collection of paperbacks that number over 10,000, most of them from his pulp collection. But, many of us are most familiar with his Sheriff Dan Rhodes series. Bill’s daughter, Angela Crider Neary and her husband, Tom Neary, recognize that. They also know that there were twenty-five Sheriff Rhodes books, and, beginning with book eleven, they’re out of print.

Angela and Tom are determined to maintain Bill’s legacy. They’re beginning that by republishing the Sheriff Rhodes series. They’re refreshing all twenty-five of those books, and they’re also making them available as audiobooks through Audible with a new narrator, Chris Abel. In fact, the first nine audiobooks are ready to be published.

Learn more here.

Revue of Reviewers: 10-29-24

Critiquing some of the most interesting recent crime, mystery, and thriller releases. Click on the individual covers to read more.

Oline’s Offerings

In an entertaining new YouTube presentation hosted by Sara DiVello, longtime South Florida Sun Sentinel book critic Oline H. Cogdill reveals some of her choices of this year’s best crime, mystery, and thriller fiction. Among her selections: Tasha Alexander’s Death by Misadventure, Jacqueline Bublitz’s Leave the Girls Behind, Louise Penny’s The Grey Wolf, Michael Connelly’s The Waiting, Pip Drysdale’s The Close-Up, and Christopher Bollen’s Havoc.

Learn about those and many other top picks by clicking here.

Clever Claptrap

Every year since 2011 (and less consistently before then), I have reported on the winners of the annual Bulwer-Lytton Fiction Contest, a whimsical competition that glorifies terrifyingly bad opening sentences to (fortunately) never-to-be-completed books. However, the latest prize results—announced in August—passed me by completely.
So here I am with egg on my face, bringing you some of my favorites from among the 2024 victors in various tournament categories:

“She was poured into the red latex dress like Jello poured into a balloon, almost bursting at the seams, and her zaftig shape was awesome to behold, but I knew from the look on her face and the .45 she held pointing at me, that this was no standard client of my detective agency, but a new collection agency tactic to get me to pay my long-overdue phone bill.” — Jack Harnly, Sarasota, Florida (Winner, Crime & Detective division)

“Staring unblinkingly into the pleading, tear-filled eyes of yet another dame looking for me to solve all her problems, I sighed, stretched, scratched my whiskers, stuck my hind leg in the air and bent my spine at a 45-degree angle to reach down and lick my butt clean, then donned my fedora — Taco, Cat Detective, was officially on the case.” — Gwen Simonalle, Grenoble, France (Dishonorable Mention, Crime & Detective)<

“He was an old man who fished alone in a skiff in the Gulf Stream, and he had gone eighty-four days now without taking a fish, but as fish tend to live in the sea rather than in a skiff, he really had only himself to blame.” — Sam Wallington, London, England (Dishonorable Mention, Adventure)

“‘I do enjoy turning a prophet,’ said Torquemada, as he roasted the heretic seer on a spit.” — A.R. Templeton, Stratford, Canada (Winner, Vile Puns)

This year’s Grand Prize was given to Lawrence Person of Austin, Texas, for his splendidly vivid submission:

She had a body that reached out and slapped my face like a five-pound ham-hock tossed from a speeding truck.

And the Grand Panjandrum's Special Award went to Joel Phillips of West Trenton, New Jersey, for the following:

Mrs. Higgins’ body was found in the pantry, bludgeoned with a potato ricer and lying atop a fifty-pound sack of Yukon golds, her favorite for making gnocchi, though some people consider them too moist for this purpose.

Named in dubious honor of Edward George Earle Bulwer-Lytton (1803-1873), whose 1830 novel, Paul Clifford, began with the phrase, “It was a dark and stormy night,” this contest has been sponsored by the English Department at California’s San Jose State University ever since 1982. You can read all of the 2024 winners here.

Nominations Needed

Of all the years that have seemed to careen by, this one is disappearing the fastest. How can it be the end of October already? Is it really time to start compiling “favorite books of 2024” lists?

The British Web site Crime Fiction Lover certainly thinks so. Its editors recently invited readers to submit their nominations for the 2024 Crime Fiction Lover Awards, in half a dozen classifications:

• Book of the Year
• Best Debut
• Best [Book] in Translation
• Best Indie Novel
• Best Author
• Best Crime [TV] Show

“In addition to the six main categories,” the site explains, “the Life of Crime Award will be presented again this year, bestowed upon an author that our editorial team believes has, over the course of their career, made an outstanding contribution to the genre. Since 2011, our contributors have reviewed nearly 3,000 books and it’s their knowledge and discerning taste that will power this particular accolade.”

More information about tendering your “bests” picks can be found here, with a ballot accessible at this link. Crime Fiction Lover informs us that its poll will remain open until “noon UK time on Wednesday 6 November 2024. After that, we’ll assemble shortlists for all the categories and then open a new online form for you to select the winners. In addition to a winner in each category, our team will select an Editor’s Choice award winner from each shortlist.”

We should expect to know the final results by early December.

PaperBack: “Win, Place and Die!”

Part of a series honoring the late author and blogger Bill Crider.



Win, Place and Die! by Lawrence Lariar (Signet, 1955). Back in 2019, when MysteriousPress.com/Open Road issued a Kindle edition of this standalone novel about “a thriller writer determined to solve a real-life murder case,” it explained that “Lawrence Lariar was one the most popular cartoonists of the twentieth century. But from the 1940s through the 1960s, he also crafted a line of lean and mean detective and mystery novels under his own name as well as the pseudonyms Michael Stark, Adam Knight, Michael Lawrence, and Marston La France.”

Cover illustration by Robert Maguire.

Oh Yeah, About the Petrona …

As it turns out, I missed another crime-fiction awards announcement during my time away in Europe this month. Just a couple of weeks back, the Euro Crime blog reported that these six books are vying for the 2024 Petrona Award for Best Scandinavian Crime Novel of the Year:

• The Collector, by Anne Mette Hancock,
translated by Tara F Chace (Denmark, Swift Press)
• Snow Fall, by Jørn Lier Horst,
translated by Anne Bruce (Norway, Michael Joseph)
• The Girl by the Bridge, by Arnaldur Indriðason,
translated by Philip Roughton (Iceland, Harvill Secker)
• Dead Men Dancing, by Jógvan Isaksen,
translated by Marita Thomsen (Faroe Islands, Kingdom of
Denmark, Norvik Press)
• The Sins of Our Fathers, by Åsa Larsson,
translated by Frank Perry (Sweden, MacLehose Press)
• The Prey, by Yrsa Sigurðardottir,
translated by Victoria Cribb (Iceland, Hodder & Stoughton)

This shortlist of the latest Petrona nominees has been culled from a previous longlist of works, all published in 2023.

The annual Petrona Award was established in 2013 in memory of Maxine Clarke, a British editor and “champion of Scandinavian crime fiction” who died in 2012. (Petrona was the name of her long-running blog). All entries “must be in translation and published in English in the UK during the preceding calendar,” and their authors “must either be born in Scandinavia or the submission must be set in Scandinavia.” This year’s winner will be announced on November 14.

Macavity Check

For readers who wondered what had become of me over these past three weeks, the simple answer is, I was off vacationing in Paris and elsewhere in France, eating my body weight in pain au chocolates and duck confit, and imbibing rather liberally of the local vinos. (More about that later, perhaps.) I’d reasoned that the first part of October would be a relatively safe time to travel, work-wise, as little book-related news was expected. What I had not forseen was that prolific author Robert J. Randisi, a dedicated advocate of detective fiction who founded the Private Eye Writers of America in 1981, would die during my absence (more about that later, almost certainly); or that the winners of the 2024 Macavity Awards would be announced in the very week I departed. Historically, those prizes have been handed out at Bouchercon, but they were not this year.

For the record, and despite my being so tardy in posting this information, you will find the latest winners of the Macavitys below.

Best Mystery:
All the Sinners Bleed, by S.A. Cosby (Flatiron)

Also nominated: Dark Ride, by Lou Berney (Morrow); Hide, by Tracy Clark (Thomas & Mercer); Happiness Falls, by Angie Kim (Hogarth); Murder Book, by Thomas Perry (Mysterious Press); and Crook Manifesto, by Colson Whitehead (Doubleday)

Best First Mystery:
The Peacock and the Sparrow, by I.S. Berry (Atria)

Also nominated: The Golden Gate, by Amy Chua (Minotaur); Scorched Grace, by Margot Douaihy (Zando/Gillian Flynn); Murder by Degrees, by Ritu Mukerji (Simon & Schuster); Dutch Threat, by Josh Pachter (Genius); and Mother-Daughter Murder Night, by Nina Simon (Morrow)

Best Mystery Short Story:
“Ticket to Ride,” by Dru Ann Love and Kristopher Zgorski, (from Happiness Is a Warm Gun: Crime Fiction Inspired by the Songs of The Beatles, edited by Josh Pachter; Down & Out)

Also nominated: “Real Courage,” by Barb Goffman (Black Cat Mystery Magazine #14, October 2023); “Green and California Bound,” by Curtis Ippolito (Ellery Queen Mystery Magazine, September/October 2023); “Pigeon Tony’s Last Stand,” by Lisa Scottoline (Amazon Originals); and “One Night in 1965,” by Stacy Woodson (from More Groovy Gumshoes: Private Eyes in the Psychedelic Sixties, edited by Michael Bracken; Down & Out)

Sue Feder Memorial Award for Best Historical Mystery:
The Mistress of Bhatia House, by Sujata Massey (Soho Crime)

Also nominated: Time's Undoing, by Cheryl Head (Dutton); Evergreen, by Naomi Hirahara (Soho Crime); The River We Remember, by William Kent Krueger (Atria); Our Lying Kin, by Claudia Hagadus Long (Kasva Press); and The Heaven and Earth Grocery Store, by James McBride (Riverhead)

Best Mystery-related Non-fiction/Critical:
Finders: Justice, Faith, and Identity in Irish Crime Fiction, by Anjili Babbar (Syracuse University Press)

Also nominated: Spillane: King of Pulp Fiction, by Max Allan Collins & James L. Traylor (Mysterious Press); A Mystery of Mysteries: The Death and Life of Edgar Allan Poe, by Mark Dawidziak (St. Martin’s Press); Number Go Up: Inside Crypto’s Wild Rise and Staggering Fall, by Zeke Faux (Crown Currency); and Fallen Angel: The Life of Edgar Allan Poe, by Robert Morgan (LSU Press)

The Macavity Awards are named for T.S. Eliot’s “mystery cat” (in Old Possum’s Book of Practical Cats). Winners are selected by members of Mystery Readers International and subscribers to Mystery Readers Journal. Lists of previous recipients can be found here.

Revue of Reviewers: 10-4-24

Critiquing some of the most interesting recent crime, mystery, and thriller releases. Click on the individual covers to read more.

Abell’s Sophomore Stumbles

By Peter Handel
Death in a Lonely Place (Harper) is British author-editor Stig Abell’s follow-up to his most enjoyable and engaging debut novel, Death Under a Little Sky. Readers would do well to tackle this developing series in the order of publication, but it’s not essential.

The original cast is back: Jake Jackson, the young but burnt-out London cop who’s inherited a compound in a lovely rural countryside from his late uncle Arthur; his lover, Livia Bennett, the area’s veterinarian and single mother of pre-adolescent Diana; Inspector Gerald Watson, the local law; and “Rose,” a petty criminal whom Jake has unexpectedly befriended (and who will play a significant role in the story’s action).

Also worth noting: this is some compound Jake owns! It includes a huge store of food, thousands of crime novels, a wine cellar, and most helpfully, a large bag of weed. The main house is “set in countless acres of land … a soft pastel expanse of peace, a world entire of tumbling fields and ancient hedges and deep loamy soil.”

But Abell’s sophomore effort occasionally stumbles (as so many second novels do) because he overstuffs his story, and it ultimately feels somewhat less plausible than Little Sky.

That’s not to say there isn’t much to savor here. Some of Abell’s strongest writing comes in his descriptions of the natural world surrounding his mini-estate.

On an early evening walk, “daylight is already slipping away, the mottled greys of the heavy sky bleeding imperceptibly into black. As ever, he basks in the quiet: the breeze lingering in the reeds, the frisky scattering of leaves, the relentless slip-slap of the water on the bank.”

It's a beautiful, small, and isolated village, our Caelum Parvum—Latin for Little Heaven. As Jake leaves for a quick trip to London, “the sky has the pallor of winter, the colours muted like watered-down paint, washed-out umbers and ochres.”

In the first chapter Watson (“long and thin as a poker”) arrives at Jake’s house to ask him about the very recent disappearance of a little local girl, and a clue that simply says, “NO TABOO.” Watson and Jake have both a friendship and a collegial relationship.

For a former cold-case detective like Jake, who encountered the “NO TABOO” assertion in a past child abduction, saying no to helping Watson is impossible. Although he wants to be free of the bonds of investigations, violence, and criminals in general, it’s difficult for Jake to let go of the allure of solving a case, and he again lets himself surrender to that very pull. This set-up, however, feels hurried and contrived, just a way to get the plot rolling.

Two new characters join Abell’s series cast in these pages. The first is Aletheia Campbell, a police officer who can dig deeply into warrens of hard-to-access data, and was Jake’s “searcher” when he was a cop. Also on board is a friend of Aletheia’s, a mystery writer named Martha Kline. A former “security service” officer who is legless after being shot several times in the field, Kline has a brilliant mind with an almost unbelievable ability to make things happen, extra-legal and otherwise.

Aletheia tells Jake that her quest for further information about “NO TABOO” has rattled a few cages farther up the police food chain. “I’m not entirely sure how it works,” she remarks. “But I reckon it is a thing, a well-protected, well-financed thing that looms in the background, that I’ve never even got close to fully identifying. I’ve been pursuing it off the books since you left, nagging at it, and I now know enough to be very wary indeed.”

Meanwhile, Jake struggles to straddle a line he knows Livia does not want him crossing. With her daughter and their quiet rural surroundings, and now with Jake in the picture, Livia feels her life is complete. She seeks to pull Jake in one direction—stop being a cop—as he veers toward another, finding it hard to give up crime-solving. Only eventually does Jake come clean to her about his increasing involvement with Watson’s case. Livia is understandably relieved, then, when the missing child is recovered safely. But things seem a bit pat, and sure enough, it turns out to be a false climax, because “NO TABOO” soon rises to the surface once more.

Livia is hired to take care of horses belonging to the district’s rich, clearly corrupt, yet powerful autocrat, Sam Martinson, a former newspaper publishing titan and now the squire of an estate he has dubbed Purple Prose. He’s another one of those upper-class, sociopathic manipulators who are all too familiar (bordering on clichéd) to readers of English crime novels.

Martinson and his creepy henchmen, or “assistants,” seem likely to have some involvement with “NO TABOO,” which we finally learn is a mysterious “service” that can get one anything, if the price is met.

Behind the scenes, Aletheia and Martha are digging up the details of Martinson’s background. At the same time, a dishonorable former prison guard from Jake’s past reappears. Is he involved with “NO TABOO”? Why, yes!

By this point, were it not for Abel’s frequently gorgeous prose, we would have the disappointing sense of having read such a story before. In more ways than one: Jake and Livia do the same dance as in the previous book—hot sex, arguments about Jake getting back into policing, break up, make up. And our primary villain, Martinson, is a retread variation on the cloistered criminal family from Little Sky; he just has more money.

Abell does a skillful job of keeping the pages turning. A lengthy section set at Martinson’s huge estate, with an amusing group of weekend guests that includes Jake and Livia, is solidly conceived, and Rose has the best one-liners. It must be mentioned, though, that when two people act utterly out of character in the exciting dénouement, the credibility of this story suffers.

Martha’s near-omnipotent ability to make things happen also feels a bit too convenient. The action is exciting—a fight scene involving razor blades truly pops (and bleeds), but the excitement is undermined by Abell’s apparent desire to pile on the twists, the weakest of which is the motivation for evil by a key malefactor.

We’re left with an engaging tale, expertly conveyed local ambiance, some vibrantly drawn players, and the superbly delineated natural world surrounding Jake’s existence, but also with a feeling that the author tried a little too hard to outdo his debut—the kitchen sink is all that’s missing.

Those caveats aside, one can do much worse than Death in a Lonely Place when looking for a classic English country mystery. No doubt Abell will be back with a third installment in his series—and so will this reader, eager to devour it.

When “Dolls” Come Out to Play

South Florida resident Robert Deis, with whom I worked on last year’s The Art of Ron Lesser Volume 1: Deadly Dames and Sexy Sirens, alerts me to this month’s release of its sequel, The Art of Ron Lesser Volume 2: Dangerous Dames and Cover Dolls, co-edited by Deis, Bill Cunningham, and Daniel Zimmer. I haven’t yet laid my hands on a copy, but here’s Amazon’s skinny on its intents and contents:

In the late 1950s, while studying with the legendary art teacher Frank J. Reilly at the Art Students League in New York City, Ron Lesser embarked on a long career as one of America’s top illustration artists. Over the next four decades, his artwork was used for thousands of paperback book covers, movie posters, magazines, and advertisements. Many great artists once made a good living doing such illustration artwork and Ron Lesser is among the greatest. He’s also one of the few who are still alive and still painting.

Like a number of other top 20th-century illustrators, Lesser went on to do paintings for galleries as the market for illustration art faded away in the 1990s. His gallery artwork includes Civil War and Western scenes, sports, celebrity portraits, and new versions of the types of subjects he once did for paperback covers. The Art of Ron Lesser Vol. 1 is the first in the series covering Ron's paperback, movie and advertising art. The Art of Ron Lesser Vol. 2 covers Ron's transition out of paperback illustration and into advertising, movie, and gallery illustration which he continues to this day.

In his Men’s Pulp Mags blog, Deis explains that Dangerous Dames and Cover Dolls “showcases scores of the paintings of sexy women Lesser has done in recent decades for galleries. Some are modern versions of the ‘dangerous dame’-style cover art he did for paperbacks in the 1960s and 1970s. Others are paintings of sexy celebrities such as Marilyn Monroe, Bettie Page, Brigitte Bardot, and Pam Anderson, and pop-culture characters like Vampirella, Red Sonja, and Harley Quinn.”

Like its predecessor, this book is said to include “commentary by Ron about his artwork and career.”

It sounds like a beautiful, fun follow-up to our previous work!

Fine Fall Finds

There are a few new-release books I’m particularly looking forward to diving into during this final quarter of 2024.

Those include: The Black Loch, the surprising fourth entry in British author Peter May’s “Lewis Trilogy,” again starring former police detective Fin Macleod; Midnight and Blue, which finds Ian Rankin’s formerly illustrious but currently incarcerated Scottish sleuth, John Rebus, digging into the brutal slaying of a fellow inmate; Silent Bones, Val McDermid’s eighth novel featuring Edinburgh inspector Karen Pirie; John Shannon’s Boystown, a yarn bent on reviving the investigative career of Los Angeles private eye Jack Liffey after his decade-long absence; Hemlock Bay, Martin Edwards’ fifth Rachel Savernake mystery, which has the amateur sleuth and her reporter colleague, Jacob Flint, mixed up with a surrealistic painting, a psychic’s prediction of death, and a man determined to do away with someone he knows nothing about; Black River, the book that scored Indian journalist-author Nilanjana Roy considerable acclaim when it first reached print in the UK last year; Karla’s Choice, penned by John le Carré’s son Nick Harkaway and extending the career of his late pater’s most famous spy, George Smiley; Murder Town, another Australia-set thriller by Shelley Burr, who wrote 2022’s WAKE; Quarry’s Return, a short novel that sics Max Allan Collins’ series hit man, Quarry, on the trail of his daughter—who he only recently discovered he had, and who’s now gone missing; Holmes and Moriarty, by Gareth Rubin (The Turnglass), in which Sherlock Holmes and his infamous adversary, Professor James Moriarty, team up to unmask someone determined to kill them both; and Eden Undone: A True Story of Sex, Murder, and Utopia at the Dawn of World War II, a non-fiction work by Abbott Kahler (formerly Karen Abbott) that looks back at a social experiment in the Galápagos Islands gone horrifically wrong.

As I said, that’s a mere handful of the myriad new books and reprints in this genre we can expect to welcome between now and the end of 2024. Even my lengthy critic’s-choice list below—comprising more than 400 crime, mystery, and thriller works, all due out on one side of the Atlantic or the other—represents just a fraction of what publishers are preparing for our reading pleasure, mostly in time for holiday gift-giving. There will also be fresh fiction by Lee Goldberg, Attica Locke, Ragnar Jónasson, Lynda La Plante, Martin Walker, Louise Penny, Sam Wiebe, Candace Robb, M.W. Craven, Yrsa Sigurdardottir, Jo Nesbø, Martina Cole, Michael Connelly, Paula Hawkins, John Banville, Paige Shelton, William Boyd, Jane Thynne, and others.

My colleague Linda L. Richards this month introduces Insensible Loss, her fourth novel headlined by a highly conflicted, female hired assassin. In a completely different vein, we can anticipate seeing Qiu Xiaolong’s The Conspiracies of the Empire, which once more revisits the legendary mystery-solving career of Judge Dee Renjie, about whom Robert van Gulik composed his own 16-book series, mostly in the 1960s. Brad Parks, who I remember best for his half-dozen tales featuring New Jersey investigative journalist Carter Ross (Faces of the Gone), is returning with a new standalone, The Boundaries We Cross, focused on a boarding school teacher accused of improper behavior with a student—only to have him subsequently become the chief suspect in her disappearance. Julia Dahl is out now with I Dreamed of Falling, the dramatic story of a small-town newspaper reporter, who, after his girlfriend perishes under peculiar circumstances, goes searching for answers that may put his own life at risk. Steve Hockensmith has two spin-offs from his string of “Holmes on the Range” western whodunits rolling out this season: Hired Guns and No Hallowed Ground. Rob Hart and Alex Segura have teamed up to produce a science-fiction spy thriller called Dark Space. Peter Lovesey recounts the 22nd—and concluding—case for Detective Peter Diamond, in Against the Grain. Laurie Notaro’s The Murderess exploits the true story of 20th-century “blonde butcher” Winnie Ruth Judd (previously the inspiration for Megan Abbott’s Bury Me Deep) to sordid and sensational effect. And Vaseem Khan promises a November UK release for his fifth Malabar House mystery, City of Destruction. (A U.S. version of that same title is expected in March 2025.)

Beyond those, keep your eyes peeled for re-issues of the final three entries in Len Deighton’s series about British intelligence agent Bernard Samson (Faith. Hope, and Charity), as well as new editions of celebrated works by Thomas B. Dewey, Nancy Barr Mavity, John Dickson Carr, and A.A. Milne (The Red House Mystery—a rare detective yarn from the creator of Winnie the Pooh). In addition, there are other estimable non-fiction publications coming that will likely draw attention from crime fans, among them Elyse Graham’s Book and Dagger: How Scholars and Librarians Became the Unlikely Spies of World War II.

As usual, books marked below with an asterisk (*) are non-fiction; the remainder are novels or collections of short stories.

SEPTEMBER (U.S.):
• The Accomplice, by Curtis “50 Cent” Jackson (Amistad)
• Agnes Sharp and the Trip of a Lifetime, by Leonie Swann (Soho Crime)
• The Alaska Sanders Affair, by Joël Dicker (HarperVia)
• The Art of Ron Lesser Volume 2: Dangerous Dames and Cover Dolls, edited by Robert Deis, Bill Cunningham, and Daniel Zimmer (Independently published)*
• Ashes Never Lie, by Lee Goldberg (Thomas & Mercer)
• The Bachelorette Party, by Sandra Block (Scarlet)
• Bad Liar, by Tami Hoag (Dutton)
• The Barn: The Secret History of a Murder in Mississippi, by Wright Thompson (Penguin Press)*
• Between Lies and Revenge, by Hannah D. Sharpe (Rising Action)
• Bitter Is the Heart, by Mina Hardy (Crooked Lane)
• The Black Loch, by Peter May (Mobius)
• Black River, by Nilanjana Roy (Pushkin Vertigo)
• Book and Dagger: How Scholars and Librarians Became the Unlikely Spies of World War II, by Elyse Graham (Ecco)*
• Break Every Rule, by Brian Freeman (Blackstone)
• The Butcher Game, by Alaina Urquhart (Zando)
• But Not for Me, by Allison A. Davis (Bronzeville)
• Charity, by Len Deighton (Grove Press)
• The Child Catcher: A Fight for Justice and Truth, by Andrew Bridge (Regalo Press)*
• Cold Trail, by Taylor Moore (Morrow)
• Creation Lake, by Rachel Kushner (Scribner)
• Crooked, by Dietrich Kalteis (ECW Press)
• Crow Moon, by Suzy Aspley (Orenda)
• Dangerous Play, by Elise Hart Kipness (Thomas & Mercer)
• Dearest, by Jacquie Walters (Mulholland)
• Death at Dead Man’s Stake, by Nick Oldham (Severn House)
• Death at the Sanatorium, by Ragnar Jónasson (Minotaur)
• Death at the Sign of the Rook, by Kate Atkinson (Doubleday)
• Death by Misadventure, by Tasha Alexander (Minotaur)
• Death Comes to Hong Kong, by Wayne Carey (Bold Venture Press)
• Desert Reunion, by Michael Craft (Questover Press)
• Devil’s Island, by Midge Raymond and John Yunker (Oceanview)
• A Divine Fury, by D.V. Bishop (Macmillan UK)
• Each Dawn I Die, by Jerome Odlum (Stark House Press)
• Eden Undone: A True Story of Sex, Murder, and Utopia at the Dawn of World War II, by Abbott Kahler (Crown)*
• The Examiner, by Janice Hallett (Atria)
• An Eye for an Eye, by Jeffrey Archer (HarperCollins)
• The Eye Hunter, by Sebastian Fitzek (Head of Zeus/Aries)
• Faith, by Len Deighton (Grove Press)
• Fatal Gambit, by David Lagercrantz (Knopf)
• Fatal Intrusion, by Jeffery Deaver and Isabella Maldonado
(Thomas & Mercer)
• The First Light of Dawn, by Jefferson Glass (Wolfpack)
• The Forest of Lost Souls, by Dean Koontz (Thomas & Mercer)
• Fortunate Son, by Andrew Bridgeman (Mission Point Press)
• French Quarter Fright Night, by Ellen Byron (Severn House)
• Game Without Rules, by Michael Gilbert (Union Square)
• Gaslight, by Miles Joris-Peyrafitte and Sara Shepard (Blackstone)
• Gina Washington Slept Here, by Katherine Bolger Hyde
(Severn House)
• The Glass Box, by J. Michael Straczynski (Blackstone)
• A Grave in the Woods, by Martin Walker (Knopf)
• Graveyard Shift, by M.L. Rio (Flatiron)
• Grounds for Murder, by Betty Ternier Daniels (ECW Press)
• Guide Me Home, by Attica Locke (Mulholland)
• Here One Moment, by Liane Moriarty (Crown)
• Hired Guns, by Steve Hockensmith (Rough Edges Press)
• The Hitchcock Hotel, by Stephanie Wrobel (Berkley)
• Hope, by Len Deighton (Grove Press)
• Hunter at Large, by Thomas B. Dewey (Stark House Press)
• I Dreamed of Falling, by Julia Dahl (Minotaur)
• The Illusionist: The True Story of the Man Who Fooled Hitler,
by Robert Hutton (Pegasus)*
• Insensible Loss, by Linda L. Richards (Oceanview)
• I Won’t Say a Word, by Joe Clifford (Square Tire)
• Jeykll & Hyde: Consulting Detectives, by Tim Major (Titan)
• A Killer Clue, by Victoria Gilbert (Crooked Lane)
• Lethal Standoff, by DiAnn Mills (Tyndale)
• Lies He Told Me, by James Patterson and David Ellis (Little, Brown)
• The Lightning Bottles, by Marissa Stapley (Simon & Schuster)
• The Little Sparrow Murders, by Seishi Yokomizo (Pushkin Vertigo)
• Madwoman, by Chelsea Bieker
(Little, Brown)
• The Many Lies of Veronica Hawkins, by Kristina Pérez (Pegasus Crime)
• Mark Twain’s Tales of the Macabre & Mysterious, edited by R. Kent Rasmussen (Lyons Press)
• The Mesmerist, by Caroline Woods (Doubleday)
• A Messy Murder, by Simon Brett
(Severn House)
• The Midnight Club, by Margot Harrison (Graydon House)
• The Moonflowers, by Abigail Rose-Marie (Lake Union)
• The Most Famous Girl in the World, by Iman Hariri-Kia (Sourcebooks Landmark)
• The Most Wonderful Crime of the Year, by Ally Carter (Avon)
• Murder at King’s Crossing, by Andrea Penrose (Kensington)
• Murder in an Italian Café, by Michael Falco (Kensington Cozies)
• Murder in Berkeley Square, by Vanessa Riley (Kensington)
• The Murder Room, by Lisa Stone (HarperCollins)
• The Mysterious Bookshop Presents the Best Mystery Stories of the Year: 2024, edited by Anthony Horowitz (Mysterious Press)
• Nathan Heller: A Mysterious Profile, by Max Allan Collins (MysteriousPress.com/Open Road)
• Negative Girl, by Libby Cudmore (Datura)
• The Night We Lost Him, by Laura Dave (S&S/Marysue Rucci)
• Not Born of Woman, by Teel James Glenn (Macabre Ink)
• Not the Killing Kind, by Maria Kelson (Crooked Lane)
• Now You Are Mine, by Amanda Brittany (Boldwood)
• Ocean Drive, by Sam Wiebe (Harbour)
• Once More from the Top, by Emily Layden (Mariner)
• Out of Service, by Joseph Heywood (Lyons Press)
• Passiontide, by Monique Roffey (Knopf)
• The Phantom Patrol, by James R. Benn (Soho Crime)
• Precipice, by Robert Harris (Harper)
• Princess of the Savoy, by Prudence Emery and Ron Base
(Douglas & McIntyre)
• Queen Macbeth, by Val McDermid (Atlantic Monthly Press)
• The Ransomed Madonna / The House on K Street, by Lionel White (Stark House Press)
• The Reaping, by Jess Lourey (Thomas & Mercer)
• The Red House Mystery, by A.A. Milne (Pushkin Vertigo)
• Retrograde Flaw, by Brian Shea and Raquel Byrnes (Severn River)
• Robert B. Parker’s Buzz Kill, by Alison Gaylin (Putnam)
• Safe Enough and Other Stories, by Lee Child (Mysterious Press)
• Saving Susy Sweetchild, by Barbara Hambly (Severn House)
• The Serial Killer’s Guide to San Francisco, by Michelle Chouinard (Minotaur)
• Seven Lively Suspects, by Katy Watson (Mobius)
• The 17th Letter, by Dorothy Cameron Disney (Stark House Press)
• The Shadow Key, by Susan Stokes-Chapman (Harper)
• Sick to Death, by Andrew Welsh-Huggins (Swallow Press)
• Silver Moon Rising, by A.M. Potter (Stark House Press)
• A Slay Ride with You, by Vicki Delany (Crooked Lane)
• Snake Oil, by Kelsey Rae Dimberg (Mariner)
• The Solstice, by Matt Brolly (Thomas & Mercer)
• Suddenly at His Residence, by Christianna Brand (Poisoned Pen Press)
• The Swimmer, by Loreth Anne White (Montlake)
• Syndicate, by Felix Francis (Crooked Lane)
• Them Without Pain, by Chris Nickson (Severn House)
• The Trap, by Ava Glass (Bantam)
• The Truth You Told, by Brianna Labuskes (Thomas & Mercer)
• The Tule Marsh Murder, by Nancy Barr Mavity (Penzler/American Mystery Classics)
• Turkeyfoot, by Rick Childers (Shotgun Honey)
• Under Cover of Darkness: Murder in Blackout London, by Amy Helen Bell (Yale University Press)*
• We Solve Murders, by Richard Osman (Pamela Dorman)
• What Time the Sexton’s Spade Doth Rust, by Alan Bradley (Bantam)
• When the Devil Drives, by John L. French (Bold Venture Press)
• Where They Last Saw Her, by Marcie R. Rendon (Bantam)
• Whispers of Guilt, by John Carson (Independently published)
• The Whitewashed Tombs, by Kwei Quartey (Soho Crime)
• Whole Life Sentence, by Lynda La Plante (Zaffre)
• The Witching Hour, by Catriona McPherson (Mobius)
• William, by Mason Coile (Putnam)
• XPD, by Len Deighton (Grove Press)
• Zetas Till We Die, by Amber and Danielle Brown (Graydon House)

SEPTEMBER (UK):
• Because She Looked Away, by Alison
Bruce (Constable)
• Blood Ties, by Jo Nesbø (Harvill Secker)
• The Case of the Lonely Accountant, by Simon Mason (Riverrun)
• The Chidham Creek Murders, by Pauline Rowson (Joffe)
• Close to the Edge, by Anna Britton (Canelo Crime)
• The Darkening Hills, by Kerry Buchanan (Joffe)
• A Deadly Discovery, by Ciar Byrne (Headline Accent)
• Dead Town, by Stephen Williams (Joffe)
• Death on Dartmoor Edge, by Stephanie Austin (Allison & Busby)
• Getting Away with Murder: My Unexpected Life on Page, Stage and Screen, by Lynda La Plante (Zaffre)*
• Hemlock Bay, by Martin Edwards (Head of Zeus/Aries)
• Holmes and Moriarty, by Gareth Rubin (Simon & Schuster UK)
• How to Slay at Work, by Sarah Bonner (Boldwood)
• Isolation Island, by Louise Minchin (Headline)
• Istanbul Crossing, by Timothy Jay Smith (Leapfrog Press)
• The Last Séance: Tales of the Supernatural, by Agatha Christie (HarperCollins)
• Lights Out, by Louise Swanson (Hodder & Stoughton)
• Living Is a Problem, by Doug Johnstone (Orenda)
• March Roars, by Maureen Jennings (Cormorant)
• Metropolitan Mysteries: A Casebook of London’s Detectives, edited by Martin Edwards (British Library Crime Classics)
• Midnight in Vienna, by Jane Thynne (Quercus)
• Missing Person: Alice, by Simon Mason (Riverrun)
• Murder at the Matinee, by Jamie West (Brabinger)
• Murder in Constantinople, by A.E. Goldin (Pushkin Vertigo)
• One Bad Apple, by Jo Jakeman (Constable)
• One of Us Is Dead, by Peter James (Macmillan)
• Opal, by Patricia Wolf (Embla)
• The Perfect Baby, by Sam Vickery (Bookouture)
• Poppy’s Christmas Cracker, by Leigh Russell (Crime & Mystery)
• A Reluctant Spy, by David Goodman (Headline)
• The Serial Killer Next Door, by Emma Kenny (Sphere)
• The Stalker, by Kate Rhodes (Simon & Schuster UK)
• A Suspicion of Spies: Risk, Secrets and Shadows, by Tim Spicer (Barbreck)*
• Writing the Murder: Essays in Crafting Crime Fiction, edited by Dan Coxon and Richard V. Hirst (Dead Ink)*

OCTOBER (U.S.):
• The Absinthe Forger: A True Story of Deception, Betrayal, and the World’s Most Dangerous Spirit, by Evan Rail (Melville House)*
• Agatha Christie’s Marple: Expert on Wickedness, by Mark Aldridge (HarperCollins)
• The Amber Waves of Autumn, edited by David M. Olsen (Kelp)
• And He Shall Appear, by Kate van der Borgh (Union Square)
• Anna Hoyt, by Dana Cameron (Dcle)
• The Arizona Triangle, by Sydney Graves (Harper Paperbacks)
• The Bad Neighbor, by Jenifer Ruff (Greyt Companion Press)
• Banners of Hell, by Paul Doherty (Headline)
• Behind You, by Mike Omer (Thomas & Mercer)
• The Best American Mystery and Suspense 2024, edited by
S.A. Cosby (Mariner)
• Betrayal at Blackthorn Park, by Julia Kelly (Minotaur)
• The Betrayal of Thomas True, by A.J. West (Orenda)
• Beyond Reasonable Doubt, by Robert Dugoni (Thomas & Mercer)
• Bloom, by Delilah S. Dawson (Titan)
• Blue Christmas Bones, by Carolyn Haines (Minotaur)
• The Blue Hour, by Paula Hawkins (Mariner)
• The Boyfriend, by Freida McFadden (Poisoned Pen Press)
• Brew Unto Others, by Sandra Balzo (Severn House)
• Bronco Buster, by A.J. Devlin (NeWest Press)
• Brooklyn Kills Me, by Emily Schultz (Thomas & Mercer)
• A Case of Rage, by Chester Himes (Vintage Crime/Black Lizard)
• The Case of the Busy Bees, by Clifford Witting (Galileo)
• Catch You Later, by Jessica Strawser (Lake Union)
• Christmas at Glitter Peak Lodge, by Kjersti Herland Johnsen (HarperVia)
• The Christmas Jigsaw Murders, by Alexandra Benedict (Poisoned Pen Press)
• Clean, by Alia Trabucco Zerán (Riverhead)
• Dark Space, by Rob Hart and Alex
Segura (Blackstone)
• Death Comes at Christmas, edited by Marie O’Regan and Paul Kane (Titan)
• Death Stake, by Andrew Mayne
(Thomas & Mercer)
• Disturbing the Bones, by Andrew Davis
and Jeff Biggers (Melville House)
• The Drowned, by John Banville (Hanover Square Press)
• Echoes of Us, by Joy Jordan-Lake (Lake Union)
• Eight Very Bad Nights: A Hanukkah Story Collection, edited by Tod Goldberg (Soho Crime)
• The Elias Network, by Simon Gervais (Thomas & Mercer)
• Every Moment Since, by Marybeth Whalen (Harper Muse)
• Everyone This Christmas Has a Secret, by Benjamin
Stevenson (Mariner)
• Exposure, by Ramona Emerson (Soho Crime)
• Gathering Mist, by Margaret Mizushima (Crooked Lane)
• The Great Hippopotamus Hotel, by Alexander McCall
Smith (Pantheon)
• The Grays of Truth, by Sharon Virts (Flashpoint)
• The Grey Wolf, by Louise Penny (Minotaur)
• A Grim Reaper’s Guide to Catching a Killer, by Maxie Dara (Berkley)
• Identity: Unknown, by Patricia Cornwell (Grand Central)
• In Too Deep, by Lee Child and Andrew Child (Delacorte Press)
• It Will Only Hurt for a Moment, by Delilah S. Dawson (Del Rey)
• Karla’s Choice, by Nick Harkaway (Viking)
• Killer Cocktails: Dangerous Drinks Inspired by History’s Most Nefarious Criminals, by Holly Frey and Maria Trimarchi (Hachette)*
• Killing Time, by M.C. Beaton with R.W. Green (Minotaur)
• The Last One at the Wedding, by Jason Rekulak (Flatiron)
• Leave the Girls Behind, by Jacqueline Bublitz (Atria/Emily Bestler)
• The Life and Death of Rose Doucette, by Harry Hunsicker (Oceanview)
• Lightborne, by Hesse Phillips (Pegasus)
• The Little Bird, by Ashby Jones (Addison & Highsmith)
• Long Time Gone, by Hannah Martian (Crooked Lane)
• The Man in Black and Other Stories, by Elly Griffiths (Mariner)
• The Mermaid Mystery, by Tamar Myers (Severn House)
• Midnight and Blue, by Ian Rankin (Mulholland)
• The Mistletoe Mystery, by Nita Prose (Ballantine)
• The Mistress and the Key, by Ben Mezrich (Grand Central)
• The More the Terrier, by David Rosenfelt (Minotaur)
• Mr. Einstein’s Secretary, by Matthew Reilly (Macmillan Australia)
• Mr. Good-Evening, by John MacLachlan Gray (Douglas & McIntyre)
• Murder Among the Pyramids, by Sara Rosett (McGuffin Ink)
• The Murderess, by Laurie Notaro (Little A)
• Murder in Highbury, by Vanessa Kelly (Kensington)
• Murder in Lima, by Robert A. Levey (Cutting Edge)
• Murder on the Page, by Daryl Wood Gerber (Kensington)
• Murder Takes the Stage, by Colleen Cambridge (Kensington)
• My Darlings, by Marie Still (Rising Action)
• Mystery in the Title, by Ian Ferguson and Will Ferguson (Mira)
• A New Lease on Death, by Olivia Blacke (Minotaur)
• The Night Woods, by Paula Munier (Minotaur)
• No Hallowed Ground, by Steve Hockensmith (Rough Edges Press)
• No One Will Know, by Rose Carlyle (Morrow)
• Not Yours to Keep, by Zelly Ruskin (She Writes Press)
• The President’s Lawyer, by Lawrence Robbins (Atria)
• Prophet of Blood, by Peter Tremayne (Severn House)
• The Puzzle Box, by Danielle Trussoni (Random House)
• The Queen, by Nick Cutter (Gallery)
• The Restaurant of Lost Recipes, by Hisashi Kashiwai (Putnam)
• Rockin’ Around the Chickadee, by Donna Andrews (Minotaur)
• Rough Pages, by Lev AC Rosen (Forge)
• Run, by Blake Crouch (Ballantine)
• Run Man Run, by Chester Himes (Vintage Crime/Black Lizard)
• The Secret War of Julia Child, by Diana R. Chambers
(Sourcebooks Landmark)
• The Seventh Floor, by David McCloskey (Norton)
• Shallow Depths, by Milan Skrecek (Independently published)
• The Slate, by Matthew FitzSimmons (Thomas & Mercer)
• Society of Lies, by Lauren Ling Brown (Bantam)
• The Specimen, by Jaima Fixsen (Poisoned Pen Press)
• The Sponsor, by Fred Das and Jeroen Terlingen (New In Chess)
• This Ends Now, by T.M. Payne (Thomas & Mercer)
• This Girl’s a Killer, by Emma C. Wells (Poisoned Pen Press)
• The Three Coffins, by John Dickson Carr (Penzler/American
Mystery Classics)
• The Trip, by Phoebe Morgan (Morrow)
• The Treasure Hunters Club, by Tom Ryan (Atlantic Monthly Press)
• The Trials of Marjorie Crowe, by C.S. Robertson (Hodder & Stoughton)
• The Troubling Death of Maddy Benson, by Terry Shames
(Severn House)
• Two Good Men, by S.E. Redfearn (Blackstone)
• Under a Lightning Sky, by Pam Lecky (Avon)
• The Undercurrent, by Sarah Sawyer (Zibby)
• The Usual Silence, by Jenny Milchman (Thomas & Mercer)
• The Waiting, by Michael Connelly (Little, Brown)
• What Are the Odds, by David List (Blackstone)
• The Wheel Spins, by Ethel Lina White (Poisoned Pen Press)
• Will End in Fire, by Nicole Bokat (She Writes Press)
• A Woman Underground, by Andrew Klavan (Mysterious Press)
• You Better Watch Out, by James S. Murray and Darren Wearmouth (St. Martin’s Press)
• You Can Kill, by Rebecca Zanetti (Zebra)
• You Have Gone Too Far, by Carlene O’Connor (Kensington)
• The Young Widows, by S.J. Short (Avon)

OCTOBER (UK):
• And Then There Were None: The Ultimate Mystery Edition, by Agatha Christie (HarperCollins)
• The Bad Seeds, by C.J. Skuse (HQ Digital)
• The Bells of Westminster, by Leonora Nattrass (Viper)
• The Burning Stones, by Antti Tuomainen (Orenda)
• The Cursed Writer, by Holly Hepburn (Boldwood)
• Curtain Call to Murder, by Julian Clary (Orion)
• Dance to Death, by Shirley Ballas (HQ)
• The Dangerous Journey, by Frederick J. Hillberg (Brown Dog)
• Dark as Night, by Lilja Sigurdardóttir (Orenda)
• Dead Behind the Eyes, by Ian Moore (Duckworth)
• Dead Island, by Samuel Bjørk (Bantam)
• Death at the Old Curiosity Shop, by Debbie Young (Boldwood)
• Death Rites, by Sarah Ward (Canelo Crime)
• Dramatic Murder: A Lost Christmas Mystery, by Elizabeth Anthony (British Library Crime Classics)
• The Eleventh Grave, by Rachel Amphlett (Saxon)
• Guilty, by Martina Cole and Jacqui Rose (Headline)
• The Honeymoon, by Gemma Rogers (Boldwood)
• A Killer of Influence, by J.D. Kirk (Canelo)
• The Labyrinth House Murders, by Yukito Ayatsuji (Pushkin Vertigo)
• Leo, by Deon Meyer (Hodder & Stoughton)
• Miss Beeton’s Murder Agency, by Josie Lloyd (HQ)
• Murder in My Backyard, by Ann Cleeves (Pan)
• Murder Under the Mistletoe, by Richard Coles (Weidenfeld & Nicolson)
• The Official Agatha Christie Puzzle Book (Laurence King)*
• Pay Back the Devil, by Graham Masterton (Head of Zeus/Aries)
• The Peepshow: The Murders at 10 Rillington Place, by Kate Summerscale (Bloomsbury Circus)*
• Prize Catch, by Alan Carter (Fremantle Press)
• A Saxon Shadow, by H.L. Marsay (Tule)
• Silent Bones, by Val McDermid (Sphere)
• The Soho Murder, by Mike Hollow (Allison & Busby)
• Their Frozen Bones, by D.K. Hood (Bookouture)
• When the Germans Come, by David Hewson (Bloodhound)

NOVEMBER (U.S.):
• All’s Fair in Love and Treachery, by Celeste Connally (Minotaur)
• Antiques Slay Belles, by Barbara Allan (Severn House)
• April Storm, by Leila Meacham (Harper)
• The Author’s Guide to Murder, by Karen White (Morrow)
• Big Breath In, by John Straley (Soho Crime)
• The Boundaries We Cross, by Brad Parks (Oceanview)
• Bright Segments, by James Sallis (Soho Crime)
• Burn This Night, by Alex Kenna (Crooked Lane)
• Call Me Carmela, by Ellen Kirschman (Open Road Media)
• A Case of Matricide, by Graeme Macrae Burnet (Biblioasis)
• The Coldest Case, by Tessa Wegert (Severn House)
• The Conspiracies of the Empire, by Qiu Xiaolong (Severn House)
• Deadly Animals, by Marie Tierney (Henry Holt)
• Death and the Old Master, by G.M. Malliet (Severn House)
• Death Takes the Lead, by Rosemary Simpson (Kensington)
• Devil’s Defense, by Lori B. Duff (She Writes Press)
• Double Barrel Bluff, by Lou Berney (Morrow Paperbacks)
• Drop Dead Sisters, by Amelia Diane Coombs (Mindy's Book Studio)
• The Fallen Sparrow, by Dorothy B. Hughes (Penzler/American Mystery Classics)
• Flint Kill Creek: Stories of Mystery and Suspense, by Joyce Carol Oates
(Mysterious Press)
• Guilt and Ginataan, by Mia P.
Manansala (Berkley)
• The Gonif, by Andy Weinberger
(Prospect Park)
• Heavy Are the Stones, by J.D. Barker and Christine Daigle (Hampton Creek Press)
• He Who Whispers, by John Dickson Carr (Poisoned Pen Press)
• Honolulu Noir, edited by Chris McKinney (Akashic)
• Hotel Lucky Seven, by Kotaro Isaka (Overlook Press)
• I Know She Was There, by Jennifer Sadera (CamCat)
• I’ll Be Home for Mischief, by Jacqueline Frost (Crooked Lane)
• An Insignificant Case, by Phillip Margolin (Minotaur)
• Kill Yours, Kill Mine, by Katherine Kovacic (Poisoned Pen Press)
• The Lake of Lost Girls, by Katherine Greene (Crooked Lane)
• The Last King of California, by Jordan Harper (Mulholland)
• Misery Hates Company, by Elizabeth Hobbs (Crooked Lane)
• Mr. Campion’s Christmas, by Mike Ripley (Severn House)
• Murder at Glenloch Hill, by Clara McKenna (Kensington)
• Murder at Whitechapel Road Station, by Jim Eldridge (Allison & Busby)
• Murder Town, by Shelley Burr (Morrow)
• No Special Hurry, by Colman Conroy (Koehler)
• Now or Never, by Janet Evanovich (Atria)
• The Nuremberg Papers, by Jonathan E. Lewis (Stark House Press)
• Out in the Cold, by Steve Urszenyi (Minotaur)
• Pony Confidential, by Christina Lynch (Berkley)
• Quarry’s Return, by Max Allan Collins (Hard Case Crime)
• Red Hook: Brooklyn Mafia, Ground Zero, by Frank Dimatteo and Michael Benson (Citadel)*
• Robert B. Parker’s Hot Property, by Mike Lupica (Putnam)
• Shell Games, by Bonnie Kistler (Harper)
• Silent Are the Dead, by D.M. Rowell (Crooked Lane)
• Smoke Season, by Amy Hagstrom (Lake Union)
• The Starlets, by Lee Kelly and Jennifer Thorpe (Harper Muse)
• These Opulent Days, by Jacquie Pham (Atlantic Monthly Press)
• To Die For, by David Baldacci (Grand Central)
• Tooth and Claw, by Craig Johnson (Viking)
• The Trunk, by Kim Ryeo-Ryeong (Hanover Square Press)
• Two Times Murder, by Adam Oyebanji (Severn House)
• A Very Bad Thing, by J.T. Ellison (Thomas & Mercer)
• We Three Queens, by Rhys Bowen (Berkley)
• You Can’t Hurt Me, by Emma Cook (Hanover Square Press)

NOVEMBER (UK):
• The Berlin Agent, by Stephen Ronson (Hodder & Stoughton)
• The Black Swan Mystery, by Tetsuya Ayukawa (Pushkin Vertigo)
• Blood Sacrifice, by Douglas Jackson (Canelo Action)
• Blood Will Tell, by Christian Unge (MacLehose Press)
• The Bologna Vendetta, by Tom Benjamin (Constable)
• Can’t Run, Can’t Hide, by Yrsa Sigurdardottir (Hodder & Stoughton)
• The Christmas Stocking Murders, by Denzil Meyrick (Bantam)
• City of Destruction, by Vaseem Khan (Hodder & Stoughton)
• Dead Cold, by T.F. Muir (Constable)
• A Deadly Fall, by E.V. Hunter (Boldwood)
• Firefight, by Tom Wood (Sphere)
• Ghost Island, by Max Seeck (Mountain Leopard Press)
• Going to the Dogs, by Pierre Lemaitre (Mountain Leopard Press)
• Ice Town, by Will Dean (Hodder & Stoughton)
• The Killer in the Cold, by Alex Pine (Avon)
• Last One Left Alive, by Michael Wood (One More Chapter)
• The Last Ride, by Nick Louth (Canelo Crime)
• Liars Island, by T. Orr Munro (HQ)
• A Lively Midwinter Murder, by Katy Watson (Constable)
• A Mother’s Revenge, by Alex Kane (Canelo Hera)
• Murder at the Crooked House, by Lesley Cookman (Headline Accent)
• Murder in Vienna, by E.C.R. Lorac (British Library Crime Classics)
• The Neighbour’s Secret, by Sharon Bolton (Orion)
• Nothing to See Here, by Susan Lewis (HarperCollins)
• The Revenge Pact, by Liz Mistry (HQ Digital)
• A Thief’s Blood, by Douglas Skelton (Canelo Adventure)
• The Traitor, by Jørn Lier Horst (Michael Joseph)
• Traitor, by Roberta Kray (Sphere)
• Victim, by Jørn Lier Horst and Thomas Enger (Orenda)
• The Village Killer, by Ross Greenwood (Boldwood)
• White City, by Dominic Nolan (Headline)
• You All Die Tonight, by Simon Kernick (Headline)

DECEMBER (U.S.):
• Against the Grain, by Peter Lovesey (Soho Crime)
• Alter Ego, by Alex Segura (Flatiron)
• Bellevue, by Robin Cook (Putnam)
• Booked for Murder, by P.J. Nelson (Minotaur)
• Boystown, by John Shannon (Unnamed Press)
• The Close-Up, by Pip Drysdale (Gallery)
• Deadbeat, by Adam Hamdy (Atria)
• Dogs and Wolves, by Hervé Le Corre (Europa Editions)
• The Door, by Mary Roberts Rinehart (Penzler/American Mystery Classics)
• Echo, by Tracy Clark (Thomas & Mercer)
• Gabriel’s Moon, by William Boyd (Atlantic Monthly Press)
• Good Lieutenant, by E.J. Copperman (Severn House)
• Havoc, by Christopher Bollen (Harper)
• Imposter Syndrome, by Joseph Knox (Sourcebooks Landmark)
• Invisible Helix, by Keigo Higashino (Minotaur)
• Leviathan, by Robert McCammon (Lividian)
• Locked In, by Jussi Adler-Olsen (Dutton)
• Love the Stranger, by Michael Sears (Soho Crime)
• My Darling Boy, by Helen Cooper (Putnam)
• The Next Grave, by Kendra Elliot (Montlake)
• Nobody’s Hero, by M.W. Craven (Flatiron)
• Past Redemption, by David Mark (Severn House)
• Perfect Storm, by Paige Shelton (Minotaur)
• The Rivals, by Jane Pek (Vintage)
• The Secret of the Three Fates, by Jess Armstrong (Minotaur)
• The Silent Watcher, by Victor Methos (Thomas & Mercer)
• A Snake in the Barley, by Candace Robb (Severn House)
• Stuart Woods’ Golden Hour, by Brett Battles (Putnam)
• The Survivors, by Caroline Mitchell (Thomas & Mercer)
• The Theft of the Iron Dogs, by E.C.R. Lorac (Poisoned Pen Press)
• Trouble Island, by Sharon Short (Minotaur)
• We Are the Beasts, by Gigi Griffis (Delacorte Press)
• What the Wife Knew, by Darby Kane (Morrow)

DECEMBER (UK):
• Death on the Prowl, by Ann Granger (Headline)
• Katya: Arctic Betrayal, by David Bickford (Coinkydink)
• Murder on the Brighton Express, by C.J. Archer (C.J. Archer)
• Murder’s Snare, by Paul Doherty (Severn House)
• Tea on Sunday, by Lettice Cooper (British Library Crime Classics)

I’m sorry for posting this list now, rather than at the beginning of September, as I had planned to do. But life got in the way. Let’s hope these recommendations are received well, nonetheless. If you think I’ve missed mentioning any works of special merit, please don’t hesitate to let us all know about them in the post’s Comments section.